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Page title matches

  • Feedback / Microphone
    ...Community|link=https://twitter.com/ST_Muso/status/1391466144138100736|text=Microphone Feedback discussion}}</big> ...udspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice.
    16 KB (2,433 words) - 20:03, 1 July 2023
  • Review / Microphone / Various
    ...ith a microphone on a stand while I play guitar so I don't need a wireless microphone. However, I still do sound for others occasionally. Since I've been enjoyin After going through every microphone in my cabinet I'm happy to confirm the impressions I have shared in this ar
    23 KB (3,709 words) - 18:12, 10 September 2022
  • Microphone/Testing
    [[Category:Microphone]]
    3 KB (474 words) - 15:12, 24 December 2006
  • Microphone Gain / Video
    ...t=390" title="Microphone Gain - L1® Model I and Classic" class="thickbox">Microphone Gain - L1® Model I and Classic</a></html><noinclude>[[Category:Classic]][[
    543 bytes (77 words) - 15:52, 17 December 2008
  • Reducing Bleedthrough from Guitar to Vocal Microphone
    5 KB (851 words) - 11:19, 19 September 2008
  • T1 ToneMatch® Audio Engine / Microphone Stand Bracket
    ...d bracket}} [[Image:L1 tonematch micstandbracket acc bl lg.jpg|right|T1™ microphone stand bracket]]--> <big>T1 Microphone Stand Bracket is no longer available - As of January 2020</big>
    3 KB (402 words) - 07:31, 4 January 2020
  • Review/Microphone/Various
    #REDIRECT [[Review / Microphone / Various]]
    43 bytes (4 words) - 17:50, 22 January 2008
  • T1 ToneMatch® Audio Engine / Microphone Setup Example
    This is a very quick look at how to set up your {{T1}} for a specific microphone. In this case for an Audix OM6.
    302 bytes (50 words) - 04:49, 26 March 2017
  • T1 Microphone Setup Example
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Setup Example]]
    89 bytes (11 words) - 10:53, 29 February 2008
  • T1 ToneMatchâ„¢ Audio Engine/Microphone Stand Bracket
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Stand Bracket]]
    68 bytes (8 words) - 12:03, 7 April 2008
  • Feedback/Microphone
    #REDIRECT [[Feedback / Microphone]]
    35 bytes (3 words) - 07:49, 28 April 2008
  • EV RE-2 Wireless Microphone Review
    * Balanced XLR audio output for Microphone or Line level signals and a 1/4-inch line level jack * NDYM 767a Dynamic premium vocal microphone with VOBTM(Vocal-Optimized-Bass)
    4 KB (614 words) - 14:24, 11 March 2020
  • Review EV RE-2 Wireless Microphone
    #REDIRECT [[EV RE-2 Wireless Microphone Review]]
    48 bytes (6 words) - 03:09, 8 September 2008
  • Microphone Review - Various
    #REDIRECT [[Review / Microphone / Various]]
    69 bytes (7 words) - 03:12, 8 September 2008
  • Shure 55SH Series II Vocal & Speech Microphone
    There aren’t many of us here using this microphone with the L1 System, but for any curious folks on prospective performance, l I have not read anywhere exactly what the guts of the microphone are patterned after. That is, it’s been said that it is very similar to
    3 KB (571 words) - 10:28, 16 October 2008
  • Shure 55 Series II Microphone
    #REDIRECT [[Shure 55SH Series II Vocal & Speech Microphone]]
    60 bytes (8 words) - 15:26, 7 December 2008
  • 55SH Series II Vocal & Speech Microphone
    #REDIRECT [[Shure 55SH Series II Vocal & Speech Microphone]]
    60 bytes (8 words) - 16:13, 15 October 2008
  • Microphone Gain/Video
    #REDIRECT [[Microphone Gain / Video]]
    37 bytes (4 words) - 15:52, 17 December 2008
  • Microphone Feedback
    #REDIRECT [[Feedback / Microphone]] Please make edits to the original article [[Feedback / Microphone]]
    3 KB (528 words) - 16:12, 7 January 2009
  • Microphone Tips
    #REDIRECT [[Feedback / Microphone]]
    35 bytes (3 words) - 00:53, 4 January 2009
  • Microphone Directionality
    {{Microphone Polar Pattern}}
    28 bytes (3 words) - 11:25, 10 March 2020
  • Microphone Sensitivity and Feedback
    ...al than a microphone of higher sensitivity) is somehow more susceptible to microphone feedback. ...udspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice.
