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• Other Percussion
  25 bytes (3 words) - 11:16, 27 March 2008

Page text matches

• L1® Model I / FAQ
  ...plied) into the master output port on the ToneMatch audio engine. Plug the other end of the cable into the line-in jack of channel 3 or 4 on the {{L1 nl}} p ...th 1/4" TRS connections on one end and dual male 1/4" TS connectors on the other. You may also purchase a Bose ToneMatch audio engine, which includes a comp
  60 KB (9,859 words) - 05:33, 26 March 2017
• L1® Model II / FAQ
  ...y applications and compatible with standard mixers, DJ mixers, laptops and other devices. This enables the layout of the power stand to be less cluttered, w ...y will develop as better players because they can hear themselves and each other. All will benefit from the knowledge that the sound they produce on stage i
  42 KB (6,832 words) - 05:25, 26 March 2017
• South Atlantic States L1® Conference 2008
  ...e had 75 people or more, they'd provide the buffet for us exclusively some other evening. They can do things like "three menu option" meals as well. <!-- some other details deleted as these are no longer required -->
  19 KB (3,088 words) - 18:40, 26 March 2017
• L1® Compact
  === Comparisons to Other Members of the L1® Family === ...ns. He's an experienced pro, playing guitar and singing to demonstrate for other audiences. As an audience member listening to Charlie, I was delighted with
  27 KB (4,306 words) - 01:35, 20 May 2021
• L1® T1 ToneMatch® Audio Engine / FAQ
  ...one channel while simultaneously applying different effects to each of the other channels. Each effect type has designated user-adjustable parameters; these ...transferred a copy of the scene file to a PC, you can easily share it with other ToneMatch audio engine owners.
  31 KB (4,908 words) - 04:28, 9 April 2017
• Microformat
  ...ses existing-classes - Microformats<!-- Bot generated title -->]</ref> and other attributes.<ref name="uF-rel-faq">[http://microformats.org/wiki/rel-faq rel ...ntended to bridge this gap by attaching [[semantics]], and thereby obviate other, more complicated methods of automated processing, such as [[Information ex
  17 KB (2,357 words) - 01:29, 30 March 2008
• Reinventing the Electric Guitar As We Know It
  ...12 cab with the “right” speakers in them (“greenback” something-or-other). He couldn’t tell the difference. This was at a “guitar summit” we h ...pping back and forth between the two systems is an obvious no-brainer. All other methods as of yet unseen are also possible. In the evening, we will play co
  34 KB (6,140 words) - 03:49, 24 February 2010
• L1® System FAQ
  ...op into better players precisely because they can hear themselves and each other better. Musicians at all skill levels benefit from knowing the sound they p ...ositioned behind a musician?providing accurate coverage for the performer, other musicians onstage and audiences.
  17 KB (2,793 words) - 03:21, 26 March 2017
• Feedback / Microphone
  .... The correct setting for any particular source may be different from your other sources. '''Get close to the microphone''' when you want to be loud. No other technique has a big an impact on feedback. Each halving of distance is appr
  16 KB (2,433 words) - 20:03, 1 July 2023
• Making a Living with the L1®
  ...pectable living simply by performing music in local venues. You must have other work. It seems that inflation has passed most musicians by, indicating tha # Most musicians today seem to have other employment, because they can't support themselves playing. This contribute
  27 KB (4,639 words) - 18:37, 26 March 2017
• Leslie loudspeakers
  ...is no longer in business but many are in circulation, parts are available, other kinds of speakers that do the same thing are commercially available and the ...his is exactly the same Doppler effect that causes a train whistle (or any other sound on the train, such as grunting pigs, or shrieking passengers), to ris
  42 KB (7,262 words) - 13:29, 2 September 2008
• Succeeding in the Performing Arts
  ...a program, often a good choice for this and other reasons for a musical or other performance. ...Way, that's human nature. There's also plenty to learn from others, on the other side of the coin.
  35 KB (6,117 words) - 14:26, 16 September 2015
• Is It Too Expensive?
  ...I do for my niece and her fledgling band. She is the only vocalist and the other four members of the band already have their instrument amps. There probably Pondering value, I look around at other things that I spend money on, and notice:
  16 KB (2,913 words) - 11:43, 9 May 2011
• HCard
  ...|Operator extension]]) to extract the details, and display them using some other website or [[map]]ping tool, index or search them, or to load them into an ...<code><nowiki><span class="fn org">Wembley Stadium</span></nowiki></code>. Other, optional, hCard classes also exist.
  5 KB (783 words) - 01:25, 30 March 2008
• Jam Session
  ...hese have competing interests and some have interests that complement each other. It would be good to know more about what you want to do. *Would like to include (other instruments or vocal roles they would welcome on stage)
  6 KB (1,124 words) - 13:38, 23 December 2011
• Should I get an L1 Pro16 or L1 Pro32
  ...ations. The L1 Pro32 has unique features that make it the right choice for other applications. ...ticle, I will discuss the merits of both and why you might want one or the other. For a detailed comparison of the specifications please see 👉</html>[[{
  15 KB (2,619 words) - 15:00, 31 October 2023
• Presets 1.0
  ...mmended preset and set up the other using 00. Then plug into one, then the other, for a quick A/B. We invite you to try this. What follows is a description ...andard non-processed “reference” preset. As of this writing, there are other flat presets, shown on the preset list that comes with all systems. Use the
  16 KB (2,852 words) - 09:17, 25 March 2024
• L1 Cylindrical Radiator® loudspeaker
  ...lity with Other Members of the L1® Family of Products |Compatibility with Other Members of the L1® Family of Products]] (below) ...n circuits etc.) are designed so that they really work optimally with each other.
  12 KB (2,008 words) - 06:55, 26 March 2017
• Electric Guitar Research
  Two other professional electric guitarists were invited to participate in the summit. ...pping back and forth between the two systems is an obvious no-brainer. All other methods as of yet unseen are also possible. In the evening, we will play co
  18 KB (3,186 words) - 10:56, 24 April 2011
• Main Page
  /* Create three equal columns that floats next to each other */ ...makes the three columns stack on top of each other instead of next to each other */
  10 KB (1,448 words) - 12:01, 30 March 2021
• Wikipedia:Protection policy
  ...ontent of the page. If they feel it would benefit the discussion to allow other users to view the page content, administrators may [[Wikipedia:Restore|rest ...apply protection to non-existent pages with the same procedure as with all other pages. A list of protected titles may be found at [[Special:Protectedtitles
  13 KB (1,886 words) - 01:31, 30 March 2008
• Invention of ToneMatch® Technology
  ...l and adjust it according to the other instruments they heard (through the other L1’s) onstage. ...s of sounding like real voices. Shure SM58’s were used and later several other mics were used to see which ones worked best with our system.
  6 KB (973 words) - 18:29, 26 March 2017
• Larrivee Electric Guitars - the 80s
  first time in years, companies other than Gibson and Fender were having accounted for the bulk of electric production, there were other models
  9 KB (1,530 words) - 06:58, 22 January 2013
• Kemper Profiler
  Performance Name, Slot Name, Rig Name, Amp Name, Cabinet Name, other tags... are all different animals. People can use these for different purpo ...er Slot. If you store now, only the edits of the current Slot survive, the other four Slots 4 stay as these were stored before.
  24 KB (3,721 words) - 12:54, 8 August 2023
• L1® Unofficial Performers' Guide
  ...usicians are willing to share their amps, based on the idea that any sound other than that of your instrument will somehow corrupt the tone. This is probab Sharing should be restricted to musicians located near each other on stage, for example, two background singers standing shoulder to shoulder
  12 KB (2,071 words) - 02:57, 26 March 2017
• Leslie Speakers
  ...his is exactly the same Doppler effect that causes a train whistle (or any other sound on the train, such as grunting pigs, or shrieking passengers), to ris ...oks like two horn assemblies; in fact, only one is operable as a horn. The other side, a "dummy", acts as a counterweight or dynamic balancer, providing sym
  39 KB (6,630 words) - 16:45, 23 March 2011
• Warranty Information
  ...del I}} system and {{B1}} and {{B2}}). For limited warranty information in other parts of the world, please visit [http://www.Bose.com/musicians http://www. ...l II}} system and {{B1}} and {{B2}}). For limited warranty information in other parts of the world, please visit [http://www.Bose.com/musicians http://www.
  4 KB (550 words) - 15:27, 11 May 2022
• Cataloging the Problems
  One of the other things we knew about was a rapidly growing category of products: earplugs f ...s in concert results in a much more powerful experience than if one or the other is employed alone.
  14 KB (2,567 words) - 00:59, 16 October 2008
• Catalog of Live Music Research Problems
  One of the other things they knew about was a rapidly growing category of products: earplugs ...s in concert results in a much more powerful experience than if one or the other is employed alone.
  13 KB (2,304 words) - 10:55, 24 April 2011
• ToneMatch Mixer without L1
  ...t use a ToneMatch preset when using the {{ToneMatch Mixer}} or {{T1}} with other systems?''' ...might lead you to conclude that a ToneMatch preset shouldn't be used with other systems.
  2 KB (379 words) - 11:08, 10 December 2023
• International Standard Book Number
  ...ode for Japanese (4) and 4-431-96331-? would also have check digit ? = 6. Other Springer books in English have publisher code 817, and 0-817-96331-? would ...her'', ''title'' and ''check digit'') with either a [[hyphen]] or a space. Other than the check digit, no part of the ISBN has a fixed number of digits.<ref
  33 KB (4,545 words) - 12:17, 21 January 2013
• PackLite® power amplifier Model A1
  ...one or more B1s added (or use of the Bass-Line OUT connector)- 180 Hz. The other end of the intellegence comes from knowing if you have 0, 1, 2, or 4 B1s co ...tem without touching a crossover knob, or an EQ ... just try that with any other speaker system out there" with a big, full of pride, grin on our face.
