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- This list will be of interest mainly for {{S1 Pro}} owners. Microphones with higher sensitivity will tend to sound louder than those with lower sen <td style="font-weight: 400;"><a href="http://rode.com/microphones/m1">Rode M1</a></td>6 KB (746 words) - 18:17, 22 November 2022
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- [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] |RightHead = Vocal Microphones for the {{L1}} Review23 KB (3,709 words) - 18:12, 10 September 2022
- Most sources like typical microphones and piezo pickup systems can provide enough level without the need to add s === Directional Microphones ===16 KB (2,433 words) - 20:03, 1 July 2023
- 01 Handheld Microphones Vocal Microphones 02 Headworn Microphones Vocal Microphones10 KB (1,547 words) - 13:51, 21 March 2023
- 01 Handheld Microphones Vocal Microphones 02 Headworn Microphones Vocal Microphones10 KB (1,572 words) - 16:16, 21 January 2024
- * Two or more of those inputs are similar, for example: microphones that are of the same make and model. You have two vocal microphones - Shure SM 58 - Recommended Preset #143 KB (463 words) - 15:12, 28 December 2012
- ...signals are summed together. In essence it creates a "blind spot" for the microphones for whatever is right in the middle plane. For the drums, that's mainly the ...place the L1 that gets the mic signal somewhere in the middle plane of the microphones. This drastically reduces potential for feedback and unwanted regeneration.6 KB (927 words) - 15:30, 22 December 2008
- Phantom power is used with condenser microphones. It is called phantom power because there is no obvious external power supp ...microphone even if it is shorted or miswired. In general, balanced dynamic microphones can be connected to phantom powered mixer inputs with no problem.8 KB (1,252 words) - 19:43, 10 March 2020
- ...Match® presets contain hardwired equalization curves for dynamic handheld microphones and acoustic guitars * {{Model I nl}} equivalent: 01 Handheld Microphones27 KB (4,306 words) - 01:35, 20 May 2021
- * Two or more of those inputs are similar, for example: microphones that are of the same make and model. * You have two vocal microphones. Route these through the mixer to S1 Pro channel 1 with ToneMatch switch t3 KB (485 words) - 22:23, 16 November 2019
- ...es / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser e 855<br> Vocal Microphones / Sennheiser MD 431-II <!-- [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] -->3 KB (437 words) - 22:12, 24 September 2023
- * Two or more of those inputs are similar, for example: microphones that are of the same make and model. * You have two vocal microphones. Route these through the mixer to Compact Channel 13 KB (457 words) - 15:16, 28 December 2012
- ..., we could begin to get a little squealing. It wasn't a problem if all the microphones were not on at once, but sometimes in the show when we're switching quickly ...ferent speaker). You may find that the frequencies are similar for all the microphones, and that notching out the response of each microphone is required. It take6 KB (1,020 words) - 05:17, 26 March 2017
- ...hones / Sennheiser e 855 OR<br> Vocal Microphones / Beyer M88 OR <br>Vocal Microphones / Neumann KMS 105 ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro—Sound Network]2 KB (222 words) - 21:53, 18 August 2021
- |ToneMatch Preset= Vocal Microphones / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser MD 431-II <!-- [[File:Vocal Microphones Banner 1366.jpg|Vocal Microphones]] -->7 KB (1,003 words) - 12:27, 7 December 2023
- ...ver the "how we set it up" stuff in detail, but basically we've set up two microphones (each going to a system) a couple feet apart for doing these showcases. Now ...ded like there was no amplification ... until someone walked away from the microphones and spoke. Amazing. Even I was surprised at how well our little speaker sou16 KB (2,848 words) - 17:51, 14 October 2009
- ...; if so, repeat this procedure for the other microphones (muting the other microphones while adjusting the Para EQ on one of them). ...y find that some adjustments are needed for each due to differences in the microphones and their different locations.3 KB (522 words) - 15:37, 8 June 2021
