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- This list will be of interest mainly for {{S1 Pro}} owners. Microphones with higher sensitivity will tend to sound louder than those with lower sen <td style="font-weight: 400;"><a href="http://rode.com/microphones/m1">Rode M1</a></td>6 KB (746 words) - 18:17, 22 November 2022
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- [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] |RightHead = Vocal Microphones for the {{L1}} Review23 KB (3,709 words) - 18:12, 10 September 2022
- Most sources like typical microphones and piezo pickup systems can provide enough level without the need to add s === Directional Microphones ===16 KB (2,433 words) - 20:03, 1 July 2023
- 01 Handheld Microphones Vocal Microphones 02 Headworn Microphones Vocal Microphones10 KB (1,547 words) - 13:51, 21 March 2023
- 01 Handheld Microphones Vocal Microphones 02 Headworn Microphones Vocal Microphones10 KB (1,572 words) - 16:16, 21 January 2024
- * Two or more of those inputs are similar, for example: microphones that are of the same make and model. You have two vocal microphones - Shure SM 58 - Recommended Preset #143 KB (463 words) - 15:12, 28 December 2012
- ...signals are summed together. In essence it creates a "blind spot" for the microphones for whatever is right in the middle plane. For the drums, that's mainly the ...place the L1 that gets the mic signal somewhere in the middle plane of the microphones. This drastically reduces potential for feedback and unwanted regeneration.6 KB (927 words) - 15:30, 22 December 2008
- Phantom power is used with condenser microphones. It is called phantom power because there is no obvious external power supp ...microphone even if it is shorted or miswired. In general, balanced dynamic microphones can be connected to phantom powered mixer inputs with no problem.8 KB (1,252 words) - 19:43, 10 March 2020
- ...Match® presets contain hardwired equalization curves for dynamic handheld microphones and acoustic guitars * {{Model I nl}} equivalent: 01 Handheld Microphones27 KB (4,306 words) - 01:35, 20 May 2021
- * Two or more of those inputs are similar, for example: microphones that are of the same make and model. * You have two vocal microphones. Route these through the mixer to S1 Pro channel 1 with ToneMatch switch t3 KB (485 words) - 22:23, 16 November 2019
- ...es / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser e 855<br> Vocal Microphones / Sennheiser MD 431-II <!-- [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] -->3 KB (437 words) - 22:12, 24 September 2023
- * Two or more of those inputs are similar, for example: microphones that are of the same make and model. * You have two vocal microphones. Route these through the mixer to Compact Channel 13 KB (457 words) - 15:16, 28 December 2012
- ..., we could begin to get a little squealing. It wasn't a problem if all the microphones were not on at once, but sometimes in the show when we're switching quickly ...ferent speaker). You may find that the frequencies are similar for all the microphones, and that notching out the response of each microphone is required. It take6 KB (1,020 words) - 05:17, 26 March 2017
- ...hones / Sennheiser e 855 OR<br> Vocal Microphones / Beyer M88 OR <br>Vocal Microphones / Neumann KMS 105 ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro—Sound Network]2 KB (222 words) - 21:53, 18 August 2021
- |ToneMatch Preset= Vocal Microphones / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser MD 431-II <!-- [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] -->7 KB (1,003 words) - 12:27, 7 December 2023
- ...ver the "how we set it up" stuff in detail, but basically we've set up two microphones (each going to a system) a couple feet apart for doing these showcases. Now ...ded like there was no amplification ... until someone walked away from the microphones and spoke. Amazing. Even I was surprised at how well our little speaker sou16 KB (2,848 words) - 17:51, 14 October 2009
- ...; if so, repeat this procedure for the other microphones (muting the other microphones while adjusting the Para EQ on one of them). ...y find that some adjustments are needed for each due to differences in the microphones and their different locations.3 KB (522 words) - 15:37, 8 June 2021
- ...age. You can use the '''Noise Gate''' in your ToneMatch mixer to shut down microphones that are not being used. When the sound presented to the microphone is loud ...age. You can use the '''Noise Gate''' in your ToneMatch mixer to shut down microphones that are not being used. When the sound presented to the microphone is loud4 KB (659 words) - 11:47, 29 July 2023
- |ToneMatch Preset= Vocal Microphones / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser MD 431-II ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro—Sound Network]2 KB (179 words) - 22:06, 24 September 2023
- * Two or more performers. Use two systems to split the vocal microphones and increase your gain before feedback. Here's why: ** For every doubling of the number of microphones heard through one loudspeaker, you lower your gain before feedback by up to7 KB (1,176 words) - 02:40, 27 January 2024
- ...'s bag because the microphones are really sturdy). The more delicate vocal microphones travel separately in our individual gig bags. Another two-three minutes gets the mic stands placed and microphones and [[R1 Remote]]s connected and we're ready to go.3 KB (524 words) - 00:28, 23 December 2008