  12 KB (2,063 words) - 13:56, 21 September 2023
• Crossover
  ...24dB down and below crossover the L1's are 24dB down. They get out of each other's way pretty quickly. &mdash; Cliff-at-Bose In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens
  7 KB (1,241 words) - 00:41, 28 June 2018
• Hearing Yourself
  ..., other than a cleaner stage, it sort-of looks the same. You still see the other players, their instruments, microphones on stands and the audience. So, giv ...firm understanding of the fact that you are finally in total contact with other players and with your audience is powerfully useful. It is actually a spiri
  5 KB (900 words) - 00:41, 12 January 2012
• Gig Report / 8 Live Acts 7 Hours
  ...the wide shallow stage, one of the Drummers was having trouble hearing the other side of the stage. I duct taped an AKG C3000 to one of the mic stands at th ...Piano player at all through the other players. He was okay once I got that other mic strung up. If I had it to do again, I would probably have run a line fr
  13 KB (2,352 words) - 07:12, 20 November 2010
• Electric Bass
  This is not the case for most other instruments. Keyboard synthesizers, for example, rely on internal sound gen ...standpoint is if the system replaces both a conventional bass rig ''and'' other equipment.
  21 KB (3,673 words) - 15:29, 22 December 2008
• How Not To Hear What You've Got
  === Mistake: Assumed the {{L1}} was like any other PA === I plugged outboard compression, EQ, and other compensatory devices into the {{L1}}. The result is the same as above: Ever
  3 KB (595 words) - 14:02, 28 May 2021
• B1 Bass Module / Positioning
  ...now about the other factors or, more likely, they may be hoping that those other factors can be ignored. The temptation to extrapolate beyond the part that ...l. If you hear a change, it is because you've moved the grille relative to other Bass Modules or relative to boundaries. Don't shove the grille into a wall
  10 KB (1,856 words) - 20:49, 13 July 2021
• T1 ToneMatch® Audio Engine
  .... The correct setting for any particular source may be different from your other sources. ...nce so you can plug in an acoustic guitar with passive piezo pickup or any other passive instrument directly without a pre-amp. Input impedance on Channels
  13 KB (1,983 words) - 11:55, 22 May 2018
• T1 ToneMatch® Audio Engine / KickGate
  ...s linked to the KickGate, so you won't lose any special preset goodness or other drum sweetening. ...the L/R group mix. Your sound module must have at least one extra output other than the L/R mix. The Roland TD-12 has L/R and additional outputs 1 & 2.
  4 KB (718 words) - 04:48, 26 March 2017
• Ground Loop
  ...unding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide ...unding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide
  8 KB (1,303 words) - 09:31, 7 April 2019
• Presets 2 Upgrade instructions
  Copyright laws and international copyright treaties, as well as other intellectual properly laws and treaties protect this Software. The Software # Connect the other end of the audio patch cable to the Data IN jack (RCA-type jack with a whit
  7 KB (1,127 words) - 15:32, 1 November 2016
• L1® PackLite® A1 Amplifier / FAQ
  ...ue the use of bulky and heavy transformer components typically required in other high-powered designs. ...The input stage of this amplifier is designed for the power stand. On the other hand, has an input impedance appropriate for most pro audio components such
  17 KB (2,728 words) - 05:42, 26 March 2017
• Gig Report / House Concert Fundraiser
  ...in the corner and the room was arranged around that. We have done this in other years, but that was for a single performer (Voice and Guitar). I really wan This was the first show for me where I had {{T1r}}s on the stage for other performers to use. Although it would have been easy to run the {{T1r}}s fro
  9 KB (1,752 words) - 19:00, 4 January 2009
• Stage Layouts / Corner
  ...y person who had been available for a sound check. I knew roughly what the other performers were going to be using for instruments so I made up generic Scen ...is, and found it very bass heavy for my acoustic Guitar. My partner on the other side said it was a little boomy but not too bad. We both had the zEQ settin
  4 KB (819 words) - 12:30, 9 April 2011
• Share the Wealth Contest 2008
  ...t music in your area, anything non-traditional that could be duplicated in other parts of the country that support the Audience, the Musicians, the Communit * Gear reviews <br />Pick your favourite instrument or other input to your L1®, tell us about what you like, don’t like, how you conn
  5 KB (904 words) - 13:56, 9 October 2008
• Sample Profile
  # Other == Other Comments ==
  776 bytes (117 words) - 02:16, 7 September 2008
• Wiki Create Profile
  # Other == Other Comments ==
  2 KB (322 words) - 01:59, 12 September 2008
• Roland GR-33 Guitar Synthesizer Review
  Please tell us the model of {{L1}} you have and any other Bose components you are using. Examples ...and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the {{L1}} before you hit the stage or
  5 KB (845 words) - 11:16, 19 September 2008
• Fishman SoloAmp / Bose L1® Comparison
  ...a and that was causing some thudding with my guitar so I moved them to the other side of the tower. To compare the two, the Bose seems fuller across all par ...ust to clean up the beginnings and ends. I didn't do any EQing or make any other changes:
  17 KB (3,271 words) - 18:10, 26 March 2017
• Ken's Main Page (temporary)
  * [[Connecting to Other Equipment / Musical Instruments]] * [[Connecting to Other Equipment / Mixers, DI Boxes, Etc.]]
  3 KB (387 words) - 15:36, 4 May 2009
• Microphone Feedback
  * '''Get close to the microphone''' when you want to be loud. No other technique has a big an impact on feedback. Each halving of distance is appr ...idirectional. All sound waves impinging on the microphone from a direction other than the intended signal is "noise" and will lower the threshold of feedbac
  3 KB (528 words) - 16:12, 7 January 2009
• T1 ToneMatch® Audio Engine / Mono Output to Two L1®s
  === One {{Model II nl}} and any other kind of {{L1 nl}} === ...I, and use a &frac14; inch jack cable from the Analog Master output to the other L1®. See detailed explanation here: [[T1 ToneMatch® Audio Engine to Two M
  2 KB (348 words) - 16:53, 4 September 2023
• Stereo / Mono / Distributed Systems
  ...ooking for differences from the way we might have approached this with the other L1® models ...far apart won't hear stereo &mdash; but his or her audience will. On the other hand, space the L1 systems closer so that the player gets stereo and you wo
  8 KB (1,432 words) - 15:37, 23 September 2023
• B1 Bass Module
  *The other 3 dB is gained by doubling of acoustic volume, cone area and close coupling == Compatibility with Other Members of the L1® Family of Products ==
  10 KB (1,586 words) - 00:10, 17 February 2019
• Bass Outdoors
  ...direct sound from the {{L1}} falls off with distance more slowly than most other speakers, including all bass speakers, and including {{B1}}s. We rarely not ...ve, no matter what EQ or presets we use, and it will also happen if we use other subs, no matter how big they are. The only ways to fully prevent it would b
  5 KB (995 words) - 12:52, 21 November 2010
• PS1 Powerstand Connections
  == Connecting Other Equipment (inputs) == This section is an overview of connections you can make from a other equipment (mixer, music storage device, etc.) to the {{PS1}}.
  4 KB (654 words) - 10:36, 5 November 2010
• Hardshell Cases
  === Adaptations from other sources === ...shelf solution. I made the dividers out of 1/8 inch sheets of something or other wrapped in contact paper. Over two years and not a scratch on the radiators
  7 KB (1,057 words) - 11:12, 25 June 2016
• Review / Microphone / Various
  [[Category:Other]] ...m 24. Interestingly, the new guitar has the "sparkle and shimmer" that the other one lacked. This is a subtle nuance that could easily be lost in a conventi
  23 KB (3,709 words) - 18:12, 10 September 2022
• PorchBoard Floor Bass
  ...3, there is no need to do that, so you can leave 1, 2, and 3 available for other inputs that require more gain. If you are using Channel 2 for Guitar or other instrument then you can run the PorchBoard to one of the Channel 2 RCA jack
  14 KB (2,215 words) - 14:25, 11 March 2019
• L1® Model II
  ...analog input accepts 1/4" TRS phone cable. Can be used for instruments or other audio sources like DJ mixers, MP3 players, computers or DVD systems. Trim c == Compatibility with Other Members of the L1® Family of Products ==
  9 KB (1,440 words) - 01:37, 20 May 2021
• L1® Model I
  == Compatibility with Other Members of the {{L1 nl}} Family of Products == {{Compatibility with Other Members of the L1® Family of Products}}
  3 KB (425 words) - 15:59, 26 March 2017
• T1 ToneMatch® Audio Engine / USB
  ...audio device in Windows). You can play and record audio just like with any other soundcard, i.e. if you use for example Windows Media Player to play a song, ...how the computer is configured, what operating system is running, and what other processes are going on at the same time. See also: [[Latency and The L1®]
  8 KB (1,290 words) - 18:04, 27 March 2019
• Guitar Player Syndrome
  ...ht cabinet. I have been working on the Bose project for over a year, among other things, working on getting the guitar sound into the system. I went through The other guitarist in our band, Cliff Goodwin, is using a standard POD through the B
  11 KB (1,975 words) - 12:49, 19 May 2011
• Using a Different Sub
  ...y EQ is applied to the output to optimize the performance of the B1s. In other words, if there are {{B1}}s connected directly to the Power Stand, the the ===Can I mix {{B1}}s with other subs?===
  5 KB (941 words) - 11:33, 20 February 2013
• B1 Stands - Custom Fabrication
  ...ocated behind them. When the system is placed in the normal disco position other potential problems are evident: ==== Not stacking the B1s on top of each other? ====
  6 KB (1,155 words) - 10:50, 21 April 2009
• Volume
  ...t that speech intelligibility drops rapidly with sound pressure level (all other things being equal) and is generally very poor above 100 dB SPL. ...nced at higher levels and a single string bass note can drown out a lot of other sounds.
  7 KB (1,178 words) - 23:55, 28 November 2007
• Peavey Kosmos® Pro
  ...THUD controls did positively effect the sound and the perceived output. In other words, it sounded like it improved the overall bass output if that was what ...y material an octave below it. It has a unique feature that is found on no other bass processors- an adjustable dynamics control which modifies the bass tra
  6 KB (957 words) - 18:38, 26 March 2017
• Wikipedia:Subpages
  ..., at [[Wikipedia:Miscellany for deletion|Miscellany for deletion]]. On the other hand, if you would just like them to be moved back, then by all means ask a ...is discouraged, and other distinctions are better made by placing pages in other namespaces (e.g. discussions go in "Talk:", and templates in "Template:").