- ...age. You can use the '''Noise Gate''' in your ToneMatch mixer to shut down microphones that are not being used. When the sound presented to the microphone is loud ...age. You can use the '''Noise Gate''' in your ToneMatch mixer to shut down microphones that are not being used. When the sound presented to the microphone is loud4 KB (659 words) - 11:47, 29 July 2023
- |ToneMatch Preset= Vocal Microphones / Flat, Vocal zEQ OR<br> Vocal Microphones / Sennheiser MD 431-II ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro—Sound Network]2 KB (179 words) - 22:06, 24 September 2023
- * Two or more performers. Use two systems to split the vocal microphones and increase your gain before feedback. Here's why: ** For every doubling of the number of microphones heard through one loudspeaker, you lower your gain before feedback by up to7 KB (1,176 words) - 02:40, 27 January 2024
- ...'s bag because the microphones are really sturdy). The more delicate vocal microphones travel separately in our individual gig bags. Another two-three minutes gets the mic stands placed and microphones and [[R1 Remote]]s connected and we're ready to go.3 KB (524 words) - 00:28, 23 December 2008
- == OLDGHM: Vocal Microphones == ...3#5101000073 this post] as one of many from oldghm on the subject of vocal microphones.6 KB (973 words) - 05:43, 26 March 2017
- ...Thus, it tends to be picked up, more than any frequency range, by all open microphones and “re-broadcasted” through the systems that amplify those sounds. The * Keep open microphones away from bass boxes: If you are setting up an L1 system as recommended (o6 KB (1,016 words) - 21:04, 16 January 2023
- Skilled studio engineers listened to the sound of specific instruments and microphones being played through an {{L1 nl}} system, made adjustments to improve the s ...y input channels 1 and 2 have a button selector for +24V phantom power for microphones that require it.60 KB (9,859 words) - 05:33, 26 March 2017
- ToneMatch presets are designed for specific instruments and microphones for use with the L1 Model I and Model II systems. ToneMatch presets are ava ...is designed for a DJ event or any audio playback need. This setup uses two microphones and either an MP3 player, mixer or laptop PC.31 KB (4,908 words) - 04:28, 9 April 2017
- ...s/Drums#Out-of-Phase Overheads|Out-of-Phase]]. This allows you to have two microphones "overhead" taking only one Channel, leaving another Channel free for the Ki If you want to have more than two or three microphones for Drums, then you can use a mixer for a submix running to one Channel on3 KB (531 words) - 07:07, 2 April 2010
- * Two studio-quality X/Y pattern condenser microphones for true stereo recording * Features over 100 proprietary ToneMatch presets for instruments and microphones10 KB (1,768 words) - 14:28, 11 March 2019
- ...es like the Sennheiser e8155. As you may know sensitivity can vary between microphones so we’ve elected to include a higher amount of gain on the microphone cha2 KB (405 words) - 22:50, 22 July 2009
- ...Compact Power Stand to turn down the volume to attach instruments, switch microphones or just move around without accidentally aiming the microphone at the Compa <p>The physical cable for the microphones and instruments is flexible and lightweight. I have some 15 year old Monste12 KB (2,058 words) - 05:45, 26 March 2017
- == Microphones == 9. If there are microphones (or acoustic guitar pickups) involved, these will not only pickup the inten6 KB (999 words) - 13:18, 1 July 2011
- ...reated to improve on well-known nuisance attributes of large-format ribbon microphones, namely low sensitivity (leading to a noisy processed signal), dull spectra ...tion gives at least a 6dB boost in at-the-ribbon level compared to similar microphones.6 KB (872 words) - 11:24, 15 February 2020
- |ToneMatch Preset= Vocal Microphones / Neumann KMS 105 ...35-and-md-445-microphones-a-real-world-review Sennheiser MD 435 and MD 445 Microphones – A Real-World Review Pro—Sound Network]4 KB (491 words) - 03:25, 15 January 2022
- === Vocal Microphones === ...seful preset, especially for electronic keyboards and “flat” condenser microphones. For instance, many digital pianos will have a giant gob of bass in the low16 KB (2,852 words) - 09:17, 25 March 2024
- * If possible, microphones and instruments should be routed to channels 1 and 2 to take advantage of t ...into a mixer. These would all use the same preset, so I'd treat the three microphones as a sub-mix and route that to the Bose System on say, Channel 1 and set th4 KB (697 words) - 06:45, 18 December 2010
