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  • Review / Microphone / Various
    [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] |RightHead = Vocal Microphones for the {{L1}} Review
    23 KB (3,709 words) - 18:12, 10 September 2022
  • Feedback / Microphone
    Most sources like typical microphones and piezo pickup systems can provide enough level without the need to add s === Directional Microphones ===
    16 KB (2,433 words) - 20:03, 1 July 2023
  • Presets 2.0
    01 Handheld Microphones Vocal Microphones 02 Headworn Microphones Vocal Microphones
    10 KB (1,547 words) - 13:51, 21 March 2023
  • Presets 2.0/Cliff Notes
    01 Handheld Microphones Vocal Microphones 02 Headworn Microphones Vocal Microphones
    10 KB (1,572 words) - 16:16, 21 January 2024
  • Mixer to Share Presets
    * Two or more of those inputs are similar, for example: microphones that are of the same make and model. You have two vocal microphones - Shure SM 58 - Recommended Preset #14
    3 KB (463 words) - 15:12, 28 December 2012
  • Instruments / Drums
    ...signals are summed together. In essence it creates a "blind spot" for the microphones for whatever is right in the middle plane. For the drums, that's mainly the ...place the L1 that gets the mic signal somewhere in the middle plane of the microphones. This drastically reduces potential for feedback and unwanted regeneration.
    6 KB (927 words) - 15:30, 22 December 2008
  • Phantom Power
    Phantom power is used with condenser microphones. It is called phantom power because there is no obvious external power supp ...microphone even if it is shorted or miswired. In general, balanced dynamic microphones can be connected to phantom powered mixer inputs with no problem.
    8 KB (1,252 words) - 19:43, 10 March 2020
  • L1® Compact
    ...Match® presets contain hardwired equalization curves for dynamic handheld microphones and acoustic guitars * {{Model I nl}} equivalent: 01 Handheld Microphones
    27 KB (4,306 words) - 01:35, 20 May 2021
  • Mixer to Share Presets on S1 Pro
    * Two or more of those inputs are similar, for example: microphones that are of the same make and model. * You have two vocal microphones. Route these through the mixer to S1 Pro channel 1 with ToneMatch switch t
    3 KB (485 words) - 22:23, 16 November 2019
  • Sennheiser MD 445
    ...es / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser e 855<br> Vocal Microphones / Sennheiser MD 431-II <!-- [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] -->
    3 KB (437 words) - 22:12, 24 September 2023
  • Mixer to Share Presets on the Compact
    * Two or more of those inputs are similar, for example: microphones that are of the same make and model. * You have two vocal microphones. Route these through the mixer to Compact Channel 1
    3 KB (457 words) - 15:16, 28 December 2012
  • T1 ToneMatch® Audio Engine / Using the Para EQ to Control Feedback - field report
    ..., we could begin to get a little squealing. It wasn't a problem if all the microphones were not on at once, but sometimes in the show when we're switching quickly ...ferent speaker). You may find that the frequencies are similar for all the microphones, and that notching out the response of each microphone is required. It take
    6 KB (1,020 words) - 05:17, 26 March 2017
  • User:Jdnell
    === Microphones === * EV 767/D Microphones - Vocals
    2 KB (383 words) - 11:08, 10 October 2008
  • Sennheiser e 965
    ...hones / Sennheiser e 855 OR<br> Vocal Microphones / Beyer M88 OR <br>Vocal Microphones / Neumann KMS 105 ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro&mdash;Sound Network]
    2 KB (222 words) - 21:53, 18 August 2021
  • Sennheiser MD 441
    |ToneMatch Preset= Vocal Microphones / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser MD 431-II <!-- [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] -->
    7 KB (1,003 words) - 12:27, 7 December 2023
  • International Bluegrass Musicians Association
    ...ver the "how we set it up" stuff in detail, but basically we've set up two microphones (each going to a system) a couple feet apart for doing these showcases. Now ...ded like there was no amplification ... until someone walked away from the microphones and spoke. Amazing. Even I was surprised at how well our little speaker sou
    16 KB (2,848 words) - 17:51, 14 October 2009
  • Feedback / T1 ToneMatch® Audio Engine
    ...; if so, repeat this procedure for the other microphones (muting the other microphones while adjusting the Para EQ on one of them). ...y find that some adjustments are needed for each due to differences in the microphones and their different locations.