  9 KB (1,406 words) - 02:00, 30 March 2008
• Precedence Effect
  ...ustic signal arriving first at the ears suppresses the ability to hear any other signals, including ECHOes and REVERBERATION, that arrive up to about 40 ms ...irst wave front. These effects, in conjunction with sensory reaction(s) to other physical differences (such as phase differences) between perceived sounds,
  5 KB (753 words) - 00:57, 30 April 2008
• L1® Timeline
  ...plain the benefits of the Personalized Amplification System™ approach to other musicians. We believe you need spend only a few minutes reading their unedi ...honored six individuals who have been extraordinarily generous in helping other musicians understand our new approach to live music amplification. ... &mda
  21 KB (2,953 words) - 18:18, 16 October 2022
• Feedback / T1 ToneMatch® Audio Engine
  # Turn the volume down on the microphone channel; mute any other microphone channels. ...feeds; if so, repeat this procedure for the other microphones (muting the other microphones while adjusting the Para EQ on one of them).
  3 KB (522 words) - 15:37, 8 June 2021
• Microphone Sensitivity and Feedback
  It is a common misconception that a microphone that has lower sensitivity (in other words, a sound of a given intensity at the microphone produces a lower elec ...umption is that other variables in comparing two microphones are equal. In other words, only the sensitivity differs.
  2 KB (369 words) - 13:08, 16 April 2009
• Les Paul Ultima
  **Other Also available with flame maple top **Other Dynamic sound chambers
  5 KB (764 words) - 17:41, 16 January 2023
• Bose Engineer Ken Jacob Helps Artists Communicate with Audiences
  ...lopment money on this idea of “big sound from small speakers” than any other design dimension. Many, many patents apply to this area as well. And as the ...es where the amplification system is very much a part of the act. For many other performances—for example, for singer/songwriters, or many acoustic-instru
  12 KB (2,083 words) - 19:34, 25 April 2012
• L1® Model 1S
  ...analog input accepts 1/4" TRS phone cable. Can be used for instruments or other audio sources like DJ mixers, MP3 players, computers or DVD systems. Trim c == Compatibility with Other Members of the L1® Family of Products ==
  8 KB (1,264 words) - 01:56, 20 May 2021
• Ipod to Compact to L1
  To connect backing tracks (e.g. iPod or other device with headphone output) to Compact, and the connect to an L1®. ===== Other Devices using RCA (phono) jacks =====
  2 KB (346 words) - 12:16, 17 July 2013
• T4S/T8S ToneMatch® Mixer
  A scene does not remember or change the settings of the other scenes. ...Scene: A user-definable scene for saving settings you want to share with other T4S/T8S ToneMatch® mixer users. This scene can be uploaded to a computer u
  9 KB (1,484 words) - 23:55, 13 December 2023
• Should I get an L1 Pro8 or L1 Pro16
  ...ticle, I will discuss the merits of both and why you might want one or the other. For a detailed comparison of the specifications please see 👉</html>[[{ ...had to use it to replace another piece of L1 equipment, I have bailed out other people with it when their gear went down.
  7 KB (1,176 words) - 02:40, 27 January 2024
• Bwiki
  ...underlying programming language (PHP) and Database (MySQL), than with the other wiki (.NET and SQL Server). ...grated features like blogs, forums as well as wikis. We may not need those other features.
  2 KB (353 words) - 20:33, 23 August 2006
• PS1 Powerstand Bass
  In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens ...ED, but still come on. That does NOT mean, that the sine wave contains any other frequency than 80 Hz (it certainly doesn’t). It only means that the RTA h
  5 KB (806 words) - 11:47, 15 March 2008
• Presets/Model I and Classic
  == Other Languages ==
  9 KB (1,459 words) - 21:40, 18 November 2016
• White Papers
  === Other ===
  4 KB (651 words) - 13:44, 29 March 2017
• Psychoacoustics
  ...ore difficult to understand and instrumental notes more difficult to hear, other things being equal. ...masking. The tonality of a sound partially determines its ability to mask other sounds. A sinusoidal masker, for example, requires a higher intensity to ma
  3 KB (545 words) - 04:30, 29 December 2006
• Presets - Finding What Works
  * On the other channel, switch to the next preset on the list * Keeping the one you like on one channel, try the next preset on the other channel.
  5 KB (858 words) - 11:55, 13 April 2011
• L1® Traditional Music System
  ...res and words what we found from my perspective. I'm sure that some of the other participants will add their voices to <a href="http://bose.infopop.cc/eve/ ...img/Y/3g.gif"> Microphones should be "toed in" by about 10-15 degrees: in other words,should be turned so that their diaphram is pointed a little in toward
  15 KB (2,537 words) - 04:04, 2 April 2017
• XLR Cables - Technical Discussion
  All those 'features' cease to exist when one end or the other is 'unbalanced' -- when only one wire (signal) is compared to the reference So, other than throwing up one's hands in frustration, what can we non-wiring-technic
  8 KB (1,420 words) - 22:59, 18 July 2007
• Backing Tracks
  ===== Other Devices using RCA (phono) jacks =====
  3 KB (340 words) - 14:50, 1 December 2022
• L1® Classic
  == Compatibility with Other Members of the L1® Family of Products ==
  2 KB (232 words) - 11:54, 20 May 2019
• B1 Cables
  == Other Links ==
  430 bytes (67 words) - 06:41, 2 January 2009
• T1 ToneMatch® Audio Engine / Digital Delay for Second L1®
  ...bout 1,130 feet per second in air, or about 1 millisecond per foot. On the other hand, and receiver. Phase checkers are quite affordable and have other uses besides synchronization.
  12 KB (2,012 words) - 10:58, 5 January 2023
• L1® and the Panaray® MA12
  The actual physical behavior of the {{L1}} (and most other speakers for that matter) is very complicated and it's very difficult to ex ...the behavior of the MA12 in this frequency range. It doesn’t talk about other frequencies at all. In particular, it does NOT state that it’s not a cyli
  2 KB (295 words) - 18:11, 26 March 2017
• Jazz Loft Project
  ...st famous Life Magazine essays called "The Country Doctor". There are many other Smith images that are world famous. ...e but the participants, the loft became a thriving scene for musicians and other artists. It was a place to rehearse, jam, and party at all hours. Some of t
  6 KB (992 words) - 15:14, 29 March 2008
• Wikipedia:Template documentation
  ...d (if it is not immediately obvious) why it needs to be done. If there are other templates with similar names or purposes, it's a good idea to mention those ...” or “no”, for example), must be a number, or is constrained in some other way, this should be made clear.
  8 KB (1,197 words) - 01:33, 30 March 2008
• Review Template
  This is a start of such a template and other contributers ideas, suggestions, formatting and improvements are openly sol *Any other brand recorder
  2 KB (358 words) - 01:59, 29 November 2008
• Dehlia Low: Setting up a 5 Piece Acoustic Band
  == Other Comments ==
  3 KB (473 words) - 01:16, 10 September 2008
• L1® for Studio Monitoring
  ...L1 no link}} is a fine cross reference tool, when used in conjunction with other [http://www.mackie.com/products/hrmk2series nearfield monitors] ...fulness. An {{L1 no link}}, a {{T1 no link}}, a laptop, and a firewire or other digital in/out recording interface, and you are ready to roll. They days o
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• Generators for Portable Power
  ...can wreak havoc in many electronic systems, especially switching amps and other circuits with critical timing requirements. They can also cause microproces ...EU2000i is relatively quiet (59 dB) and light (46.3 lbs. dry) compared to other portable generators in its power specifications range. The fuel tank capaci
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• Testing Our 2nd Generation Prototype
  ...ncept meant better live music. And so we had to have real concerts. On the other hand, they wanted desperately to keep their work quiet. It would be terribl ...ok to it the best were the jazz players, who are more used to hearing each other and playing together. Least adaptable were rock musicians who are used to p
  18 KB (3,170 words) - 10:56, 24 April 2011
• TC Electronic G-Force
  editing. The other section clearly displays Preset Number or Tuner information other conclusion than with the-G Force – anything is possible</li>
  30 KB (3,215 words) - 13:19, 12 November 2008
• Templates for Authors
  === Templates for other things ===
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• L1® in Noisy Situations
  The {{L1}} system will always provide other benefits that have been shown to be profound. ...this rather virgin land is that there is gold up there in those hills. The other day, we turned off a few cyberlights in our auditorium and gained another 2
  3 KB (475 words) - 06:52, 26 March 2017
• Larrivée Forum Guitars
  * <nowiki>*</nowiki> 12th fret inlay three micro dots, no other fretboard markers, with dots on neck edge binding. Please don't ask for other options. This is all Larrivee will make this time.<br /><br />
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• Noisy Environments
  The L1 system will always provide other benefits that have been shown to be profound. ...this rather virgin land is that there is gold up there in those hills. The other day, we turned off a few cyberlights in our auditorium and gained another 2
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• Gig Report / Outdoor, Unplugged, Rowdy Pub
  ...om two strings while doing other things (octaves, fifths, straight guitar, other virtual instruments) on the upper four. If you play a Virtual Guitar syste ...y loud. Speaking of painfully loud, there was a big event going on at the other end of the
  6 KB (1,071 words) - 15:27, 15 November 2010
• Bass Line Out - Key references
  In any other case the L1 sees signals only from 180Hz up. There is no other variation in frequency or gain for the L1 no matter what else happens ...ED, but still come on. That does NOT mean, that the sine wave contains any other frequency than 80 Hz (it certainly doesn’t). It only means that the RTA h
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• Hearing and Volume
  ...t that speech intelligibility drops rapidly with sound pressure level (all other things being equal) and is generally very poor above 100 dB SPL. ...nced at higher levels and a single string bass note can drown out a lot of other sounds.
