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- loudness is determined at the console (fader settings, monitor send levels).<br> ...t be set fully counter-clockwise. Start with the main output faders (monitor level) all the way down. Bring the channel faders up about halfway (many bo34 KB (5,610 words) - 15:00, 18 January 2021
- To monitor the other channels on the {{T1r}}, follow the same procedure with each chan The only problem I foresee is if you need to monitor channels from the Classic's Power Stand inputs.1 KB (196 words) - 04:31, 26 March 2017
- This is how you can use our [[Compact]] as a stage monitor. [[Category:Monitor]]1,021 bytes (156 words) - 04:47, 2 February 2014
- ...It can be used in other ways, but we'll talk about using it as a personal monitor.6 KB (1,045 words) - 17:45, 30 April 2015
- ...the S1 Pro. That's why there are two settings for the floor (tilt-back and monitor). ...the same as Tilt-back except there's some EQ treatment to support use as a monitor.3 KB (481 words) - 21:43, 1 July 2022
- ...ere is no solo or PFL feature on the T series mixers, the only way to live-monitor the feedback is via an aux send. The method we came up with was this... When feedback is experienced you can use an additional aux send(2) to monitor(IEM or phones) just the echo(dry after preamp) of the feedback. Using the o2 KB (316 words) - 21:26, 16 January 2019
- <td valign="top">Use the T8S Aux Output to send a monitor mix to the {{S1}} <li>Connect the T8S Aux Output you are using for the monitor send to S1 Pro channel 1 or 2<br />2 KB (427 words) - 01:52, 13 August 2021
- ...hen there's a separate Front of House system and I need to avoid having my monitor mix spill into the house3 KB (614 words) - 08:00, 19 September 2023
- MONITOR OUTPUT: 1/4-inch TS unbalanced with ground lift, output level: +4 dBu MONITOR OUTPUT L and R: 1/4-inch TS unbalanced with ground lift, output level: +4 d5 KB (706 words) - 01:49, 5 January 2023
- The objective is to use the S1 Pro+ as the stage monitor facing the performer(s) and the L1 Pro will be the main loudspeaker for the ;S1 Pro+ (stage monitor and mixer)2 KB (355 words) - 00:11, 19 August 2024
- ...aring yourself in the context of the room instead of out of context in the monitor. ... [[Hearing Yourself|full article]]12 KB (2,071 words) - 02:57, 26 March 2017
- ...ed a Leslie in an isolated backstage room during large concerts and fed to monitor mixes. The result is a clean Leslie sound with no on-stage bleed from other42 KB (7,262 words) - 13:29, 2 September 2008
- * Once you are used to how the L1 is for you as a stage monitor, get someone else to use the source ''(play, sing, whatever)'' and go out t3 KB (595 words) - 14:02, 28 May 2021
- ...he traditional "triple system" approach of backline instrument amplifiers, monitor system and PA system. Here are some of the reasons why:2 KB (406 words) - 18:13, 26 March 2017
- ...al triple system amplification approach of backline instrument amplifiers, monitor system and PA system.60 KB (9,859 words) - 05:33, 26 March 2017
- ...al triple system amplification approach of backline instrument amplifiers, monitor system and PA system.42 KB (6,832 words) - 05:25, 26 March 2017
- If you use an In-Ear-Monitor system that has built-in amplification, this may work.5 KB (923 words) - 20:02, 9 July 2018
- ...ers are considered an essential part of certain instruments’ sounds. The monitor system (2) is pointed away from the audience and towards the musicians, and862 bytes (121 words) - 05:39, 22 September 2008
- [[Image:BoseComputerMusicMonitor.jpg|Bose Computer Music Monitor]]3 KB (498 words) - 11:06, 13 July 2013
- ...amiliar generator is being used, it is advisable to bring a multimeter and monitor the output voltage of the generator. If the reading is above 140 V or below6 KB (872 words) - 17:51, 21 August 2021