    2 KB (369 words) - 13:08, 16 April 2009
  • Using the T1® to Control Microphone Feedback
    52 bytes (6 words) - 21:34, 11 May 2009
  • Sony C48 Microphone
    The Sony C 48 is a large diaphragm, multi-pattern condenser microphone designed for vocal and general instrument recording and sound reinforcement Microphone Connector: XLR-3-12C type
    2 KB (329 words) - 19:35, 21 July 2021
  • T1 ToneMatch® Audio Engine Microphone Stand Bracket
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Stand Bracket]]
    68 bytes (8 words) - 02:44, 21 November 2010
  • T1 ToneMatch® Audio Engine / Microphone into Channel 4
    ...n be used if you have an impedance matching transformer. Note that if your microphone requires phantom power, then you will need to supply that too as there is n ==== Dynamic Microphone ====
    3 KB (452 words) - 17:25, 9 December 2022
  • Microphone into T1® Channel 4/5
    {{:T1 ToneMatch® Audio Engine / Microphone into Channel 4}}
    60 bytes (7 words) - 03:23, 26 March 2017
  • Microphone into T1® Channel 4
    #REDIRECT [[Microphone into T1® Channel 4/5]]
    46 bytes (5 words) - 11:24, 9 January 2012
  • Securing the T1® to the Microphone Stand Bracket
    ...ums/a/tpc/f/3976055944/m/9370021626?r=3300035626#3300035626 using the T1® Microphone stand adapter]</ref> ...elcro to secure the ToneMatch cable to the microphone stand just above the Microphone Stand Adapter (the thing that clamps around the mic stand).
    2 KB (397 words) - 05:11, 26 March 2017
  • Shure 55 Microphone Presets
    .../americas/products/microphones/classic/55sh-series-ii-iconic-unidyne-vocal-microphone Shure 55SH] {{:Shure 55SH Series II Vocal & Speech Microphone}}
    939 bytes (121 words) - 12:27, 18 July 2013
  • Microphone Review
    #REDIRECT [[Review / Microphone / Various]]
    43 bytes (4 words) - 14:19, 15 June 2015
  • T1® Microphone Stand Bracket Tips
    {{T1® Microphone Stand Bracket Tips}}
    38 bytes (5 words) - 11:05, 29 March 2017
  • T1 ToneMatch® Audio Engine / Gain Staging a Microphone
    Here's a quick video to help you to set the input trim for a microphone on the {{T1}}. This is called Gain Staging. ...se join [https://www.bosepro.community/g/portable/topic/how-do-i-set-up-my-microphone-with-the-t1-tonematch-audio-engine the conversation in the Bose Pro Portabl
    662 bytes (105 words) - 10:44, 28 August 2018
  • Microphone into T1® Channel 4/5
    #REDIRECT [[Microphone into T1® Channel 4/5]]
    46 bytes (5 words) - 03:23, 26 March 2017
  • T1 ToneMatch® Audio Engine / Gain Staging a Microphone
    #REDIRECT [[T1 ToneMatch® Audio Engine / Gain Staging a Microphone]]
    69 bytes (9 words) - 04:47, 26 March 2017
  • T1 ToneMatch® Audio Engine / Microphone into Channel 4
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone into Channel 4]]
    69 bytes (8 words) - 04:49, 26 March 2017
  • T1 ToneMatch® Audio Engine / Microphone Setup Example
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Setup Example]]
    68 bytes (8 words) - 04:49, 26 March 2017
  • T1 ToneMatch® Audio Engine / Microphone Stand Bracket
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Stand Bracket]]
    68 bytes (8 words) - 04:49, 26 March 2017
  • Securing the T1® to the Microphone Stand Bracket
    #REDIRECT [[Securing the T1® to the Microphone Stand Bracket]]
    63 bytes (9 words) - 05:11, 26 March 2017
  • T1® Microphone Stand Bracket Tips
    #REDIRECT [[T1® Microphone Stand Bracket Tips]]
    48 bytes (6 words) - 11:05, 29 March 2017
  • Using the T1® to Control Microphone Feedback
    52 bytes (6 words) - 11:35, 29 March 2017
  • T1 ToneMatch® Audio Engine Microphone Stand Bracket
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Stand Bracket]]
    68 bytes (8 words) - 11:38, 29 March 2017
  • S1 Pro Microphone vs Guitar Volume
    ;Question: Why do I have to turn up the microphone higher than guitar? ...than the output level of the microphone. That's why we have to turn up the microphone higher.
