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  • === Coverage Patterns === [[Image: F1 Coverage Straight.jpg | 600px]]
    20 KB (3,211 words) - 12:46, 29 September 2023
  • ...e horizontal dispersion, my major considerations are '''portability''', '''coverage''', and '''stage volume vs. projection'''. For '''[[{{PAGENAME}}#Coverage|Coverage]]''', I am thinking about vertical dispersion. The concern is if the audien
    7 KB (1,193 words) - 21:40, 14 June 2021
  • Articulated line array loudspeaker technology produces wide, uniform sound coverage throughout the entire listening area—even off to the extreme sides Curved array design provides 40° of vertical coverage
    27 KB (4,306 words) - 01:35, 20 May 2021
  • ...the above is moot if the SoloAmp can't compete sonically or with regard to coverage and distribution. So..... ...oloAmp. I will try to set up in our back yard tomorrow and do some further coverage tests.
    17 KB (3,271 words) - 18:10, 26 March 2017
  • ...system. ToneMatch technology only has audible benefit AFTER you solve the coverage problem.
    6 KB (973 words) - 05:43, 26 March 2017
  • ...entation of a line source, positioned behind a musician?providing accurate coverage for the performer, other musicians onstage and audiences. ...from a full stack's acute directional beam, including the wide, even sound coverage of the Cylindrical Radiator® speaker. An {{L1}} system can also be used to
    17 KB (2,793 words) - 03:21, 26 March 2017
  • ...he sound field of the original L1™. The lighter area shows the extra coverage you get by having two L1™s 20 feet apart as compared to a single L1&t The extra coverage you get with two L1™s spaced 20 feet apart, is about 10 feet on eithe
    2 KB (355 words) - 12:11, 18 March 2014
  • ...|L1 Pro16 J-Shape]]The L1 Pro16 has a J-shaped array. It provides the best coverage (of all the L1 models) for audiences below an elevated stage. The L1 Pro16 downward coverage makes it the best when some or all of the audience is below the stage.
    15 KB (2,619 words) - 15:00, 31 October 2023
  • ...he sound field of the original L1™. The lighter area shows the extra coverage you get by having two L1™s 20 feet apart as compared to a single L1&t The extra coverage you get with two {{L1 nl}}s spaced 20 feet apart, is about 10 feet on eithe
    2 KB (412 words) - 21:22, 6 March 2022
  • ...he sound field of the original L1™. The lighter area shows the extra coverage you get by having two L1™s 20 feet apart as compared to a single L1&t The extra coverage you get with two L1™s spaced 20 feet apart, is about 10 feet on eithe
    2 KB (355 words) - 18:00, 22 March 2022
  • === What is the warranty coverage on my A1? ===
    17 KB (2,728 words) - 05:42, 26 March 2017
  • The L1 Pro16 downward coverage makes it the best when some or all of the audience is below the stage. *The greater vertical coverage (above the stage). See the chart below.
    7 KB (1,176 words) - 02:40, 27 January 2024
  • ...from the horn<nowiki>’</nowiki>s on-axis level. Figure 4 and 5 show such coverage angles, compiled from a series of third-octave polar response curves. Note
    39 KB (6,630 words) - 16:45, 23 March 2011
  • ...etween -6dB points from the horn's on-axis level. Figure 4 and 5 show such coverage angles, compiled from a series of third-octave polar response curves. Note
    42 KB (7,262 words) - 13:29, 2 September 2008
  • .... It is designed to be positioned behind each musician, providing accurate coverage for musicians and audiences. ...akers. Their unique radiation properties help them deliver more even sound coverage and a larger stereo field – a benefit that has been confirmed in listenin
    60 KB (9,859 words) - 05:33, 26 March 2017
  • .... It is designed to be positioned behind each musician, providing accurate coverage for musicians and audiences. ...akers. Their unique radiation properties help them deliver more even sound coverage and a larger stereo field – a benefit that has been confirmed in listenin
    42 KB (6,832 words) - 05:25, 26 March 2017
  • ...g straight ahead.) So both the L1 classic and Model II have extremely wide coverage (nearly 180 degrees,) but the M II gives you the most consistent tone as yo The array has been improved to give the widest, most even sound coverage across the room that we can deliver.
    4 KB (690 words) - 13:54, 30 October 2007
  • ...es a 12-speaker articulated line array, offering 180 degrees of horizontal coverage while maintaining consistent level, smooth tonal balance and clarity throug ...akers. Their unique radiation properties help them deliver more even sound coverage and a larger stereo field&mdash;a benefit that has been confirmed in listen
    14 KB (2,381 words) - 05:47, 26 March 2017
  • ...e output from a {{Compact}} and an {{S1}}, typically to provide additional coverage in another area or to use the {{Compact}} as the front of house PA and the ...with the same source, place the two systems so there is no overlap in the coverage areas.
    2 KB (298 words) - 15:39, 13 June 2020
  • ...<td style="background: #FFFFFF"></html>[[File:L1 Pro8 w Coverage 183x200.jpg]]<html> </td> ...<td style="background: #FFFFFF"></html>[[File:L1 Pro16 w Coverage 221x200.jpg]]<html> </td>
    12 KB (941 words) - 15:01, 12 June 2021

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