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• Larrivée Forum Guiitars backup
  * <nowiki>*</nowiki> 12th fret inlay three micro dots, no other fretboard markers, with dots on neck edge binding. Please don't ask for other options. This is all Larrivee will make this time.<br /><br />
  16 KB (2,419 words) - 18:44, 26 March 2017
• Mixer to Share Presets on the Compact
  * Pool all other inputs to the other side of the mixer (e.g. RIGHT) * Take the pooled output (the other side of the mixer) to Power Stand Channel 2 and use a Preset that is appro
  3 KB (457 words) - 15:16, 28 December 2012
• B2
  == Compatibility with Other Members of the L1® Family of Products ==
  8 KB (1,239 words) - 15:12, 25 May 2021
• TC-Helicon VoiceSolo FX150
  ...onal monitor system that attaches to a microphone stand. It can be used in other ways, but we'll talk about using it as a personal monitor. The {{PAGENAME}},like many other products from TC-Electronics has a feature called Adaptive Tone (activated
  6 KB (1,045 words) - 17:45, 30 April 2015
• Mixer to Share Presets on S1 Pro
  * Pool all other inputs to the other side of the mixer (e.g. RIGHT) * Take the pooled output (the other side of the mixer) to S1 Pro channel 2 and use a Preset that is appropriate
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• Wireless System Interference
  ...d RF signal from an external source (i.e., broadcast TV or radio stations, other wireless microphones, etc.) on the same frequency as your wireless system. ...to be coordinated together to ensure that they do not interfere with each other.
  6 KB (1,141 words) - 12:48, 8 April 2021
• Do I Need to Upgrade from the L1 Compact to the L1 Pro8?
  ...had to use it to replace another piece of L1 equipment, I have bailed out other people with it when their gear went down. ...lthough I don't use Reverb very often, it would have been nice to have for other performers
  5 KB (829 words) - 18:18, 30 November 2021
• MainPageTest
  /* Create three equal columns that floats next to each other */ ...makes the three columns stack on top of each other instead of next to each other */
  7 KB (1,043 words) - 01:40, 22 May 2021
• Sennheiser MD 441
  [[Category:Other]] ...]], give you exceptional control over your tone that you won't find in any other stage-worthy microphone.
  7 KB (1,003 words) - 12:27, 7 December 2023
• L1 Pro Do You Need All Three
  ...wn. The L1 Pro32 with Sub1 is less than 12 inches (30.5 cm) wider than the other models, so the size difference is insignificant on all but the smallest sta ...with several stages close by, and I don't want my sound to interfere with other performances
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• The Bose Professional Portable PA Encyclopedia
  /* Create three equal columns that floats next to each other */ ...makes the three columns stack on top of each other instead of next to each other */
  7 KB (1,086 words) - 00:27, 18 February 2024
• Bose L1® Musicians Conference Fall 2006
  ...ng a real difference in the quality of amplified live music. You’ll meet other artist owners and a number of the technical and musical experts from Bose. * Other Bose personnel to be announced soon
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• Pad
  This is a device used to lower the signal level between two other devices. ...a good choice when connecting the Power Stand Line Outs to a house PA, or other off-stage system. This would ensure that the house mixing console's inputs
  5 KB (853 words) - 17:26, 14 May 2017
• Hearing Yourself with the L1®
  * ***I have taken to reminding the other guys in the band of the "hot" zones into which they should not tread while ...e to hear themselves if they become a closer, louder sound source than the other player's System.
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• Introducing Performers to the Bose System
  ...tival situations and open stages. I hope you find some ideas that work for other situations too. This originated as a post on the Bose Musicians Forum ...em - this is '''you''' in control of '''your''' sound. Get them to try the other tone controls, and let them get used to the buffered response to the contro
  7 KB (1,205 words) - 14:43, 31 December 2016
• Phase Cancellation
  ...f-phase puts the peaks and valleys of the sine wave so that they null each other out when summed (see the middle picture below). This has a tendency to canc ...n occurs when two signals of the same frequency are out of phase with each other resulting in either a boost or cut in the overall level of the combined sig
  2 KB (300 words) - 21:18, 29 August 2023
• ToneMatch® Presets / Taylor
  ...Taylor disk adds the new preset to locations 89 to 99 so you keep all your other presets (less one) and gain the Taylor presets. Note: You must have version
  5 KB (833 words) - 04:04, 26 March 2017
• Bose L1® Musicians Conference Fall 2006/Announcement
  ...ng a real difference in the quality of amplified live music. You’ll meet other artist owners and a number of the technical and musical experts from Bose. * Other Bose personnel to be announced soon.
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• Sketches / Principles
  * Each player is positioned closer to his/her own Bose® system, than to any other (loud) sound source on stage Please see my other articles about
  4 KB (697 words) - 06:45, 18 December 2010
• Physics
  ...virtually every loudspeaker is an example of this type. But there are two other types: the cylindrical-wave source, and the plane-wave source. These source ...oses no sound intensity with each doubling of distance from the source; in other words, the loudness is unchanged with increasing distance.]]
  6 KB (1,044 words) - 01:18, 30 August 2006
• Acoustic Guitar Tone & the L1®
  ...e are also deaf or have different ideas of what makes good tone. I've had other guitarists pick up one of my guitars that I can't get good tone out of & wi The other guitar was a Pederson small body custom guitar with a triple system from Pi
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• PS1 Powerstand / Daisy Chain
  * At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a * At the other end of the cable connect a [[Pad]]. The people-at-Bose usually recommend a
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• Can I Use It as a PA
  ...ht up the middle it's fine, where the path differences are negligible. The other thing this sets up is an unpredictable feedback-producing sound field due t ...d ("incoherent" or harmonically unrelated), they can't interfere with each other and you hear the separation and individual localization everywhere. Interes
  8 KB (1,305 words) - 10:38, 14 November 2010
• PS1 Power Stand / Bass Line Out
  ...nstrument, including tone adjustments made using the {{R1}}, the {{T1}} or other tone-shaping equipment. This philosophy is notably different from other manufacturers, who take the approach that it's okay (or desirable) that add
  3 KB (520 words) - 15:58, 13 October 2010
• L1® Model II Documentation
  ...nce so you can plug in an acoustic guitar with passive piezo pickup or any other passive instrument directly without a pre-amp. In other words, it will be hard to find an instrument or microphone that you can't c
  4 KB (644 words) - 05:26, 26 March 2017
• T1 ToneMatch® Audio Engine / Using the Para EQ to Control Feedback - field report
  ...you this in Hz, e.g.4082 Hz - very cool), you can apply the same notch to other microphones. In a club, with your set up, I would personally try other methods before I tried the more "intrusive" method of notching with an equa
  6 KB (1,020 words) - 05:17, 26 March 2017
• International Bluegrass Musicians Association
  ...he Bose powered rooms and wandered. I wanted to see if we were better than other rooms (sound quality wise) or about even or worse. I quickly found out why ...d singer/guitarist/banjo player. The two KSMs were quite far away from the other seated singers and their amps, but by aiming those mics differently we got
  16 KB (2,848 words) - 17:51, 14 October 2009
• Balanced vs Unbalanced
  ...will flip one signal and put the two signals back into polarity with each other. This causes the common noise to be out of phase with itself, thus being el
  8 KB (1,267 words) - 17:43, 7 February 2023
• 2007 Fall Rocky Mountain Conference
  * Attendees are responsible for other expenses Please list instruments, microphones and any other gear you have in your signal chain that you are bringing.
  23 KB (3,572 words) - 14:20, 19 March 2008
• Classic/Model I/Phantom Power
  ...simply have to turn up the trim a little more, but there shouldn't be any other effects.
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• Power Considerations
  ...n cause a large drop in the voltage. If possible, move these appliances to other circuits or have them turned off during the performance. ...Power Stand on the same power strip. That helps with ground loops. On the other hand it's not a good idea to turn things on and off with the switch on the
  11 KB (1,840 words) - 13:15, 8 May 2021
• Mixer to Share Presets
  * Pool another group of similar inputs to the other side of the mixer. Sometimes the similarity is that these inputs do not sh * Take the pooled output (the other side of the mixer) to Power Stand Channel 2 and use a Preset that is appro
  3 KB (463 words) - 15:12, 28 December 2012
• MA 12
  :The actual physical behavior of the L1 (and most other speakers for that matter) is very complicated and it's very difficult to ex ...the behavior of the MA12 in this frequency range. It doesn’t talk about other frequencies at all. In particular, it does NOT state that it’s not a cyli
  2 KB (260 words) - 19:12, 10 November 2007
• T1 ToneMatch® Audio Engine / USB Connection
  * If you run to MAIN then control the relative volume (compared to the other channels) from the laptop. The Master Volume controls the overall output of ...ou run to Channel 4/5 you can control the relative volume (compared to the other channels) in the T1™ Volume control for Channel 4/5
  1 KB (244 words) - 05:08, 26 March 2017
• Presets 2.0
  ...aged spectral response of 12” guitar speakers and is useful in many ways other than guitar. (Use your ears). Basically it bumps up around 2KHz and rolls o ...z bandpass) is just for us. We get one, you get 98. You come first. On the other hand, this might be a good bongo drum preset, you never know.
  10 KB (1,547 words) - 13:51, 21 March 2023
• Presets 3.0 Upgrade Instructions / Burning the CD
  ...e CD, I actually prefer to burn 3 tracks of the same file in a row. So, in other words, tracks 1, 2, and 3 would be the same file. ...problem. Simply select AUDIO CD and drag and drop into Nero. (This is for other owners with similar questions).
  4 KB (654 words) - 12:22, 29 December 2007
• Gig Report / House Concert Fundraiser / Audience Perspective
  ...as Valdy, but before he came up, we were entertained by a line-up of a few other players. Lawrence and ST came up and sang a few numbers, then Paul came up ...an hour before his break. The second set was shorter and then a couple of other musicians (Paul and ST) came up and played a few more songs with him as a f
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• T1 ToneMatch® Audio Engine / Use without the L1® in Festival Situations
  ...ioning of the monitor speaker as one option should you encounter feedback. Other options include: changes to the T1 EQ settings including the Para EQ, chang ...ngineer that the T1 Master Output is for the monitor mix only and that the other outputs are not to be sent to your monitor.