    3 KB (522 words) - 15:37, 8 June 2021
  • Noise Gate
    ...age. You can use the '''Noise Gate''' in your ToneMatch mixer to shut down microphones that are not being used. When the sound presented to the microphone is loud ...age. You can use the '''Noise Gate''' in your ToneMatch mixer to shut down microphones that are not being used. When the sound presented to the microphone is loud
    4 KB (659 words) - 11:47, 29 July 2023
  • Template:T4S/T8S FAQ
    ...main channels feature high-quality audio preamps with XLR-combo jacks for microphones or instruments, and switchable phantom power. Additionally, the T4S/T8S off <p>ToneMatch presets are designed for specific instruments and microphones for use with the L1 Model 1S/II system, S1 Pro or F1 system. ToneMatch pres
    23 KB (3,780 words) - 01:32, 8 February 2018
  • Template:Noise Gate
    ...age. You can use the '''Noise Gate''' in your ToneMatch mixer to shut down microphones that are not being used. When the sound presented to the microphone is loud ...age. You can use the '''Noise Gate''' in your ToneMatch mixer to shut down microphones that are not being used. When the sound presented to the microphone is loud
    4 KB (637 words) - 16:57, 3 April 2021
  • Template:Microphone Polar Pattern
    Unidirectional microphones are sensitive to sound coming from only one direction. Examples: Examples of common cardioid microphones (good to great microphones but not necessarily the best for gain-before-feedback with Bose L1 systems)
    2 KB (268 words) - 18:27, 10 September 2022
  • Sennheiser MD 435
    |ToneMatch Preset= Vocal Microphones / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser MD 431-II ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro&mdash;Sound Network]
    2 KB (179 words) - 22:06, 24 September 2023
  • Should I get an L1 Pro8 or L1 Pro16
    * Two or more performers. Use two systems to split the vocal microphones and increase your gain before feedback. Here's why: ** For every doubling of the number of microphones heard through one loudspeaker, you lower your gain before feedback by up to
    7 KB (1,176 words) - 02:40, 27 January 2024
  • User:ST
    ===== Dynamic Microphones ===== ** #02 Headworn Microphones
    21 KB (3,241 words) - 22:00, 20 April 2022
  • Setup 5 Minutes
    ...'s bag because the microphones are really sturdy). The more delicate vocal microphones travel separately in our individual gig bags. Another two-three minutes gets the mic stands placed and microphones and [[R1 Remote]]s connected and we're ready to go.
    3 KB (524 words) - 00:28, 23 December 2008
  • Bose L1® Musicians Conference Fall 2006/Agenda/Details
    == OLDGHM: Vocal Microphones == ...3#5101000073 this post] as one of many from oldghm on the subject of vocal microphones.
    6 KB (973 words) - 05:43, 26 March 2017
  • Bass Regeneration
    ...Thus, it tends to be picked up, more than any frequency range, by all open microphones and “re-broadcasted” through the systems that amplify those sounds. The * Keep open microphones away from bass boxes: If you are setting up an L1 system as recommended (o
    6 KB (1,016 words) - 21:04, 16 January 2023
  • L1® Model I / FAQ
    Skilled studio engineers listened to the sound of specific instruments and microphones being played through an {{L1 nl}} system, made adjustments to improve the s ...y input channels 1 and 2 have a button selector for +24V phantom power for microphones that require it.
    60 KB (9,859 words) - 05:33, 26 March 2017
  • L1® T1 ToneMatch® Audio Engine / FAQ
    ToneMatch presets are designed for specific instruments and microphones for use with the L1 Model I and Model II systems. ToneMatch presets are ava ...is designed for a DJ event or any audio playback need. This setup uses two microphones and either an MP3 player, mixer or laptop PC.
    31 KB (4,908 words) - 04:28, 9 April 2017
  • Connections / Drums for Model I
    ...s/Drums#Out-of-Phase Overheads|Out-of-Phase]]. This allows you to have two microphones "overhead" taking only one Channel, leaving another Channel free for the Ki If you want to have more than two or three microphones for Drums, then you can use a mixer for a submix running to one Channel on
    3 KB (531 words) - 07:07, 2 April 2010
  • Zoom H4 and T1® Usage
    * Two studio-quality X/Y pattern condenser microphones for true stereo recording * Features over 100 proprietary ToneMatch presets for instruments and microphones
    10 KB (1,768 words) - 14:28, 11 March 2019
  • Compact Channel 1 Noise
    ...es like the Sennheiser e8155. As you may know sensitivity can vary between microphones so we’ve elected to include a higher amount of gain on the microphone cha
    2 KB (405 words) - 22:50, 22 July 2009
  • Audiopile: Cables for the L1® Family of Products / Review
    ...Compact Power Stand to turn down the volume to attach instruments, switch microphones or just move around without accidentally aiming the microphone at the Compa <p>The physical cable for the microphones and instruments is flexible and lightweight. I have some 15 year old Monste
    12 KB (2,058 words) - 05:45, 26 March 2017
  • Hearing and Volume
    == Microphones == 9. If there are microphones (or acoustic guitar pickups) involved, these will not only pickup the inten
    6 KB (999 words) - 13:18, 1 July 2011
  • Cliff Mics
    ...reated to improve on well-known nuisance attributes of large-format ribbon microphones, namely low sensitivity (leading to a noisy processed signal), dull spectra ...tion gives at least a 6dB boost in at-the-ribbon level compared to similar microphones.
