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• Template:Microphone Polar Pattern
  Unidirectional microphones are sensitive to sound coming from only one direction. Examples: Examples of common cardioid microphones (good to great microphones but not necessarily the best for gain-before-feedback with Bose L1 systems)
  2 KB (268 words) - 18:27, 10 September 2022
• Sennheiser MD 435
  |ToneMatch Preset= Vocal Microphones / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser MD 431-II ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro&mdash;Sound Network]
  2 KB (179 words) - 22:06, 24 September 2023
• Should I get an L1 Pro8 or L1 Pro16
  * Two or more performers. Use two systems to split the vocal microphones and increase your gain before feedback. Here's why: ** For every doubling of the number of microphones heard through one loudspeaker, you lower your gain before feedback by up to
  7 KB (1,176 words) - 02:40, 27 January 2024
• User:ST
  ===== Dynamic Microphones ===== ** #02 Headworn Microphones
  21 KB (3,241 words) - 22:00, 20 April 2022
• Setup 5 Minutes
  ...'s bag because the microphones are really sturdy). The more delicate vocal microphones travel separately in our individual gig bags. Another two-three minutes gets the mic stands placed and microphones and [[R1 Remote]]s connected and we're ready to go.
  3 KB (524 words) - 00:28, 23 December 2008
• Bose L1® Musicians Conference Fall 2006/Agenda/Details
  == OLDGHM: Vocal Microphones == ...3#5101000073 this post] as one of many from oldghm on the subject of vocal microphones.
  6 KB (973 words) - 05:43, 26 March 2017
• Bass Regeneration
  ...Thus, it tends to be picked up, more than any frequency range, by all open microphones and “re-broadcasted” through the systems that amplify those sounds. The * Keep open microphones away from bass boxes: If you are setting up an L1 system as recommended (o
  6 KB (1,016 words) - 21:04, 16 January 2023
• L1® Model I / FAQ
  Skilled studio engineers listened to the sound of specific instruments and microphones being played through an {{L1 nl}} system, made adjustments to improve the s ...y input channels 1 and 2 have a button selector for +24V phantom power for microphones that require it.
  60 KB (9,859 words) - 05:33, 26 March 2017
• L1® T1 ToneMatch® Audio Engine / FAQ
  ToneMatch presets are designed for specific instruments and microphones for use with the L1 Model I and Model II systems. ToneMatch presets are ava ...is designed for a DJ event or any audio playback need. This setup uses two microphones and either an MP3 player, mixer or laptop PC.
  31 KB (4,908 words) - 04:28, 9 April 2017
• Connections / Drums for Model I
  ...s/Drums#Out-of-Phase Overheads|Out-of-Phase]]. This allows you to have two microphones "overhead" taking only one Channel, leaving another Channel free for the Ki If you want to have more than two or three microphones for Drums, then you can use a mixer for a submix running to one Channel on
  3 KB (531 words) - 07:07, 2 April 2010
• Zoom H4 and T1® Usage
  * Two studio-quality X/Y pattern condenser microphones for true stereo recording * Features over 100 proprietary ToneMatch presets for instruments and microphones
  10 KB (1,768 words) - 14:28, 11 March 2019
• Compact Channel 1 Noise
  ...es like the Sennheiser e8155. As you may know sensitivity can vary between microphones so we’ve elected to include a higher amount of gain on the microphone cha
  2 KB (405 words) - 22:50, 22 July 2009
• Audiopile: Cables for the L1® Family of Products / Review
  ...Compact Power Stand to turn down the volume to attach instruments, switch microphones or just move around without accidentally aiming the microphone at the Compa <p>The physical cable for the microphones and instruments is flexible and lightweight. I have some 15 year old Monste
  12 KB (2,058 words) - 05:45, 26 March 2017
• Hearing and Volume
  == Microphones == 9. If there are microphones (or acoustic guitar pickups) involved, these will not only pickup the inten
  6 KB (999 words) - 13:18, 1 July 2011
• Cliff Mics
  ...reated to improve on well-known nuisance attributes of large-format ribbon microphones, namely low sensitivity (leading to a noisy processed signal), dull spectra ...tion gives at least a 6dB boost in at-the-ribbon level compared to similar microphones.
  6 KB (872 words) - 11:24, 15 February 2020
• Neumann KK 205
  |ToneMatch Preset= Vocal Microphones / Neumann KMS 105 ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro&mdash;Sound Network]
  4 KB (491 words) - 03:25, 15 January 2022
• Presets 1.0
  === Vocal Microphones === ...seful preset, especially for electronic keyboards and “flat” condenser microphones. For instance, many digital pianos will have a giant gob of bass in the low
  16 KB (2,852 words) - 09:17, 25 March 2024
• Sketches / Principles
  * If possible, microphones and instruments should be routed to channels 1 and 2 to take advantage of t ...into a mixer. These would all use the same preset, so I'd treat the three microphones as a sub-mix and route that to the Bose System on say, Channel 1 and set th
  4 KB (697 words) - 06:45, 18 December 2010
• Bose L1® Musicians Conference Fall 2006/Gear
  === Microphones ===
  4 KB (568 words) - 18:35, 26 March 2017
• Bose L1® Musicians Conference Fall 2006/Discussion Topics
  === Vocal Microphones ===
  4 KB (677 words) - 05:43, 26 March 2017

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