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• T1 ToneMatch® Audio Engine / Recording / Audacity
  ...ng sounds. It is available for Mac OS X, Microsoft Windows, GNU/Linux, and other operating systems. ...s me, and you found it! The audio meter display is not logarithmic, unlike other digital audio editors. The y-axis (volume or recorded level) scaling of the
  3 KB (486 words) - 04:54, 26 March 2017
• Clifford Henricksen / New Kind of Recording
  ...d anyway) at the same time, you might instinctively make more room for the other parts as a natural part of good ensemble playing. We talked about this and ...out if you want to be picky. But doing it this way allowed us to hear each other and especially our own particular performance.
  15 KB (2,673 words) - 03:45, 27 April 2013
• T1 ToneMatch® Audio Engine / USB / Controlling the Volume
  ...routed to the Master output. If you need to set the volume relative to the other T1® Channels then you have to do that with your USB device, probably a com Now the volume of your USB device, relative to the other T1® Channels, is controlled by the Channel 4/5 Vol control.
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• Fiddle
  ...hrough a small rack box of dual outboard gear. Dual, since the same gear, other side, is shared with her [[Hammered Dulcimer]]. <!-- Mary, links within th ...carefully in its case on the floor, if feedback is too present. (Possible other solutions include: a mute switch of some sort, or naturally, a T1, which h
  4 KB (691 words) - 15:30, 22 December 2008
• Countryman E6
  ...uld be common in a rock and roll environment and the omni version for most other applications. ...urchase the stabilizing accessory that goes behind the head and around the other ear. You will have to work with the positioning to get it back far enough t
  9 KB (1,614 words) - 19:04, 15 October 2008
• DJ
  ...ou have a {{T1}} these settings can be used in conjunction with all of the other suggestions below. ...tenuation pad. This is a device used to lower the signal level between two other devices.&nbsp; You are most likely to need a pad when using a {{Classic}} o
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• T1 ToneMatch® Audio Engine / Daisy Chain
  ...d to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 ...d to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
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• External Subwoofers
  Using loudspeakers other than the {{B1}} with any of the {{L1 nl}} systems is not supported. However ...r Model A1]] for extensive notes that include ideas that can be applied to other systems.
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• Cliff Henricksen: L1 Inventor
  ...venues containing devices that use one or more Henricksen patents than any other inventor. ...ed the acoustic research group after the purchase was completed, where the other eventual originator of the L1 research project, Ken Jacob, was working. Her
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• L1® Compatibility
  ==Compatibility with Other Members of the L1® Family of Products== {{Compatibility with Other Members of the L1® Family of Products}}
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• ToneMatch® Presets and Electric Guitar
  ...aged spectral response of 12” guitar speakers and is useful in many ways other than guitar. (Use your ears). Basically it bumps up around 2KHz and rolls o Q: Does '''Flat''' allow only [[zEQ]] or does it allow other effects too?.
  3 KB (513 words) - 11:48, 1 November 2019
• T1® Audio Engine / Master Output Pre / Post
  When using the {{T1}} for recording or when sending a signal to an {{F1}} or other external system, it may be useful to set the Master Output to Pre-Master Vo But be careful if you have an L1® or other device connected to the T1® Master Output. The signal will be Pre-Master V
  937 bytes (149 words) - 04:22, 26 March 2017
• Larrivée Guitars
  ...r other companies. The Kramer Paul Dean guitar, the Neal Schon guitars and other very famous electrics of that time were built by Larrivee.
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• Larrivée History
  an $18 guitar. At twenty, with no other musical training in gloss finish guitars. Jean's other son John Jr runs the
  15 KB (1,966 words) - 05:52, 26 March 2017
• John Hall Interview
  ...ut to write new chapters. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today's top acts include Rickenbacker guitars in their musical arsenal.
  3 KB (388 words) - 14:25, 16 March 2019
• Larrivée Forum V Mini Humbucker
  ...bration of the slug against the cover, and to hold the slug in the bobbin. Other changes to the pickups followed (which were not intentional design changes, ...who had the magnet directly in the middle of the coil of wire, and on the other hand you had Gibson who used a steel pole in the middle of the coil of wire
  9 KB (1,518 words) - 18:45, 26 March 2017
• Securing the T1® to the Microphone Stand Bracket
  # At this point, most people would put the T1® on the bracket and attach the other cables. #I insert all the other cables into the T1® before I put it on the bracket. I do it this way becau
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• L1® Model 1S FAQ
  <h3>What is the L1 Model 1S system and what makes it different from other L1 portable line array systems?</h3> ...can be used as an amplification system for keyboards, acoustic guitars and other instruments as part of a traditional back line.</p> </div>
  14 KB (2,381 words) - 05:47, 26 March 2017
• TC-Helicon VoiceLive Play GTX to T1®
  ...rol the relative volumes. Vocal volume is set. You can raise and lower the other inputs on the TC-Helicon VoiceLive Play GTX. If I had to decide between one or the other (VoiceLive Play GTX or T1®) and we were talking strictly vocal effects (no
  4 KB (655 words) - 22:53, 28 March 2017
• TC-Helicon VoiceLive 3
  ...by ear and by watching frequency response, but they're subjective like any other audio. ...hin VL3's menus. We didn't put the modeling into a subset of parameters or other data location, we simply sat in a room with the amp if we could and twiddle
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• Takamine Classical Hum
  So, assuming the Bose L1 is simply faithfully reproducing a hum (that other acoustic amps may be filtering), and that the Palathetic pickup is humming ...the first two strings are considerably louder - 6-10dB estimate - than the other strings). Takamine USA tech support had no solution for this problem and ag
  6 KB (1,079 words) - 02:22, 27 December 2014
• TC-Helicon Play Acoustic to T1®
  ...rol the relative volumes. Vocal volume is set. You can raise and lower the other inputs on the TC-Helicon Play Acoustic. If I had to decide between one or the other (Play Acoustic or T1®) and we were talking strictly vocal effects (not har
  5 KB (825 words) - 04:27, 26 March 2017
• T1 ToneMatch® Audio Engine / Stereo Output to Two F1 Systems
  ...) and let that be amplified through the T1® Main output. Then connect the other half of the stereo pair to another T1® Channel. In this example I did that .... The correct setting for any particular source may be different from your other sources.
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• T1 ToneMatch® Audio Engine with Compact for Karaoke
  .... The correct setting for any particular source may be different from your other sources. .... The correct setting for any particular source may be different from your other sources.
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• Allen & Heath ZED Sixty 14FX to Two L1 Compacts
  ...ath ZED Sixty-14FX]. The principles presented here are applicable to many other mixers. Connect the Left output to one L1® Compact and the Right output to the other L1® Compact.
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• S1 Pro system
  If you cycle the power off and back on, you can get the same result on the other channel, 1 or 2. ...o system more tolerant of heavy bass diminishes the overall performance in other ways. We don't have plans to change the sound profile of the S1 Pro system
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• S1 Pro Line Out to a Third Party Device
  ...eversed and when you try to combine the signals later they may cancel each other. ...d right) will have the polarity reversed. The two signals will cancel each other out.
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• Mixer Left Output Only
  Most small stereo mixers allow you to direct the inputs to one side or the other (two sides of the mixer). ...channel with two inputs), panning hard to one side means you will lose the other side of the stereo pair.
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• T4S/T8S Aux Input Level Setting
  #* If you are running stereo, Pan one channel LEFT and the other channel RIGHT ...gives you the same functionality as using channel volume controls for the other channels.
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• Trim Controls Volume Controls Master Volume
  ...r bare piezo pickups found in some guitars) up to line-level devices (like other mixers). .... The correct setting for any particular source may be different from your other sources.
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• Digital or Analog Delay for Vocals
  ...and when to use these based on what other things are happening in the mix (other players or sound sources).
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• T1 to T8S to L1 Model II
  ...Aux Input Channel 9 leaves all eight full featured channels available for other inputs. You will need to control T1 Pan and Level using the T8S PAN/AUX set ...Aux Input Channel 9 leaves all eight full featured channels available for other inputs. You will need to control T1 Pan and Level using the T8S PAN/AUX set
  2 KB (333 words) - 11:04, 8 April 2019
• Multi Mono
  ...nning multiple powered loudspeakers ({{L1}}, {{F1}}, {{S1}}, [[L1 Pro]] or other) ...reo mixer, this means every sound source is panned hard to one side or the other
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• Kemper Profiler Recovery Options
  There are other keys to reset other parts of the KPA memory.<br>
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• T1 Compatibility With L1 Pro Systems
  ...r Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources. ...a proprietary connection for legacy L1 products which allows them to carry other data such as firmware updates. The T4S and T8S ToneMatch mixers use an upda
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• Bose L1 Pro for Singer/Songwriter/Electric Guitarist
  My views on the new L1 Pro line are different when considering other applications. ...The big difference is the weight of the power stand. By comparison to the other units, it's a hefty 41 pounds. You can forgive this though. The bass output
  7 KB (1,193 words) - 21:40, 14 June 2021
• Gibson Howard Roberts Artist
  ...model, the original Howard Roberts was discontinued in 1969 along with all other USA-made Epiphone models. In 1974 Gibson brought back the Howard Roberts mo ...erts (who recorded the themes for the Munsters, the Twilight Zone and many other TV classics), this signature model was originally built as an Epiphone in t
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• Is Your Repertoire Defined by Your Memory?
  I had lunch the other day with a dear friend, a career musician, performer, teacher, adjudicator, It was an interesting talk in other ways.
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• Sub1/Sub2
  Use the Sub1 or Sub 2 bass modules with other PA systems (e.g., Bose S1 Pro or third-party systems) Although the comparisons are approximate and this assumes that other variables like input power are similar:
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• Sennheiser EW IEM G4
  ...aware that there may be a small amount of bleed from one channel into the other during quiet passages. The other hiss that is sometimes noticed is the internal workings of the unit itself.
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• Sennheiser MD 445
  [[Category:Other]] See how it [[Review_/_Microphone_/_Various#Dynamic|compares with other dynamic microphones in my microphone shootout]].