    6 KB (1,007 words) - 15:34, 14 June 2020
  • Microphone Popping
    ;Question: How do I remove the popping sound when I say "P"s and "B"s into my microphone. Shure SM58 ...at you have excessive popping for breath blasts, you should try moving the microphone closer, farther away, or placing at the corner of your mouth so it is not i
    1 KB (202 words) - 16:43, 4 July 2018
  • ToneMatch Microphone Presets
    ===Microphone=== ...and gain before feedback<ref>[[Presets 1.0|Original description of how the Microphone Presets work]]</ref>.
    1 KB (219 words) - 20:09, 16 December 2018
  • ToneMatch Mixer Phantom Power to Tyros 5 Microphone Input
    :By connecting a microphone to the [MIC INPUT] jack (accepts either XLR or standard 1/4” phone plug c #Connect the microphone to the T1 Channel 1 XLR input <br>[[File:T1 Phantom to Tyros 4 mic input 2.
    3 KB (474 words) - 13:59, 23 April 2019
  • T1 with Phantom Power to Tyros 5 Microphone Input
    #REDIRECT [[ToneMatch Mixer Phantom Power to Tyros 5 Microphone Input]]
    71 bytes (9 words) - 13:53, 23 April 2019
  • Microphone Polar Pattern
    ...microphones with supercardioid or hypercardioid polar patterns for best [[Microphone Feedback|gain-before-feedback]] with the Bose L1 systems. {{Microphone Polar Pattern}}
    246 bytes (28 words) - 18:25, 10 September 2022
  • Vocal Microphone Review
    {{:Review / Microphone / Various}}
    34 bytes (3 words) - 22:44, 30 July 2021
  • Microphone Comparison
    #REDIRECT [[Review / Microphone / Various]]
    43 bytes (4 words) - 20:20, 7 November 2021
  • Microphone Polar Patterns
    #REDIRECT [[Microphone Polar Pattern]]
    38 bytes (4 words) - 18:26, 10 September 2022

Page text matches

  • Feedback / Microphone
    ...Community|link=https://twitter.com/ST_Muso/status/1391466144138100736|text=Microphone Feedback discussion}}</big> ...udspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice.
    16 KB (2,433 words) - 20:03, 1 July 2023
  • Review / Microphone / Various
    ...ith a microphone on a stand while I play guitar so I don't need a wireless microphone. However, I still do sound for others occasionally. Since I've been enjoyin After going through every microphone in my cabinet I'm happy to confirm the impressions I have shared in this ar
    23 KB (3,709 words) - 18:12, 10 September 2022
  • S1 Pro Microphone vs Guitar Volume
    ;Question: Why do I have to turn up the microphone higher than guitar? ...than the output level of the microphone. That's why we have to turn up the microphone higher.
    6 KB (1,007 words) - 15:34, 14 June 2020
  • T1 ToneMatch® Audio Engine / Microphone into Channel 4
    ...n be used if you have an impedance matching transformer. Note that if your microphone requires phantom power, then you will need to supply that too as there is n ==== Dynamic Microphone ====
    3 KB (452 words) - 17:25, 9 December 2022
  • L1® Unofficial Performers' Guide
    === Microphone Setup === {{Get Plugged In Microphone}}
    12 KB (2,071 words) - 02:57, 26 March 2017
  • Audiopile: Cables for the L1® Family of Products / Review
    ===== Short Microphone Cables ===== ..._Stand_Bracket_.28optional.29|T1 Microphone Stand Bracket]] so the longest microphone cable I would need in that application was two to three feet. I ended up s
    12 KB (2,058 words) - 05:45, 26 March 2017
  • Microphone Sensitivity and Feedback
    ...al than a microphone of higher sensitivity) is somehow more susceptible to microphone feedback. ...udspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice.