- === Microphones ===4 KB (568 words) - 18:35, 26 March 2017
- === Vocal Microphones ===4 KB (677 words) - 05:43, 26 March 2017
- ...t most musicians are either playing with undesirable tonal coloration from microphones, pickups, and speakers, or are spending a lot of their time and effort tryi ...ng with many musicians and have listened to a wide variety of instruments, microphones and pickups connected to the L1 system, and for each, has taken the time ne5 KB (837 words) - 12:43, 22 May 2017
- ...t the feedback risk. This has been observed to a greater extent with other microphones, in this setting. ...eless Sure Headset (very thin sounding)and an SM58. I prefer these EV RE-2 microphones over any of them.4 KB (614 words) - 14:24, 11 March 2020
- * Use as few open microphones as possible. When a microphone is not in use, if possible, turn it off. ...ems provide much higher [[Gain Before Feedback|gain before feedback]] than microphones.3 KB (528 words) - 16:12, 7 January 2009
- ...m an external source (i.e., broadcast TV or radio stations, other wireless microphones, etc.) on the same frequency as your wireless system. ...y are on a clean, usable frequency. If you turn on the receivers (with the microphones off) and you see a lot of RF activity, that indicates that something in the6 KB (1,141 words) - 12:48, 8 April 2021
- ...like Guitar processor or instrument patches). Note: The presets for vocal microphones are based on using ''close microphone'' techniques. [[Image:Microphones.gif|Several Vocal Microphone|right]]12 KB (2,071 words) - 02:57, 26 March 2017
- Think of it this way, if you work at Shure, Audix or any company making microphones you have no clue what speaker your customer will use to reproduce sound wit ...se.infopop.cc/eve/forums?a=tpc&f=630101665&m=4151047514&r=5351047514 Audix Microphones] Announced9 KB (1,459 words) - 21:40, 18 November 2016
- ...nience, and as a way to avoid the need for a good sounding room, expensive microphones, isolation from noises, and so on. ...ps at fingerpick.com] - Excellent, comprehensive article about pickups and microphones for use with Guitar.3 KB (505 words) - 09:31, 21 October 2009
- ...of the head and dull in back of the head. Sound systems for voice (using microphones) have the same characteristics of volume change, plus the vocalist or talke27 KB (4,639 words) - 18:37, 26 March 2017
- ...http://bose.infopop.cc/eve/forums/a/ga/ul/3151001154/inlineimg/Y/3g.gif"> Microphones should be "toed in" by about 10-15 degrees: in other words,should be turned15 KB (2,537 words) - 04:04, 2 April 2017
- ...ear the stage. Less level at the stage means less level bleeding back into microphones that can cause feedback. ...last resort. We have had the best performance from standard dynamic stage microphones. We do not use feedback suppressors. We were able to get the mics loud enou2 KB (406 words) - 18:13, 26 March 2017
- ...eters. Works well as a general-purpose compressor for most instruments and microphones that require minimal level control. ...able speed (release time). Well-suited for eliminating unwanted noise from microphones and instruments.7 KB (1,047 words) - 15:58, 16 June 2019
- *Channels 1,2,3 are set to Vocal Microphones: Handheld Microphones - no effects, muted.7 KB (1,115 words) - 16:44, 4 September 2023
- Two microphones located over the audience captured the audio you are about to hear. ...e project. What you hear is the original recording that came right off the microphones. In the final mix, I'm guessing I'll have to do some eq of some kind, maybe15 KB (2,673 words) - 03:45, 27 April 2013
- ...to open microphones in the room. It's even spread, when it does leak into microphones tends to give the recording a fuller room sound without the honk of a typic5 KB (798 words) - 18:12, 26 March 2017
- ...ollection of different voicing presets were needed for all these different microphones and acoustic guitars and basses with pickups, and a whole raft of other thi ...a more formal framework for it and to work with other companies with their microphones and instruments. The program grw and a name was invented: ToneMatch.6 KB (973 words) - 18:29, 26 March 2017
- You can use four microphones with a {{T1}} even though there are only 3 XLR inputs. Channel 4/5 can be u ...icrophone requires phantom power (e.g. condenser microphone). Most dynamic microphones will not require you to use a phantom power supply.3 KB (452 words) - 17:25, 9 December 2022
