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- ...een most gracious in allowing members of the forum to design a guitar that's a little bit different than their standard offerings. In the past they've ...um I guitars was damaged and a replacement was shipped with the 9 Forum II's that were shipped in April 200516 KB (2,419 words) - 18:44, 26 March 2017
- ...ze and weight of the heaviest component. With the L1 Pro32 with Sub1, that's the Sub1 at 35 pounds, 5 pounds more than the L1 Pro8, and 15 pounds less t ...room for this. For comparison, the L1 Model II footprint is 22" x 22". It's still worth noting the L1 Pro16 and L1 Pro8 take less than half the floor s7 KB (1,193 words) - 21:40, 14 June 2021
- ...ment last fall and when they were available to order in late January. Here's why I ordered the L1 Pro32 with Sub1, and what I've learned since then. ...l 812 with F1 Subwoofer). For smaller gigs, I might set up two {{Model II}}s at the front of the stage.7 KB (1,279 words) - 16:07, 23 September 2023
- We use pads with our {{PS1}}'s when running a pro level +4 dBu signal (e.g. output from a mixer) to the XL ...ording devices. If the Power Stand Line Outs are too high for the recorder's inputs, a pad can be used to prevent overdriving those inputs into clipping5 KB (853 words) - 17:26, 14 May 2017
- ...ver is fixed at 200 Hz and does not vary depending on whether or not {{B1}}s are attached to the Power Stand. ...r™ This is less of a "crossover" and more of a cutoff just because there's no point sending frequencies to the L1 that it can't reproduce.7 KB (1,241 words) - 00:41, 28 June 2018
- #CCFFFF;mso-pattern:auto none'>Chuck's band mates from Rust Never Name/instrument(s)/times, subject to change: Ken Gibson / guitar, lead vox,15 KB (2,053 words) - 18:34, 26 March 2017
- You can send the click to any channel on the {{T1 nl}} ({{T1r}}), leaving it's volume fader (to master output) OFF. ...on the {{T1r}}'s rotary dial, press the channel edit button for the Click's channel.1 KB (196 words) - 04:31, 26 March 2017
- So you could restore your Head's backup on the Stage. ...cy response limit. A chorus with fairness, that couldn't be made in the 70's :)24 KB (3,721 words) - 12:54, 8 August 2023
- ...evel of the guitar is louder than the output level of the microphone. That's why we have to turn up the microphone higher. * Note how quiet the S1 Pro is when there’s no input source and the volume, is all the way up – The volume controls a6 KB (1,007 words) - 15:34, 14 June 2020
- Here's what we did for Bose Connect version 11.0.1: ...updates directly from http://btu.bose.com This is the preferred method. It's faster.9 KB (1,389 words) - 21:40, 29 October 2021
- ;Question: Can I use the {{T1}} with the {{L1PS}}s? ...the T4S and T8S ToneMatch mixers and is not compatible with the L1 Pro’s S/PDIF audio architecture.3 KB (441 words) - 20:35, 8 December 2021
- ...f you have more than one performer. With more than one performer/source it's in my opinion always preferable to separate the sources (i.e. one source pe ...One will be more accurate (i.e. sound is clearly located at the performer's position, more consistent spectrum) and two will sound wider and more spaci3 KB (374 words) - 10:11, 13 April 2023
- * B1s and Tone (the effect on tone, headroom, etc of adding additional B1's, whether via an additional PS1 or the PackLite) ...could break out his Womanizer, someone who mics an amp do theirs (is Sarno's Emery still there?), etc etc. Having a pile of preamps, pedals, and toys wo4 KB (677 words) - 05:43, 26 March 2017
- * There's no reason to just tap with just the toe or ball of your foot. You can also ...Board, but the associated distortion can ''(judiciously applied)'' have it's own place. Besides, why should guitarists be the only ones who have fun wi14 KB (2,215 words) - 14:25, 11 March 2019
- ...st" input impedance is a little bit of a trade off and matching the pickup's impedance is not necessarily the best choice. == Connect Two {{T1 no link}}s to a Model II ==13 KB (1,983 words) - 11:55, 22 May 2018
- [[File:USBAtoUSBB.jpg|link=https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Delectronics&field-keywords=Belkin-F3U133- ...duct_guides/t1_tonematch_audio_engine.pdfT1 ToneMatch® Audio Engine Owner's Guide]8 KB (1,290 words) - 18:04, 27 March 2019
- ...rols on a mixer when the controls don't match the voice or instrument that's being equalized. For example, the bass control usually does nothing to equa ...of a vocal microphone, that they're a vocalist). With this information, it's possible to design custom low, mid, and high tone controls to match the ins7 KB (1,211 words) - 15:42, 9 December 2019
- * Microphone(s): bringing your own microphone is the only way to ensure you will be perfor ...ls. If you bring you own microphone(s) then bringing your microphone cable(s) as well would minimize cable mix ups at tear down (all cables connected to5 KB (893 words) - 05:16, 26 March 2017
- '''NOTE:''' If you run two L1®s in Dual Mono mode, the L1®s should be at least 20-50 feet apart. Related Article: [[T1 ToneMatch® Audio Engine / Stereo Output to Two L1®s]]2 KB (348 words) - 16:53, 4 September 2023
- Early 80's thru 90's, two digit Series followed by up to five digit serial number XX XXXX First generation 02's & 03's are ink stamped four digits on headblock XXXX2 KB (262 words) - 22:45, 10 July 2018