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• Line 6 Helix to L1 Pro
  [[Category:Other]] This leaves inputs 1 and 2 open for other inputs.
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• Kemper Profiler to L1 Pro
  [[Category:Other]] This leaves inputs 1 and 2 open for other inputs.
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• Presets 2.0/Cliff Notes
  ...aged spectral response of 12” guitar speakers and is useful in many ways other than guitar. (Use your ears). Basically it bumps up around 2KHz and rolls o ...z bandpass) is just for us. We get one, you get 98. You come first. On the other hand, this might be a good bongo drum preset, you never know.
  10 KB (1,572 words) - 16:16, 21 January 2024
• Mixer to L1 Pro
  [[Category:Other]] Connect the mixer Right Output to the other L1 Pro input 3 using the 1/4-inch (6.3 mm) Tip-Ring-Sleeve jack.
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• Bass Frequencies
  In fact our B1 goes actually deeper than most other bass cabinets. But it does stop at 40 Hz and does so very abruptly. You wil
  2 KB (444 words) - 13:45, 22 August 2006
• Mixer Outline Template
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
  2 KB (372 words) - 02:49, 21 December 2008
• Mixer / Numark / CDMix-2
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
  2 KB (374 words) - 03:14, 21 December 2008
• Mixer / Behringer / UB1222FX-Pro
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
  2 KB (392 words) - 02:59, 21 December 2008
• Mixer / Alesis / MultiMix 8USB
  ...werstand, Channels 3 or 4 if you prefer to leave Channels 1 and 2 open for other inputs. '''
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• Effects for the PS1 Powerstand
  ...(stereo) 1/4” connector on one side and 2 mono 1/4” connectors on the other side.
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• Stage Layouts / Model I & Classic / Two Systems
  ...performers at the outer edges of the stage are having trouble hearing each other, try adjusting the position of the {{L1 nl}}s. Moving the {{L1 nl}}s toward
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• Stage Layouts / Four Systems
  ...in front of their Systems. This lets them turn up the volume and hear each other.
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• Comb Filtering
  ...entical (or nearly identical) signals, one delayed in time relative to the other, are added. Depending on the delay time, the resulting summed signal can so
  753 bytes (106 words) - 11:51, 29 September 2007
• DI
  ...ee the term DI used to refer to devices used to modify the tone as well as other properties of a signal. This is often in the context of Acoustic Guitar and
  4 KB (608 words) - 15:46, 23 January 2013
• Processors
  ...d between an instrument and an amplification system to modify the tone and other aspects of the sound of the instrument. Some musicians are using these in p
  2 KB (233 words) - 11:58, 20 April 2019
• Bose L1® Musicians Conference Fall 2006/Contact Information
  your email and other info on the next line
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• Bose L1® Musicians Conference Fall 2006/Accomodations
  ...ren Center has given to us to use as our main room for music and lectures. Other generous rooms are available to us for breakout sessions if that's what we
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• Bose L1® Musicians Conference Fall 2006/Discussion Topics
  : I've had the opportunity to with Buddy Catlett and other upright players dialing in the bass tone they hear and where they expect it
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• L1® System Holistic View
  ...s are driven identically. One drives the top half of the {{L1 CR}} and the other drives the bottom half. Because the {{L1 CR}} should always be operated as
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• Bose L1® Musicians Conference Fall 2006/Music
  I have charts for all of the above, and we can also do any other charts available (Tower of Power, Blues Bros, Chicago etc that people might
  8 KB (1,390 words) - 18:35, 26 March 2017
• Korg T1
  ...screws on the bottom. This allows you to open the lid in the future to fix other problems (replacment of switches, keys, buttons, etc.).
  6 KB (1,011 words) - 03:07, 13 August 2011
• Bass Regeneration
  ...coustic kick drum. KickGate both allows high gain on the kick but prevents other instruments from regenerating through the kick drum mic.
  6 KB (1,016 words) - 21:04, 16 January 2023
• Mixing Yourself
  <!-- this article is included in several other articles on the site. Original version by Ken Jacob September 2006 from [[L
  2 KB (431 words) - 23:51, 28 November 2007
• Mixer / Alesis / MultiMix 6FX
  ...werstand, Channels 3 or 4 if you prefer to leave Channels 1 and 2 open for other inputs. '''
  1 KB (167 words) - 02:46, 21 December 2008
• Mixer / Behringer / Eurorack / MX1604A
  ...werstand, Channels 3 or 4 if you prefer to leave Channels 1 and 2 open for other inputs.
  1 KB (164 words) - 02:53, 21 December 2008
• Musical Instruments
  * [[Drums]] / [[Other Percussion]]
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• Support
  :Other support for the Bose {{L1 nl}} can be accessed either by calling Bose UK He
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• Hearing the Same Thing
  ...only one point of amplified sound for each performer, everyone (performer, other performers, audience) are all listening to the same sound source. But becau
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• Stereo Mini to 1/4
  <!-- Most likely to be used as an inclusion in other things -->
  3 KB (513 words) - 04:18, 17 June 2017
• Acoustic Guitar Bass Frequencies
  ...ED, but still come on. That does NOT mean, that the sine wave contains any other frequency than 80 Hz (it certainly doesn’t). It only means that the RTA h
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• Microphone/Testing
  * Note which of the two you like better -- then swap the other mic ''(the one not chosen)'' for a third mic, and start again from the top
  3 KB (474 words) - 15:12, 24 December 2006
• Critical Distance
  ...sound pressure level of the direct and the reverberant field are equal. In other words, the point in space where the echo from a sound source is at the same
  940 bytes (154 words) - 19:17, 7 November 2021
• Reverberant Field
  In the reverberant field, reflections from walls and other objects may be just as strong as the direct sound from the source.
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• Mixer / Mackie / 1202-VLZ
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
  2 KB (268 words) - 12:28, 18 March 2012
• Vocal technique
  Unfortunately most people do try to emulate other voices out of love for that singer & fear of singing in their own voice & n
  5 KB (850 words) - 10:57, 19 March 2007
• Mixer / Mackie / 1604-VLZ
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
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• Mixer / Mackie / 1402-VLZ3
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
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• Tutorial/TabsTopWithEdit
  {{[[Template:Tutorial/Tab2]]|Other page name(s)}}<br>
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• T1 ToneMatch® Audio Engine / Effects
  ...ate™]] (for drums), zEQ and ToneMatch™, that is not available from any other device I'm aware of.
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• T1 ToneMatch® Audio Engine / Aux
  ...aration of musical sources (voc or instrument) on several L1[/b] is one of other great advantages of the BOSE L1-System, that [b]is what I try to do whene
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• Cocktail Party Effect
  ...field of psychoacoustics and is known there as the cocktail party effect.2 Other studies show the significant benefit that comes from being able to see and
  4 KB (606 words) - 17:21, 4 October 2023
• B1 Bass Module / New
  ...l get (an aside - your sales representative may have been confused because other Bose products are sometimes available in an older and newer version for a s
  4 KB (755 words) - 01:36, 15 June 2011
• T1 ToneMatch® Audio Engine Firmware Updates
  desired setting. When a reference pitch other than the default pitch of 440 Hz is
  11 KB (1,718 words) - 14:35, 30 August 2017
• T1 ToneMatch® Audio Engine / Tuner
  ...experience here we have found the tuner to be as accurate and reliable as other high-quality stage tuners. The T1 tuner is fairly 'fast' in terms of tracki
  2 KB (422 words) - 10:36, 22 August 2019
• Live Music Pioneer
  ...honored six individuals who have been extraordinarily generous in helping other musicians understand our new approach to live music amplification.
  1 KB (204 words) - 03:05, 15 August 2007
• PS1 Powerstand/ Preventing Incorrect Connections
  ...'ll find if the store carries "bins" of loose hardware, nuts, washers, and other small fittings). I found these 1/4" plastic plugs, in either black or white
  2 KB (377 words) - 23:26, 15 August 2007
• RoHS
  Other information: [http://en.wikipedia.org/wiki/RoHS RoHS at Wikipedia]
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• Tonematch Mixers / Compressor
  The other effects (Mod, Delay) and Reverb operate the same way. You can only choose o
  7 KB (1,047 words) - 15:58, 16 June 2019
• Stage Layouts / Model II / Two Systems
  ...performers at the outer edges of the stage are having trouble hearing each other, try adjusting the position of the {{L1 nl}}s. Moving the {{L1 nl}}s toward
  1 KB (162 words) - 12:18, 24 November 2010
• Presets
  ...ets (v2) Used By Owners|Presets for Inputs not on the Preset List]] - What other L1™ owners are doing.
  2 KB (240 words) - 00:22, 18 October 2017
• T1 ToneMatch® Audio Engine / Para EQ
  In other words, the narrower the width, the more precise the effect whether you are
  6 KB (930 words) - 15:42, 8 June 2021
• T1 ToneMatch® Audio Engine / Aux to a Separate System
  ...with two {{L1}}s, you may want to send an input to one System, but not the other.
  1 KB (187 words) - 04:29, 26 March 2017
• Articulated Array
  ...y was a solution that worked; it didn't need "fixing", compared to all the other open questions whose answers were so obscure. So we worked on the murky que
  4 KB (690 words) - 13:54, 30 October 2007
• Practise Practice Rehearsal Simulation
  ** position of other objects typically found on stage
  4 KB (648 words) - 13:58, 5 May 2022
• Presets 3.0 Upgrade Instructions
  ...e this preset than there is no need to be concerned with this message. All other system presets have been verified and their contents are accurate.