    2 KB (369 words) - 13:08, 16 April 2009
  • L1® Compact
    ...n microphones so we’ve elected to include a higher amount of gain on the microphone channel. In order to maximize signal to noise (when using the {{Compact}} Channel 1 Microphone Channel) we recommend that you determine the loudest level that is required
    27 KB (4,306 words) - 01:35, 20 May 2021
  • T1 ToneMatch® Audio Engine / Using the Para EQ to Control Feedback - field report
    ...<ref>Ken-at-Bose</ref> headset microphone, it would be possible to leave a microphone unmuted at the wrong time. The method is to turn up the microphone gains to just below feedback. In the process you'll probably hear the pitch
    6 KB (1,020 words) - 05:17, 26 March 2017
  • S1 Pro system
    === Microphone vs Guitar Volume === See [[S1 Pro Microphone vs Guitar Volume]]
    14 KB (2,204 words) - 22:04, 15 September 2021
  • Sennheiser MD 441
    {{Microphone Information [[Category:Microphone]]
    7 KB (1,003 words) - 12:27, 7 December 2023
  • Countryman E6
    ...le retaining a consistent sound. True, a singer can always use a hand held microphone, but if they need their hands, this option won't work. While there are many ...ear on the singer, and once the music begins, the audience will forget the microphone and simply hear the performer singing to them.
    9 KB (1,614 words) - 19:04, 15 October 2008
  • Phantom Power
    What is a "phantom powered" microphone? Does that mean that the microphone draws its power from a remote source? ...ends voltage up the same wires that the audio is traveling down. Thus, the microphone is receiving the power remotely from the mixer.
    8 KB (1,252 words) - 19:43, 10 March 2020
  • T1 ToneMatch® Audio Engine / Microphone Stand Bracket
    ...d bracket}} [[Image:L1 tonematch micstandbracket acc bl lg.jpg|right|T1™ microphone stand bracket]]--> <big>T1 Microphone Stand Bracket is no longer available - As of January 2020</big>
    3 KB (402 words) - 07:31, 4 January 2020
  • Microphone Feedback
    #REDIRECT [[Feedback / Microphone]] Please make edits to the original article [[Feedback / Microphone]]
    3 KB (528 words) - 16:12, 7 January 2009
  • Introducing Performers to the Bose System
    ** Channel 1: Vocal Microphone ...se_the_T1.C2.AE_Comp_Gate_to_mute_the_microphone|Noise Gate]] on the vocal microphone
    7 KB (1,205 words) - 14:43, 31 December 2016
  • T1 ToneMatch® Audio Engine
    * Microphone :Sing directly into the microphone using close microphone technique (lips just brushing the windscreen). Sing as loudly as you will s
    13 KB (1,983 words) - 11:55, 22 May 2018
  • Sennheiser EW-D
    ...depending on the type of microphone, the talker, and the distance from the microphone. ...nd further above 0 dB applies more gain. If you apply too much gain to the microphone the input will overload and the AF level will peak and the audio will be cl
    5 KB (897 words) - 14:39, 13 April 2022
  • Presets 1.0
    ...u use the flat setting (00, others), you will hear what your instrument or microphone sounds like on its own. In many cases this will be very revealing. Set up o ...see where we started from. All these mic presets were developed for close microphone use (“eat the mic”), which is the best way to improve your vocal signal
    16 KB (2,852 words) - 09:17, 25 March 2024
  • Presets (v2) Used By Owners
    ...[Image:GuitarAcoustic.png|60px|right|Acoustic Guitar]]Acoustic Guitar with Microphone<br />200 Hz, 1 oct, -6dB Notch</td> ...d,262,nodeid,2,_language,EN,view,specs.html AKG C535EB] cardioid condenser microphone</td>
    10 KB (1,442 words) - 16:49, 20 August 2021
  • T1 ToneMatch® Audio Engine / Use without the L1® in Festival Situations
    ...gain before feedback. This should minimize feedback issues with your vocal microphone. ...our own microphone is the only way to ensure you will be performing with a microphone with which you are comfortable.
