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  • === Coverage Patterns === [[Image: F1 Coverage Straight.jpg | 600px]]
    20 KB (3,211 words) - 12:46, 29 September 2023
  • ...e horizontal dispersion, my major considerations are '''portability''', '''coverage''', and '''stage volume vs. projection'''. For '''[[{{PAGENAME}}#Coverage|Coverage]]''', I am thinking about vertical dispersion. The concern is if the audien
    7 KB (1,193 words) - 21:40, 14 June 2021
  • Articulated line array loudspeaker technology produces wide, uniform sound coverage throughout the entire listening area—even off to the extreme sides Curved array design provides 40° of vertical coverage
    27 KB (4,306 words) - 01:35, 20 May 2021
  • ...the above is moot if the SoloAmp can't compete sonically or with regard to coverage and distribution. So..... ...oloAmp. I will try to set up in our back yard tomorrow and do some further coverage tests.
    17 KB (3,271 words) - 18:10, 26 March 2017
  • ...system. ToneMatch technology only has audible benefit AFTER you solve the coverage problem.
    6 KB (973 words) - 05:43, 26 March 2017
  • ...entation of a line source, positioned behind a musician?providing accurate coverage for the performer, other musicians onstage and audiences. ...from a full stack's acute directional beam, including the wide, even sound coverage of the Cylindrical Radiator® speaker. An {{L1}} system can also be used to
    17 KB (2,793 words) - 03:21, 26 March 2017
  • ...he sound field of the original L1™. The lighter area shows the extra coverage you get by having two L1™s 20 feet apart as compared to a single L1&t The extra coverage you get with two L1™s spaced 20 feet apart, is about 10 feet on eithe
    2 KB (355 words) - 12:11, 18 March 2014
  • ...|L1 Pro16 J-Shape]]The L1 Pro16 has a J-shaped array. It provides the best coverage (of all the L1 models) for audiences below an elevated stage. The L1 Pro16 downward coverage makes it the best when some or all of the audience is below the stage.
    15 KB (2,619 words) - 15:00, 31 October 2023
  • ...he sound field of the original L1™. The lighter area shows the extra coverage you get by having two L1™s 20 feet apart as compared to a single L1&t The extra coverage you get with two {{L1 nl}}s spaced 20 feet apart, is about 10 feet on eithe
    2 KB (412 words) - 21:22, 6 March 2022
  • ...he sound field of the original L1™. The lighter area shows the extra coverage you get by having two L1™s 20 feet apart as compared to a single L1&t The extra coverage you get with two L1™s spaced 20 feet apart, is about 10 feet on eithe
    2 KB (355 words) - 18:00, 22 March 2022
  • === What is the warranty coverage on my A1? ===
    17 KB (2,728 words) - 05:42, 26 March 2017
  • The L1 Pro16 downward coverage makes it the best when some or all of the audience is below the stage. *The greater vertical coverage (above the stage). See the chart below.
    7 KB (1,176 words) - 02:40, 27 January 2024
  • ...from the horn<nowiki>’</nowiki>s on-axis level. Figure 4 and 5 show such coverage angles, compiled from a series of third-octave polar response curves. Note
    39 KB (6,630 words) - 16:45, 23 March 2011
  • ...etween -6dB points from the horn's on-axis level. Figure 4 and 5 show such coverage angles, compiled from a series of third-octave polar response curves. Note
    42 KB (7,262 words) - 13:29, 2 September 2008
  • .... It is designed to be positioned behind each musician, providing accurate coverage for musicians and audiences. ...akers. Their unique radiation properties help them deliver more even sound coverage and a larger stereo field – a benefit that has been confirmed in listenin
    60 KB (9,859 words) - 05:33, 26 March 2017
  • .... It is designed to be positioned behind each musician, providing accurate coverage for musicians and audiences. ...akers. Their unique radiation properties help them deliver more even sound coverage and a larger stereo field – a benefit that has been confirmed in listenin
    42 KB (6,832 words) - 05:25, 26 March 2017
  • ...g straight ahead.) So both the L1 classic and Model II have extremely wide coverage (nearly 180 degrees,) but the M II gives you the most consistent tone as yo The array has been improved to give the widest, most even sound coverage across the room that we can deliver.
    4 KB (690 words) - 13:54, 30 October 2007
  • ...es a 12-speaker articulated line array, offering 180 degrees of horizontal coverage while maintaining consistent level, smooth tonal balance and clarity throug ...akers. Their unique radiation properties help them deliver more even sound coverage and a larger stereo field&mdash;a benefit that has been confirmed in listen
    14 KB (2,381 words) - 05:47, 26 March 2017
  • ...e output from a {{Compact}} and an {{S1}}, typically to provide additional coverage in another area or to use the {{Compact}} as the front of house PA and the ...with the same source, place the two systems so there is no overlap in the coverage areas.