  3 KB (464 words) - 20:46, 10 June 2022
• Laptop Hum
  ...it. Outlets may be on different circuits, even when they are close to each other. In studio type situations where buzzing associated to a ground loop is una
  2 KB (314 words) - 09:37, 7 April 2019
• Cylindrical Radiator / Extending the Height
  ...obert L's question gets at the heart of why line arrays are different from other speakers and it allows me to describe what I think of as their most fascina
  4 KB (626 words) - 13:10, 29 December 2007
• T1 ToneMatch® Audio Engine / USB / Output Stereo to Two L1®s
  ...because one of the channels is routed through the {{T1}} Aux buss and the other is through the Master. It is not easy to control both of these at the same
  7 KB (1,115 words) - 16:44, 4 September 2023
• T1 ToneMatch® Audio Engine / Stereo Output to Two L1®s
  ...) and let that be amplified through the T1® Main output. Then connect the other half of the stereo pair to another T1® Channel. In this example I did that
  2 KB (316 words) - 04:24, 9 April 2017
• Half Stack
  ...i><li>Mounting the upper section of the Cylindrical Radiator®&nbsp;except other than as shown in the&nbsp;<a href="https://assets.bose.com/content/dam/Bose
  5 KB (774 words) - 16:10, 28 April 2023
• Wikipedia:High-risk templates
  ...d are listed in the [[m:Job queue|job queue]] and are slowly recompiled as other edits are made, spreading out the load. It would be possible to make the jo
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• L1® Classic and Model I Acoustical Output
  ...rs the system to within 1.75 dB of the max SPL of the {{Classic}}. Several other changes were made to the signal processing and acoustical sections to furth
  1 KB (174 words) - 15:17, 26 March 2017
• GarageBand Does Not Work with T1®
  ...kHz. The native output sample rate of the T1 (along with LOTS and LOTS of other digital audio devices is 48 kHz).
  2 KB (401 words) - 05:15, 26 March 2017
• South Atlantic States L1® Conference 2008 Agenda
  Cliff Henricksen Band followed by other bands using drums</td>
  23 KB (1,906 words) - 18:40, 26 March 2017
• Larrivee & Morgan ToneMatch Settings
  They do sound different when I compare one to the other, but they both benefit from settings - retaining their individual character
  1 KB (226 words) - 14:26, 4 November 2019
• Tablet PC
  * Format: Tablet PCs and other mobile devices will be available for demonstrations.
  4 KB (526 words) - 14:08, 21 May 2008
• Steve Miller
  ...tive and enthusiastic from both musicians and audience and importantly the other venues and neighbors. I'm sure you are going to get orders for systems from
  6 KB (1,104 words) - 15:00, 22 December 2008
• No Longer Available:Custom Slip Covers
  From the other side.
  6 KB (1,040 words) - 13:14, 5 June 2015
• Digitech Vocalist Live 2 - Alternative Method to Connect to a T1®
  ...VL2 Mic Out or the Guitar Out. I also do not use any of the VL2 reverb or other effects.
  2 KB (428 words) - 18:09, 26 March 2017
• EV RE-2 Wireless Microphone Review
  ...warrant the feedback risk. This has been observed to a greater extent with other microphones, in this setting.
  4 KB (614 words) - 14:24, 11 March 2020
• Composite Acoustics 7M-CE Grand Auditorium Guitar Review
  All in all, the two guitars compliment each other very well, and I am glad that I have both of them.
  3 KB (547 words) - 14:39, 11 March 2019
• Pickups
  The other way to amplify is to forget the original instrument and use a device that c
  3 KB (446 words) - 17:34, 15 September 2008
• Using The L1® To Get Gigs
  ...clientèle come here because they can talk without having to shout at each other and we don’t want to upset them
  2 KB (353 words) - 10:40, 28 September 2008
• Shure 55SH Series II Vocal & Speech Microphone
  .... Feel free to contact me through the Musician’s Forum if there are any other questions I might be able to answer.
  3 KB (571 words) - 10:28, 16 October 2008
• 5th Anniversary of L1® Launch
  ...venues containing devices that use one or more Henricksen patents than any other inventor.
  12 KB (2,046 words) - 18:08, 26 March 2017
• One Guitar and 2 L1®s
  ...as paid very well. A traditional triple system was set up and used by some other musicians and it sounded quite good, but I'll still take my L1 any day. Usi
  3 KB (638 words) - 18:37, 26 March 2017
• Audio System Noise
  ...he dreaded last minute problems. Some tasks may be performed monthly while other would be well served on a yearly basis. Check the owner's manuals for manuf
  4 KB (686 words) - 05:01, 29 January 2019
• Using the First Prototype on a Real Gig
  In other words, even though we done a lot of earlier thinking about complete systems
  8 KB (1,531 words) - 15:19, 22 December 2008
• McIntyre BluesMaker II
  ...his example uses the Mackie 1604. The same principles apply when using any other standard mixer. The key is to match the amp and mixer levels to allow you b
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• Carvin Quad-X Amp
  ...tube stages (V2, V3, and half of V4). Channel 4 uses 11 tube stages - the other half of V4 plus 5 more tubes (V5, V6, V7, V8 and V9).
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• B1 Bass Module as Subwoofer
  :Loudspeakers designed to be used with other gear (typical 2 way PA speakers, third party subs, etc.) usually have some
  2 KB (342 words) - 11:21, 26 April 2015
• Temperature
  Other tests are
  5 KB (802 words) - 21:16, 12 September 2023
• Mixer / Soundcraft / EPM
  *Use Monitor Right Out to the other Model II Power Stand Analog Input
  3 KB (472 words) - 05:04, 21 December 2008
• L1® Model I / FAQ Extension
  ...plied) into the master output port on the ToneMatch audio engine. Plug the other end of the cable into the line-in jack of channel 3 or 4 on the {{L1 nl}} p
  2 KB (255 words) - 18:27, 26 March 2017
• Live Recording Using the T1 ToneMatch® Audio Engine Aux
  ...air with all of the ambient noise (a lot!), you can hardly hear it. On the other side, I’m missing the real live feeling. I think a combination of recordi
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• First Research Prototype
  In other words, even though they had done a lot of earlier thinking about complete s
  12 KB (2,194 words) - 10:59, 24 April 2011
• Commercial Launch Team
  ...ork. And he's a great Technical Director in the dramatic arts field. Among other things, he did that for the Music Is Human shows, which were darned near fl
  6 KB (1,094 words) - 11:00, 24 April 2011
• I Need More Bass
  These T1® settings can be used in conjunction with all of the other suggestions below.
  1 KB (237 words) - 23:45, 7 May 2019
• T1 ToneMatch® Audio Engine / 1/4 inch Output Connections to L1® Family Members
  Connecting from a {{T1}} &frac14; inch jack (Master or Aux) to other members of the L1® Family is simple. This article is applicable to
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• IPod
  Connect your iPod or other source of prerecorded music to your L1®.
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• Compact Channel 1 Noise
  ...icrophone connected when you turn up the Channel&nbsp;1 Volume control. As other members of the community pointed out, when the Channel&nbsp;1 Volume contro
  2 KB (405 words) - 22:50, 22 July 2009
• T1 ToneMatch® Audio Engine / Click Track with In Ear Monitors
  To monitor the other channels on the {{T1r}}, follow the same procedure with each channel, sendi
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• Mixer / Numark / 5000FX
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
  3 KB (536 words) - 14:31, 10 October 2009
• Compact Physical Comparisons
  Compact beside other amplifiers. &mdash; Thanks to [http://bose.infopop.cc/eve/forums/a/tpc/f/75
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• EQ
  A pass filter attenuates either high or low frequencies while allowing other frequencies to pass unfiltered. A '''high-pass''' filter modifies a signal
  2 KB (277 words) - 14:53, 31 January 2011
• L1® Compact / Connection from a Mixer
  * iPod or other personal stereo device
  2 KB (245 words) - 06:42, 26 March 2017
• Larrivée Guitar Models
  ...lors were still single action for some time after 2008. Same with 00's and other 12 fretters. The glossy guitars got the dual action first while the satins
  9 KB (1,116 words) - 20:08, 5 February 2019
• Parker P8 EN Guitar
  * Other Controls:
  3 KB (398 words) - 17:55, 7 January 2010
• The L1® Approach and the History Of Amplification / Medium Resolution
  ...ician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location
  2 KB (221 words) - 05:51, 26 March 2017
• The L1® Approach and the History Of Amplification / Low Resolution
  ...ician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location
  2 KB (223 words) - 05:52, 26 March 2017
• Recording
  and some other notes about
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• Electric Guitar
  ...aged spectral response of 12” guitar speakers and is useful in many ways other than guitar. (Use your ears). Basically it bumps up around 2KHz and rolls o
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• Sound Fading In and Out
  Other things to try...
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• Service
  ...te of repair. We do not provide an itemized list of parts replaced, or any other information on a specific repair, as each product is essentially remanufact
  2 KB (241 words) - 17:33, 7 July 2010
• Larrivee OMV10 KK
  ...headstock. This is one aspect of the art that differentiates us from many other guitar makers. This year, we're adding yet another twist to the concept wit
  2 KB (233 words) - 22:29, 11 April 2015
• Mixer / Alto / L-12
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
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• Mixer / Mackie / 802-VLZ3
  ...he {{PS1}} Channels 3 or 4 if you prefer to leave Channels 1 or 2 open for other inputs. You will have to control Tone and relative Level (between the Chann
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• Audiopile: Cables for the L1® Family of Products / Review
  ...ess switched cables were available. The balanced {{trs}} cables have some other connectors. You can read a description of those at: [http://www.audiopile.n
  12 KB (2,058 words) - 05:45, 26 March 2017
• Auto EQ and the L1
  ...for the "bad" characteristics of the room, which can lead to distortion or other generally weird effects.
  4 KB (645 words) - 16:03, 31 January 2011
• Sloped Seating Wedge-a-rama
  ...le high end in the first row, as the (tight) pattern went above ear level. Other than this, it's cool. Stay tuned for reports of shows using this approach,
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• Iphone
  Connect your iPhone or other source of prerecorded music to your L1®.
  112 bytes (16 words) - 10:20, 10 April 2011
• Tablet
  Connect your Tablet or other source of prerecorded music to your L1®.
  112 bytes (16 words) - 10:20, 10 April 2011
• IPad
  Connect your iPad or other source of prerecorded music to your L1®.
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• Using your L1® without the top half of the Cylindrical Radiator®
  ...if it is not complete (both halves arranged as designed, one on top of the other). <br />'''Putting both halves side-by-side does not solve this issue'''.