    5 KB (893 words) - 05:16, 26 March 2017
  • ToneMatch Microphone Presets
    ===Microphone=== ...and gain before feedback<ref>[[Presets 1.0|Original description of how the Microphone Presets work]]</ref>.
    1 KB (219 words) - 20:09, 16 December 2018
  • Leslie Speakers
    ...nsity of the sound will be at a maximum when it points at the listener (or microphone), The sound intensity will increase as the rotating source approaches dead == Microphone-Prepared Stock Leslie== This technique has been used very successfully in a
    39 KB (6,630 words) - 16:45, 23 March 2011
  • T1® to Denon DN-X500
    ==== {{T1}} to Denon DN-X500 microphone input ==== ...the way off and bring it up slowly. You will also want to have the DN-X500 microphone input level set quite low to start until you figure out the levels so that
    2 KB (437 words) - 04:25, 26 March 2017
  • Bass Regeneration
    ...nstance, if you are a singing bassist, use a highpass filter on your vocal microphone to keep your bass signal out of the regeneration loop. Use only the range ...he beater for a strong signal. This way, you can reduce system gain on the microphone. Also, get the kick drum as far from the drum’s bass box(es) as possible.
    6 KB (1,016 words) - 21:04, 16 January 2023
  • L1® Model I / FAQ
    Phantom power is a DC voltage that powers the preamplifier of a condenser microphone. It can be in a range of 11 – 48 volts. ...ine array systems. When you select a proprietary ToneMatch preset for your microphone or instrument, you are tapping into a powerful new technology available onl
    60 KB (9,859 words) - 05:33, 26 March 2017
  • Stage Layouts / Corner
    I ran T1&trade;s mounted on each the microphone stands controlling the L1&trade; directly behind it. I had a Scene worked o Minor note: We pulled the other microphone stands off to the sides during this part of the show.
    4 KB (819 words) - 12:30, 9 April 2011
  • Shure 55SH Series II Vocal & Speech Microphone
    There aren’t many of us here using this microphone with the L1 System, but for any curious folks on prospective performance, l I have not read anywhere exactly what the guts of the microphone are patterned after. That is, it’s been said that it is very similar to
    3 KB (571 words) - 10:28, 16 October 2008
  • Securing the T1® to the Microphone Stand Bracket
    ...ums/a/tpc/f/3976055944/m/9370021626?r=3300035626#3300035626 using the T1® Microphone stand adapter]</ref> ...elcro to secure the ToneMatch cable to the microphone stand just above the Microphone Stand Adapter (the thing that clamps around the mic stand).
    2 KB (397 words) - 05:11, 26 March 2017
  • TC-Helicon VoiceSolo FX150
    The {{PAGENAME}} is an personal monitor system that attaches to a microphone stand. It can be used in other ways, but we'll talk about using it as a per As simple as it is to set up, it's more trouble than it's worth. On the microphone stand, I have found it too prone to feedback. I can't get the volume up hig
    6 KB (1,045 words) - 17:45, 30 April 2015
  • Noise Gate
    ...down microphones that are not being used. When the sound presented to the microphone is loud enough (it reaches a predefined threshold), the gate will open allo ...down microphones that are not being used. When the sound presented to the microphone is loud enough (it reaches a predefined threshold), the gate will open allo
    4 KB (659 words) - 11:47, 29 July 2023
  • ToneMatch Mixer Phantom Power to Tyros 5 Microphone Input
    :By connecting a microphone to the [MIC INPUT] jack (accepts either XLR or standard 1/4” phone plug c #Connect the microphone to the T1 Channel 1 XLR input <br>[[File:T1 Phantom to Tyros 4 mic input 2.
    3 KB (474 words) - 13:59, 23 April 2019
  • EV RE-2 Wireless Microphone Review
    * Balanced XLR audio output for Microphone or Line level signals and a 1/4-inch line level jack * NDYM 767a Dynamic premium vocal microphone with VOBTM(Vocal-Optimized-Bass)
    4 KB (614 words) - 14:24, 11 March 2020
  • Feedback / T1 ToneMatch® Audio Engine
    You'll be using the parametric equalizer on the {{T1}} to improve vocal microphone feedback. The parametric equalizer has a frequency adjustment to select the # Turn the volume down on the microphone channel; mute any other microphone channels.