    2 KB (298 words) - 15:39, 13 June 2020
  • ...<td style="background: #FFFFFF"></html>[[File:L1 Pro8 w Coverage 183x200.jpg]]<html> </td> ...<td style="background: #FFFFFF"></html>[[File:L1 Pro16 w Coverage 221x200.jpg]]<html> </td>
    12 KB (941 words) - 15:01, 12 June 2021
  • ...<td style="background: #FFFFFF"></html>[[File:L1 Pro16 w Coverage 221x200.jpg]]<html> </td> ...<td style="background: #FFFFFF"></html>[[File:L1 Pro32 with subs w Coverage 305x205.jpg]]<html></td>
    13 KB (1,143 words) - 16:24, 23 September 2023
  • ...ew exceptions (noted below), it will meet my needs, giving me the greatest coverage and projection. And compared to the others, it gives me the best performanc [[File:L1 Pro Vertical Coverage.jpg|L1 Pro Vertical Coverage|800px]]
    3 KB (614 words) - 08:00, 19 September 2023
  • ...r - With much more available volume, therefore much more dynamic range and coverage way out into the room, we can still bring it down to that unamplified-level
    12 KB (2,071 words) - 02:57, 26 March 2017
  • ...an elevated stage, people above or below the {{L1 CR}} will not be in the coverage area.
    12 KB (2,008 words) - 06:55, 26 March 2017
  • ...e wage and get group discounts on "benefits" such as insurance and medical coverage. Today it is almost nonexistent, other than for very high-profile work suc
    27 KB (4,639 words) - 18:37, 26 March 2017
  • ...ar 170&deg; horizontal dispersion with the {{L1}} you don't get a lot more coverage from two {{L1}}s as compared to one. You may get a better sense of [[Locali
    8 KB (1,305 words) - 10:38, 14 November 2010
  • ...igh hat will also bleed into your vocal microphone anyway, so you get some coverage that way. I'd also try without the drum microphone (again, just my preferen
    6 KB (1,020 words) - 05:17, 26 March 2017
  • Yes, but many key advantages of an {{L1}} system?like even sound coverage, consistent tone, and portability?aren't realized when a ToneMatch audio en
    31 KB (4,908 words) - 04:28, 9 April 2017
  • ...new tone-shaping technologies in the T1 engine, married to the exceptional coverage and high degree of portability in the new L1 model II system, that compels
    5 KB (837 words) - 12:43, 22 May 2017
  • ...feet long. The room may be three quarters full or we may need only provide coverage out to about 200 feet.
    12 KB (2,012 words) - 10:58, 5 January 2023
  • There is good cell phone coverage.
    19 KB (3,088 words) - 18:40, 26 March 2017
  • ...gnificantly impact system performance. The EQ will be incorrect, and sound coverage decreased. Plus, in order to hear yourself properly, it's best to have your
    5 KB (774 words) - 16:10, 28 April 2023
  • ...re stunned. Walking around the room, I was totally stunned by the wideband coverage and the consistency of level at any distance from the thing. I remember thi
    2 KB (363 words) - 18:32, 26 March 2017
  • ...even more stunned. Walking around the room, he was amazed by the wideband coverage and the consistency of level at any distance from the thing.
    12 KB (2,194 words) - 10:59, 24 April 2011
  • ...ey said, whoa, we could use this invention in places where we need lots of coverage from a speaker location close to the ground -- namely big flat audience are
    3 KB (502 words) - 15:31, 3 January 2009
  • ...e gain. The microphone has to be in a quieter part of the sound system’s coverage or the microphone has to be directionally resistant to the speaker’s sou
    2 KB (369 words) - 13:08, 16 April 2009
  • ...are instructions on how to use more than one Compact to provide additional coverage in larger spaces. This is new. It hasn't been easy to do this with the {{Cl
    8 KB (1,432 words) - 15:37, 23 September 2023
  • ...utput from two or more Compacts, typically to This will provide additional coverage in larger spaces.
    2 KB (401 words) - 23:50, 1 January 2023
  • ...ument pickup) and loudspeaker that you knew were capable of delivering the coverage you needed and producing the timbre you wanted. Now imagine you could work
    12 KB (2,083 words) - 19:34, 25 April 2012
  • ...ng, co-development and design of large- and small-format horns for various coverage patterns and uses, including consumer hifi.
    22 KB (3,143 words) - 18:35, 23 January 2013
  • ...put from a {{Compact}} and a {{Model II}}, typically to provide additional coverage in larger spaces.
    1 KB (234 words) - 10:30, 12 May 2014
  • ...put from a {{Compact}} and a {{Model 1S}}, typically to provide additional coverage in larger spaces.
    1 KB (235 words) - 10:29, 12 May 2014
  • ...<td style="background: #FFFFFF"></html>[[File:L1 Pro16 w Coverage 221x200.jpg]]<html> </td>
    11 KB (856 words) - 21:13, 11 June 2021
  • ...perform outdoors in settings where an {{S1 Pro}} doesn't provide adequate coverage. I wanted a solution to power an {{Compact}} and a {{ToneMatch Mixer}}.
    56 KB (6,401 words) - 10:35, 11 February 2024