- Microphones, PA systems, home hi-fi systems, and tape recorders were a constant and eve ...ing Cliff how to listen diagnostically to the audio qualities of speakers, microphones and music electronics generally. The importance of “audio aesthetics firs22 KB (3,143 words) - 18:35, 23 January 2013
- *Channels 1,2,3 are set to Vocal Microphones: Handheld Microphones - no effects, muted.5 KB (809 words) - 17:12, 26 December 2017
- ...ngine Channels 1,2,3 for Vocals|Gain Staging T1® Channels 1,2,3 for Vocal microphones]] ...escribed above, you should not have to change them again unless you change microphones or the source for Channel 4/5.7 KB (1,177 words) - 04:14, 26 March 2017
- ...ndheld microphone transmitter or EW-D SK bodypack transmitter for lavalier microphones and instruments. Typically for general speaking the gain should be set arou For my microphones, I set this to 15 to 21 depending on the microphone and the talker.5 KB (897 words) - 14:39, 13 April 2022
- ...0Hz. That is why you'll find 80Hz high-pass switches on so many mixers and microphones- it allows you to trash those unwanted frequencies. In a performance enviro12 KB (2,063 words) - 13:56, 21 September 2023
- For Vocal Microphones try this short video tutorial.7 KB (1,267 words) - 00:54, 30 November 2016
- ...want to do this because the input sensitivity for these inputs is set for microphones. To get a better match for levels between the source and our inputs, we can5 KB (853 words) - 17:26, 14 May 2017
- ...icians_Conference_Fall_2006/Agenda/Details#OLDGHM:_Vocal_Microphones|Vocal Microphones]]5 KB (649 words) - 05:53, 26 March 2017
- ...acoustically, such as a talker located slightly off axis of two identical microphones spaces inches apart.753 bytes (106 words) - 11:51, 29 September 2007
- The bass response of all directional microphones is increased as the signal source - your voice - comes closer to the mic ca630 bytes (101 words) - 03:17, 23 August 2006
- feedback from microphones in close proximity. The radiation pattern of the MA12 is4 KB (651 words) - 13:44, 29 March 2017
- ...e T1® Channels 4/5. This would leave more channels available for use with microphones and instruments with lower output levels.4 KB (558 words) - 06:14, 3 February 2015
- ...successfully in a live-music situation. A pair of small electret lavalier microphones are permanently fastened to opposite corners of the treble horn compartment39 KB (6,630 words) - 16:45, 23 March 2011
- ...unwanted feedback because you typically have fewer loudspeakers, and fewer microphones to manage per System. ... [[Feedback/Microphone|full article]]7 KB (1,133 words) - 16:32, 13 October 2010
- ...ort-of looks the same. You still see the other players, their instruments, microphones on stands and the audience. So, given this, you might conclude that it’s5 KB (900 words) - 00:41, 12 January 2012
- ...which I was very happy with) and use the two {{L1}}s to support the three microphones, the guitar and the drum machine. This worked quite well and was a vast imp21 KB (3,673 words) - 15:29, 22 December 2008
- :Microphones and piezo pickups make use of a resonant surface, leading to noise and feed14 KB (2,215 words) - 14:25, 11 March 2019
- ...mic preamps are pretty spectacular and the presets make commonly-available microphones sound very natural over our system. This is way better than just using your2 KB (361 words) - 13:51, 6 April 2007
- ...input or output that is disconnected including those connected directly to microphones and devices not powered from an AC wall plug, then the buzz may be caused b8 KB (1,303 words) - 09:31, 7 April 2019
- * Add shielded wire for all microphones and input cables. Also, use low-impedance balanced microphone cables, which3 KB (442 words) - 11:07, 8 June 2010
- ...oneMatch® Audio Engine / Noise Gate|Noise Gate to Automatically Shut Down Microphones]]1 KB (162 words) - 08:48, 26 March 2017
- ...t originating from local weather. Wind noise is a persistent problem with microphones but there are multiple ways to minimize unwanted noise.6 KB (952 words) - 15:34, 8 June 2021
- Please list instruments, microphones and any other gear you have in your signal chain that you are bringing.23 KB (3,572 words) - 14:20, 19 March 2008
- ...r of industry leaders who worked on ToneMatch™ presets with us for their microphones and instruments.1 KB (188 words) - 18:30, 26 March 2017
