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  • ToneMatch Mixer Phantom Power to Tyros 5 Microphone Input
    :By connecting a microphone to the [MIC INPUT] jack (accepts either XLR or standard 1/4” phone plug c #Connect the microphone to the T1 Channel 1 XLR input <br>[[File:T1 Phantom to Tyros 4 mic input 2.
    3 KB (474 words) - 13:59, 23 April 2019
  • Noise Gate
    ...down microphones that are not being used. When the sound presented to the microphone is loud enough (it reaches a predefined threshold), the gate will open allo ...down microphones that are not being used. When the sound presented to the microphone is loud enough (it reaches a predefined threshold), the gate will open allo
    4 KB (658 words) - 21:49, 10 August 2024
  • EV RE-2 Wireless Microphone Review
    * Balanced XLR audio output for Microphone or Line level signals and a 1/4-inch line level jack * NDYM 767a Dynamic premium vocal microphone with VOBTM(Vocal-Optimized-Bass)
    4 KB (614 words) - 14:24, 11 March 2020
  • Feedback / T1 ToneMatch® Audio Engine
    You'll be using the parametric equalizer on the {{T1}} to improve vocal microphone feedback. The parametric equalizer has a frequency adjustment to select the # Turn the volume down on the microphone channel; mute any other microphone channels.
    3 KB (522 words) - 15:37, 8 June 2021
  • Compact Channel 1 Noise
    First and most importantly, please make sure that you have a microphone connected when you turn up the Channel&nbsp;1 Volume control. As other memb ...n microphones so we’ve elected to include a higher amount of gain on the microphone channel.
    2 KB (405 words) - 22:50, 22 July 2009
  • Cliff Mics
    The Ocean Way RM1-B microphone was designed, developed and engineered by pro-audio transducer inventor and ...the electronics. The knobs feel great and look right in proportion to the microphone. The softened, etched and anodized case components and knobs have a silky a
    6 KB (872 words) - 11:24, 15 February 2020
  • Sennheiser MD 445
    {{Microphone Information [[Category:Microphone]]
    3 KB (444 words) - 14:16, 4 August 2024
  • Neumann KK 205
    {{Microphone Information ...th the freedom of wireless operation and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resis
    4 KB (491 words) - 03:25, 15 January 2022
  • L1 Inputs General Information
    : The XLR inputs are microphone-level, and you should avoid using line-level sources except for models with * The XLR inputs are microphone-level inputs.
    6 KB (881 words) - 02:15, 14 September 2024
  • Troubleshooting
    ...r loudspeakers, and fewer microphones to manage per System. ... [[Feedback/Microphone|full article]] ...{{L1 nl}} system. That is: eliminate everything between your instrument or microphone and the {{L1 nl}} System.
    7 KB (1,133 words) - 16:32, 13 October 2010
  • Leslie loudspeakers
    ...nsity of the sound will be at a maximum when it points at the listener (or microphone). The sound intensity will increase as the rotating source approaches dead == '''Microphone-Prepared Stock Leslie''' ==
    42 KB (7,262 words) - 13:29, 2 September 2008
  • L1® Traditional Music System
    ...M.)<br><br>Our goal was to explore microphone spacing, player comfort, and microphone type in our work over the course of about three hours. Steve, Brendan, and ...ondensor microphone which is then fed to the PA. The players move into the microphone when it's their turn to solo or sing, creating a new kind of choreography d
    15 KB (2,537 words) - 04:04, 2 April 2017
  • L1® T1 ToneMatch® Audio Engine / FAQ
    ...touch of a button. When you select a proprietary ToneMatch preset for your microphone or instrument, you are tapping into a powerful new technology, available on ===ToneMatch audio engine microphone stand bracket===
    31 KB (4,908 words) - 04:28, 9 April 2017
  • XLR
    == Microphone Cable == [[Image:XLRXLRMF.png|thumb|microphone cable with male and female XLR connectors|right]]
    518 bytes (72 words) - 22:57, 18 July 2007
  • Parametric EQ / Solving Problems
    === Controlling Vocal Microphone Feedback === :A microphone responds to the movement of air and it does not care what caused the air to
    6 KB (952 words) - 15:34, 8 June 2021
  • Vocal and Guitar Performance Techniques
    * Having trouble with popping consonants? Move closer to the microphone. Eliminate plosives by keeping your lips on the windscreen * Moving back from the microphone robs you of tone.
    6 KB (832 words) - 14:54, 7 October 2019
  • Invention of ToneMatch® Technology
    ...he knew how to make any good microphone sound close to a studio condenser microphone with some judiciously-applied EQ. So he bought some Symetrix 1/3-octave equ == Working with Instrument / Microphone Makers ==
    6 KB (973 words) - 18:29, 26 March 2017
  • T1 ToneMatch® Audio Engine with Compact for Karaoke
    * Microphone :Sing directly into the microphone using close microphone technique (lips just brushing the windscreen). Sing as loudly as you will s
    7 KB (1,177 words) - 04:14, 26 March 2017
  • Do I Need to Upgrade from the S1 Pro to the S1 Pro+
    ...105]]. Eventually, I found the [[Sennheiser MD 445]], a excellent dynamic microphone that does not need phantom power. It's not a replacement for the Neumann, b The {{S1 Pro}} had two ToneMatch Presets per channel (Microphone, Acoustic Steel-stringed Guitar). I wished it had more options for ToneMatc
    12 KB (2,031 words) - 12:09, 9 August 2024
  • S1 Pro Monitor Mode
    ...S1 Pro}} so that it avoids the polar pattern (pickup area) of your type of microphone. ...e {{S1 Pro}} anywhere behind the microphone (including directly behind the microphone)
    935 bytes (141 words) - 14:55, 15 August 2024

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