  1 KB (171 words) - 06:56, 26 March 2017
• Larrivée Bridge Height Adjustment vs Neck Reset
  ...the guitar. Both Jean and I, Taylor, Martin, Collings, and virtually every other maker disagree with them.
  2 KB (439 words) - 18:43, 26 March 2017
• B2 Bass Module as Subwoofer
  :Loudspeakers designed to be used with other gear (typical 2 way PA speakers, third party subs, etc.) usually have some
  1 KB (249 words) - 03:41, 27 September 2012
• Is the B2 Bass Module Compatible with the L1® Classic or Model I
  ...get sound in all three settings, but only '''Normal''' is supported. The other two do not convey any value. [[{{PAGENAME}}#You get sound even though it sa
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• Wikipedia entry
  ...onal audio|professional audio]] applications. These are distinguished from other products in the Commercial Systems Division that are usually installed perm
  4 KB (744 words) - 23:44, 19 January 2013
• Clifford A Henricksen
  # Other patents pending
  22 KB (3,143 words) - 18:35, 23 January 2013
• Stereo: Comments from Bose
  ...d too far apart won't hear stereo — but his or her audience will. On the other hand, space the L1 systems closer so that the player gets stereo and you wo
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• Two L1®s in the Same Sound Field
  ;The view from the other side[/b]
  2 KB (355 words) - 12:11, 18 March 2014
• Stereo Mixer to Mono L1®
  #Pan any other inputs hard left
  8 KB (1,188 words) - 23:23, 8 April 2022
• T1 ToneMatch® Audio Engine / Gain Staging
  .... The correct setting for any particular source may be different from your other sources.
  3 KB (452 words) - 16:17, 12 January 2019
• T1 ToneMatch® Audio Engine / Gain Staging / DJ
  .... The correct setting for any particular source may be different from your other sources.
  4 KB (662 words) - 14:45, 11 March 2019
• T1 ToneMatch® Audio Engine / Gain Staging / Prerecorded music on Channel 4/5
  .... The correct setting for any particular source may be different from your other sources.
  2 KB (429 words) - 12:29, 31 December 2018
• T1 ToneMatch® Audio Engine / USB / Output Stereo to Two F1 Systems
  ...because one of the channels is routed through the {{T1}} Aux buss and the other is through the Master. It is not easy to control both of these at the same
  5 KB (809 words) - 17:12, 26 December 2017
• ToneMatch Mixer ToneMatch Presets, zEQ, ParaEQ
  ...eta 58, then use that Preset. If there isn't a Preset then I will audition other Presets until I find one that sounds good.
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• S1 Pro Microphone vs Guitar Volume
  If you connect a microphone or a guitar to a ToneMatch (or other) mixer, turn the output volume down, connect it to the S1 Pro through a 1/4
  6 KB (1,007 words) - 15:34, 14 June 2020
• T4S Connection to L1 Model I
  ...ight as required, but for best results, pan your inputs to one side or the other, but not up the middle
  2 KB (333 words) - 14:39, 30 January 2020
• S1 Pro System with Bose Connect App
  * Read the system serial number and other product information
  9 KB (1,389 words) - 21:40, 29 October 2021
• Powered Mixers
  :The Bose ToneMatch mixers are all compatible with other Bose portable PA equipment (L1, Compact, F1, S1), They do not have built-in ...e AC power. There has been [https://www.bosepro.community/g/portable/topic/other-battery-powered-mixers] some discussion about these because the S1 Pro syst
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• T1 to T8S to Two L1 Model II
  ...Aux Input Channel 9 leaves all eight full featured channels available for other inputs. You will need to control T1 Pan and Level using the T8S PAN/AUX set
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• S1 Pro Bass Over Bluetooth
  ...o system more tolerant of heavy bass diminishes the overall performance in other ways. We don't have plans to change the sound profile of the S1 Pro system
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• S1 Pro Excessive Bass with Bluetooth
  Music selections for Spotify, iTunes, other streaming services.
  1 KB (167 words) - 22:21, 16 November 2019
• L1 Updater Does Not Work with MacOS Sierra 10.12.6
  I tried removing all USB devices other than the keyboard & mouse - and the Bose T8S device itself. I tried reboot
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• S1 Pro with F1 Subwoofer
  ...rtable format. If you need more volume or bass response, there are several other Bose Portable PA Products to consider:
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• T1 ToneMatch Audio Engine with Third Party Mixer
  .... The correct setting for any particular source may be different from your other sources.
  3 KB (527 words) - 08:57, 26 November 2022
• ToneMatch Mixer to Mackie SRM Loudspeaker
  ...whichever is most convenient. There is no advantage to using one over the other.
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• Bluetooth for Live Monitoring
  ; Can I use Bluetooth to send a live music signal to an {{S1}} or other Bose Portable PA product with a Bluetooth receiver?
  1 KB (188 words) - 04:12, 30 December 2020
• ToneMatch Mixer Effects
  ...manage the signal level automatically. You can find similar tools on some other mixers.
  2 KB (311 words) - 13:34, 21 January 2019
• Jazz Guitar
  You may be closer to the {{S1}} than the other models above. As a result, you may get some low-frequency feedback or unwan
  3 KB (441 words) - 22:18, 16 November 2019
• Boss VE-8 to S1 Pro
  ...1}}. This should be fine for connections up to twenty feet (6 meters). For other scenarios like those listed below, please see the [https://static.roland.co
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• Mixer to Two L1 Model II
  ...hichever is most convenient for you. There is no advantage to one over the other.
  2 KB (300 words) - 21:45, 15 September 2022
• ToneMatch Mixer Phantom Power to Tyros 5 Microphone Input
  ...der to graft the unique characteristics of your voice onto synthesizer and other sounds.
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• Limiter with Recorded Music
  ...iter to level out the volume levels for the music from a tablet, phone, or other playback device. This can be useful if the music tracks you are playing are
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• Amazon Echo to S1 Pro
  * Disconnect other Bluetooth devices from your Echo. An Echo can only connect to one Bluetooth
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• LR Baggs Session DI to ToneMatch Mixer T1/T4S/T8S
  #Follow the instructions for setting the other controls on the LR Baggs Session DI
  4 KB (656 words) - 15:13, 3 February 2020
• PRS Santana MD
  ...little gain boost that sits nicely in Texas-y territory. Turn the MVC the other way and you're primarily hearing an enhanced low-end with slightly scooped
  6 KB (1,037 words) - 21:17, 3 July 2023
• Kemper Output EQ
  ...rdings with guitar embedded? You will run into the same situation as every other recording: It will be listened to by a variety of speakers.
  5 KB (789 words) - 00:09, 16 April 2021
• In Ear Monitors for an L1 User
  ...-read display. The construction feels solid (all metal) compared to all my other plastic belt packs.
  10 KB (1,649 words) - 11:55, 21 November 2023
• Do I Need to Upgrade from the L1 Model II to the L1 Pro32?
  ...g on the gig. When doing band gigs, I used a single B1 for me. I relied on other band members to bring whatever they needed for the gig. When doing sound fo
  7 KB (1,279 words) - 16:07, 23 September 2023
• L1 Pro32 with Sub1 and L1 Pro16
  * Use the L1 Pro16 power stand for the sub for the other L1 Pro32
  3 KB (508 words) - 23:20, 19 April 2021
• T4S to L1 Pro and L1 Legacy
  ...]]. See below for details about why you would choose one approach over the other.
  3 KB (471 words) - 21:37, 3 September 2021
• Sennheiser e 965
  [[Category:Other]]
  2 KB (222 words) - 21:53, 18 August 2021
• Sennheiser MD 435
  [[Category:Other]]
  2 KB (179 words) - 22:06, 24 September 2023
• Neumann KMS 105
  [[Category:Other]]
  1 KB (141 words) - 03:29, 15 January 2022
• L1 Pro to L1 Compact
  ...what you hear from the L1 Pro. As you raise or lower the volume (and make other changes to the sound), this changes the output at the Line Out (except as n
  2 KB (336 words) - 12:43, 3 February 2023
• Two L1 Systems Overlapping
  ;The view from the other side[/b]
  2 KB (412 words) - 21:22, 6 March 2022
• Two L1®s in the Same Sound Field
  ;The view from the other side[/b]
  2 KB (355 words) - 18:00, 22 March 2022
• Sennheiser EW-D
  Other resources:
  5 KB (897 words) - 14:39, 13 April 2022
• Bose Pro Portable PA Community
  ...usands of conversations about the Bose Portable PA products. Musicians and other performers talked about the equipment, and how they used it. It was often a
  582 bytes (96 words) - 21:33, 20 April 2022
• Sennheiser Wireless Antennas
  ...uce effectiveness when a receiver or transmitter is mounted in a rack with other equipment?
  2 KB (265 words) - 03:48, 13 November 2022
• T4S to L1 Pro
  :This article applies ONLY to connections from a T4S to an L1 Pro. We have other articles for
  2 KB (379 words) - 13:41, 7 August 2023
• Relish Mary Limited
  [[Category:Other]]
  2 KB (322 words) - 21:06, 2 December 2023
• L1 System for Volunteer Organization
  [[Category:Other]]
  2 KB (300 words) - 16:59, 18 April 2023
• L1 Pro to L1 Model II
  ...what you hear from the L1 Pro. As you raise or lower the volume (and make other changes to the sound), this changes the output at the Line Out (except as n
  2 KB (373 words) - 15:02, 22 April 2023
• Sennheiser XSW for S1 Pro
  There are lots of other alternatives, but I've found the Sennheiser systems to be excellent and com
  946 bytes (142 words) - 18:19, 8 August 2023
• T4S to Two L1 Model II
  ...left and right. Any mono sources should be panned hard to one side or the other, not up the middle. If you pan up the middle, then keep the L1 Model II sys
  577 bytes (100 words) - 00:08, 23 December 2023
• The L1® Approach and the History Of Amplification
  ...ician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location
  2 KB (293 words) - 15:06, 6 February 2024
• PS1 Powerstand
  The anguish I was going through just imagining having to use anything other then the Bose was excruciating.. to think that I might have to play the nex
  6 KB (1,016 words) - 17:18, 26 February 2024