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  • ...gain before feedback. This should minimize feedback issues with your vocal microphone. ...our own microphone is the only way to ensure you will be performing with a microphone with which you are comfortable.
    5 KB (893 words) - 05:16, 26 March 2017
  • ===Microphone=== ...and gain before feedback<ref>[[Presets 1.0|Original description of how the Microphone Presets work]]</ref>.
    1 KB (219 words) - 20:09, 16 December 2018
  • ...nsity of the sound will be at a maximum when it points at the listener (or microphone), The sound intensity will increase as the rotating source approaches dead == Microphone-Prepared Stock Leslie== This technique has been used very successfully in a
    39 KB (6,630 words) - 16:45, 23 March 2011
  • ==== {{T1}} to Denon DN-X500 microphone input ==== ...the way off and bring it up slowly. You will also want to have the DN-X500 microphone input level set quite low to start until you figure out the levels so that
    2 KB (437 words) - 04:25, 26 March 2017
  • ...nstance, if you are a singing bassist, use a highpass filter on your vocal microphone to keep your bass signal out of the regeneration loop. Use only the range ...he beater for a strong signal. This way, you can reduce system gain on the microphone. Also, get the kick drum as far from the drum’s bass box(es) as possible.
    6 KB (1,016 words) - 21:04, 16 January 2023
  • Phantom power is a DC voltage that powers the preamplifier of a condenser microphone. It can be in a range of 11 – 48 volts. ...ine array systems. When you select a proprietary ToneMatch preset for your microphone or instrument, you are tapping into a powerful new technology available onl
    60 KB (9,859 words) - 05:33, 26 March 2017
  • I ran T1&trade;s mounted on each the microphone stands controlling the L1&trade; directly behind it. I had a Scene worked o Minor note: We pulled the other microphone stands off to the sides during this part of the show.
    4 KB (819 words) - 12:30, 9 April 2011
  • There aren’t many of us here using this microphone with the L1 System, but for any curious folks on prospective performance, l I have not read anywhere exactly what the guts of the microphone are patterned after. That is, it’s been said that it is very similar to
    3 KB (571 words) - 10:28, 16 October 2008
  • ...ums/a/tpc/f/3976055944/m/9370021626?r=3300035626#3300035626 using the T1® Microphone stand adapter]</ref> ...elcro to secure the ToneMatch cable to the microphone stand just above the Microphone Stand Adapter (the thing that clamps around the mic stand).
    2 KB (397 words) - 05:11, 26 March 2017
  • The {{PAGENAME}} is an personal monitor system that attaches to a microphone stand. It can be used in other ways, but we'll talk about using it as a per As simple as it is to set up, it's more trouble than it's worth. On the microphone stand, I have found it too prone to feedback. I can't get the volume up hig
    6 KB (1,045 words) - 17:45, 30 April 2015
  • ...down microphones that are not being used. When the sound presented to the microphone is loud enough (it reaches a predefined threshold), the gate will open allo ...down microphones that are not being used. When the sound presented to the microphone is loud enough (it reaches a predefined threshold), the gate will open allo
    4 KB (659 words) - 11:47, 29 July 2023
  • :By connecting a microphone to the [MIC INPUT] jack (accepts either XLR or standard 1/4” phone plug c #Connect the microphone to the T1 Channel 1 XLR input <br>[[File:T1 Phantom to Tyros 4 mic input 2.
    3 KB (474 words) - 13:59, 23 April 2019
  • * Balanced XLR audio output for Microphone or Line level signals and a 1/4-inch line level jack * NDYM 767a Dynamic premium vocal microphone with VOBTM(Vocal-Optimized-Bass)
    4 KB (614 words) - 14:24, 11 March 2020
  • You'll be using the parametric equalizer on the {{T1}} to improve vocal microphone feedback. The parametric equalizer has a frequency adjustment to select the # Turn the volume down on the microphone channel; mute any other microphone channels.
    3 KB (522 words) - 15:37, 8 June 2021
  • First and most importantly, please make sure that you have a microphone connected when you turn up the Channel&nbsp;1 Volume control. As other memb ...n microphones so we’ve elected to include a higher amount of gain on the microphone channel.
    2 KB (405 words) - 22:50, 22 July 2009
  • The Ocean Way RM1-B microphone was designed, developed and engineered by pro-audio transducer inventor and ...the electronics. The knobs feel great and look right in proportion to the microphone. The softened, etched and anodized case components and knobs have a silky a
    6 KB (872 words) - 11:24, 15 February 2020
  • {{Microphone Information [[Category:Microphone]]
    3 KB (437 words) - 22:12, 24 September 2023
  • {{Microphone Information ...th the freedom of wireless operation and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resis
    4 KB (491 words) - 03:25, 15 January 2022
  • ...r loudspeakers, and fewer microphones to manage per System. ... [[Feedback/Microphone|full article]] ...{{L1 nl}} system. That is: eliminate everything between your instrument or microphone and the {{L1 nl}} System.
    7 KB (1,133 words) - 16:32, 13 October 2010
  • ...nsity of the sound will be at a maximum when it points at the listener (or microphone). The sound intensity will increase as the rotating source approaches dead == '''Microphone-Prepared Stock Leslie''' ==
    42 KB (7,262 words) - 13:29, 2 September 2008

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