    6 KB (872 words) - 11:24, 15 February 2020
  • Neumann KK 205
    |ToneMatch Preset= Vocal Microphones / Neumann KMS 105 ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro&mdash;Sound Network]
    4 KB (491 words) - 03:25, 15 January 2022
  • Presets 1.0
    === Vocal Microphones === ...seful preset, especially for electronic keyboards and “flat” condenser microphones. For instance, many digital pianos will have a giant gob of bass in the low
    16 KB (2,852 words) - 09:17, 25 March 2024
  • Sketches / Principles
    * If possible, microphones and instruments should be routed to channels 1 and 2 to take advantage of t ...into a mixer. These would all use the same preset, so I'd treat the three microphones as a sub-mix and route that to the Bose System on say, Channel 1 and set th
    4 KB (697 words) - 06:45, 18 December 2010
  • Bose L1® Musicians Conference Fall 2006/Gear
    === Microphones ===
    4 KB (568 words) - 18:35, 26 March 2017
  • Bose L1® Musicians Conference Fall 2006/Discussion Topics
    === Vocal Microphones ===
    4 KB (677 words) - 05:43, 26 March 2017
  • Category:Microphone
    [[File:Vocal Microphones Banner 1366.jpg|683px|Vocal Microphones]] Please use this category for articles about Microphones.
    66 members (0 subcategories, 48 files) - 22:42, 30 July 2021
  • ToneMatch®
    ...t most musicians are either playing with undesirable tonal coloration from microphones, pickups, and speakers, or are spending a lot of their time and effort tryi ...ng with many musicians and have listened to a wide variety of instruments, microphones and pickups connected to the L1 system, and for each, has taken the time ne
    5 KB (837 words) - 12:43, 22 May 2017
  • EV RE-2 Wireless Microphone Review
    ...t the feedback risk. This has been observed to a greater extent with other microphones, in this setting. ...eless Sure Headset (very thin sounding)and an SM58. I prefer these EV RE-2 microphones over any of them.
    4 KB (614 words) - 14:24, 11 March 2020
  • Microphone Feedback
    * Use as few open microphones as possible. When a microphone is not in use, if possible, turn it off. ...ems provide much higher [[Gain Before Feedback|gain before feedback]] than microphones.
    3 KB (528 words) - 16:12, 7 January 2009
  • Template:T1 Structured Data
    ...ndent channels, over 100 proprietary ToneMatch presets for instruments and microphones and a complete suite of studio-class effects and sound processors.<br><br>P <li><p>More than 100 proprietary ToneMatch presets for a variety of popular microphones and instruments</p></li>
    6 KB (989 words) - 01:51, 2 December 2018
  • Template:Two T1®s with Two L1®s
    It may be a challenge to get enough distance between the microphones and the L1®s Decreased gain before feedback (greater likelihood of feedback). More microphones per system, and each microphone is heard through two systems
    6 KB (988 words) - 11:45, 16 October 2019
  • Wireless System Interference
    ...m an external source (i.e., broadcast TV or radio stations, other wireless microphones, etc.) on the same frequency as your wireless system. ...y are on a clean, usable frequency. If you turn on the receivers (with the microphones off) and you see a lot of RF activity, that indicates that something in the
    6 KB (1,141 words) - 12:48, 8 April 2021
  • L1® Unofficial Performers' Guide
    ...like Guitar processor or instrument patches). Note: The presets for vocal microphones are based on using ''close microphone'' techniques. [[Image:Microphones.gif|Several Vocal Microphone|right]]
    12 KB (2,071 words) - 02:57, 26 March 2017
  • Presets/Model I and Classic
    Think of it this way, if you work at Shure, Audix or any company making microphones you have no clue what speaker your customer will use to reproduce sound wit ...se.infopop.cc/eve/forums?a=tpc&f=630101665&m=4151047514&r=5351047514 Audix Microphones] Announced
    9 KB (1,459 words) - 21:40, 18 November 2016
  • Acoustic Guitar
    ...nience, and as a way to avoid the need for a good sounding room, expensive microphones, isolation from noises, and so on. ...ps at fingerpick.com] - Excellent, comprehensive article about pickups and microphones for use with Guitar.
    3 KB (505 words) - 09:31, 21 October 2009

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