- [[Image:SistersFolkFestivalCondenser.jpg|right|Large diaphragm condenser microphones with L1™]]2 KB (406 words) - 12:42, 9 September 2007
- Let me add some technical ramblings to the 48/24 discussion. Condenser microphones require phantom for a couple of reasons2 KB (280 words) - 23:03, 25 September 2007
- ...e user interface and input panel for the [[L1® Model II]] with inputs for microphones (up to three) and line level inputs (up to two more). It is compatible with4 KB (585 words) - 12:00, 3 August 2013
- 9. If there are microphones (or acoustic guitar pickups) involved, these will not only pickup the inten7 KB (1,178 words) - 23:55, 28 November 2007
- ...and Right outputs to the L1™ and use two Channels. If you will be using microphones you may want to use Channels 1 and 2 for that, and use Channel 3 and 4 for4 KB (634 words) - 16:38, 27 May 2011
- ...with 24V phantom power capability for channels 1 and 2 to power condenser microphones. With a Model II system, use a direct box or transformer to adapt the mic c17 KB (2,793 words) - 03:21, 26 March 2017
- * 4pc Acoustic drum set w/cymbals (& microphones) - Drumr19 KB (3,088 words) - 18:40, 26 March 2017
- * Acoustic Guitars with internal microphones and certain pickups may encounter feedback issues you would not necessarily5 KB (893 words) - 05:16, 26 March 2017
- ...to-reel tapes and nearly 40,000 photographs. Smith had wired the loft with microphones and tape recorders in a sophisticated manner (he had the same appetite for6 KB (992 words) - 15:14, 29 March 2008
- * Headset Microphones (observations, recommendations, tips and tricks)5 KB (904 words) - 13:56, 9 October 2008
- In general, dynamic microphones are recommended for use with these systems, for their smaller envelope and4 KB (691 words) - 15:30, 22 December 2008
- ...y need their hands, this option won't work. While there are many head worn microphones available to provide a solution for mobility, the Bose L1 introduces an int9 KB (1,614 words) - 19:04, 15 October 2008
- Most sources like typical microphones and piezo pickup systems can provide enough level without the need to add s1 KB (181 words) - 05:05, 26 March 2017
- The T1® XLR inputs on channels 1-3 were designed to accept inputs from microphones up to normal line-level inputs without needing a switch or a [[Pad|pad]]. T868 bytes (129 words) - 04:09, 26 March 2017
- ...w Kind of Recording|Just a Heartbeat Away]]. He recorded his band with two microphones, and the result was great. But I wanted to record in another way. My goal w7 KB (1,140 words) - 03:23, 26 March 2017
- ...ment that follows, the assumption is that other variables in comparing two microphones are equal. In other words, only the sensitivity differs.2 KB (369 words) - 13:08, 16 April 2009
- * Turn Phantom Power Off (buttons up). This is used when connection condenser microphones directly to Power Stand Channels 1 or 2. You do not need phantom power when3 KB (536 words) - 14:31, 10 October 2009
- ...hose settings in a preset for you. That’s exactly what we do for various microphones and musical instruments that are used with our L1 system. Those presets are12 KB (2,083 words) - 19:34, 25 April 2012
- ...witchable ToneMatch® Presets. The Compact has a built-in Preset for vocal microphones, but you cannot turn that off or change to a different Preset. The Compact7 KB (1,259 words) - 08:44, 26 March 2017
- ...g; audio engine to maintain the sound and tone of specific instruments and microphones.</p> </div>14 KB (2,381 words) - 05:47, 26 March 2017
- ...ompact Channel 1 because Compact Channel 1 has a built-in Preset for Vocal Microphones.6 KB (1,045 words) - 17:45, 30 April 2015
- Most sources like typical microphones and piezo pickup systems can provide enough level without the need to add s9 KB (1,484 words) - 23:55, 13 December 2023
- With some microphones, you may get higher volume at a lower volume setting with an impedance matc832 bytes (131 words) - 22:25, 16 November 2019
- The factory default settings are a great starting point for your vocal microphones. Then adjust the settings by ear to suit your personal preferences.568 bytes (76 words) - 10:43, 26 September 2018
- ...xers accept inputs from various sources from very low output devices (like microphones or bare piezo pickups found in some guitars) up to line-level devices (like3 KB (508 words) - 06:27, 22 December 2018