    3 KB (522 words) - 15:37, 8 June 2021
  • Compact Channel 1 Noise
    First and most importantly, please make sure that you have a microphone connected when you turn up the Channel&nbsp;1 Volume control. As other memb ...n microphones so we’ve elected to include a higher amount of gain on the microphone channel.
    2 KB (405 words) - 22:50, 22 July 2009
  • Cliff Mics
    The Ocean Way RM1-B microphone was designed, developed and engineered by pro-audio transducer inventor and ...the electronics. The knobs feel great and look right in proportion to the microphone. The softened, etched and anodized case components and knobs have a silky a
    6 KB (872 words) - 11:24, 15 February 2020
  • Sennheiser MD 445
    {{Microphone Information [[Category:Microphone]]
    3 KB (437 words) - 22:12, 24 September 2023
  • Neumann KK 205
    {{Microphone Information ...th the freedom of wireless operation and all the virtues of a rugged stage microphone: excellent pop protection, enormous SPL capability, and high feedback resis
    4 KB (491 words) - 03:25, 15 January 2022
  • Troubleshooting
    ...r loudspeakers, and fewer microphones to manage per System. ... [[Feedback/Microphone|full article]] ...{{L1 nl}} system. That is: eliminate everything between your instrument or microphone and the {{L1 nl}} System.
    7 KB (1,133 words) - 16:32, 13 October 2010
  • Leslie loudspeakers
    ...nsity of the sound will be at a maximum when it points at the listener (or microphone). The sound intensity will increase as the rotating source approaches dead == '''Microphone-Prepared Stock Leslie''' ==
    42 KB (7,262 words) - 13:29, 2 September 2008
  • L1® Traditional Music System
    ...M.)<br><br>Our goal was to explore microphone spacing, player comfort, and microphone type in our work over the course of about three hours. Steve, Brendan, and ...ondensor microphone which is then fed to the PA. The players move into the microphone when it's their turn to solo or sing, creating a new kind of choreography d
    15 KB (2,537 words) - 04:04, 2 April 2017
  • L1® T1 ToneMatch® Audio Engine / FAQ
    ...touch of a button. When you select a proprietary ToneMatch preset for your microphone or instrument, you are tapping into a powerful new technology, available on ===ToneMatch audio engine microphone stand bracket===
    31 KB (4,908 words) - 04:28, 9 April 2017
  • Gig Report / 8 Live Acts 7 Hours
    ...e this was all going on during the set. I could crawl around and stick the microphone on the stand. ...tle squeal, her boyfriend would give her a look, she'd sit up and hold the microphone in her lap and all would be good again.
    13 KB (2,352 words) - 07:12, 20 November 2010
  • XLR
    == Microphone Cable == [[Image:XLRXLRMF.png|thumb|microphone cable with male and female XLR connectors|right]]
    518 bytes (72 words) - 22:57, 18 July 2007
  • Parametric EQ / Solving Problems
    === Controlling Vocal Microphone Feedback === :A microphone responds to the movement of air and it does not care what caused the air to
    6 KB (952 words) - 15:34, 8 June 2021
  • Vocal and Guitar Performance Techniques
    * Having trouble with popping consonants? Move closer to the microphone. Eliminate plosives by keeping your lips on the windscreen * Moving back from the microphone robs you of tone.
    6 KB (832 words) - 14:54, 7 October 2019
  • Invention of ToneMatch® Technology
    ...he knew how to make any good microphone sound close to a studio condenser microphone with some judiciously-applied EQ. So he bought some Symetrix 1/3-octave equ == Working with Instrument / Microphone Makers ==
    6 KB (973 words) - 18:29, 26 March 2017
  • T1 ToneMatch® Audio Engine with Compact for Karaoke
    * Microphone :Sing directly into the microphone using close microphone technique (lips just brushing the windscreen). Sing as loudly as you will s
    7 KB (1,177 words) - 04:14, 26 March 2017
  • PS1 Powerstand Connections
    This is the same as a microphone cable but is also used to connect a balanced line output to a balanced line ...pecialty cable that was supplied with the instrument. It is intended for a microphone input on a mixer and will work fine with the Bose System.
    4 KB (654 words) - 10:36, 5 November 2010
  • Spare Parts
    [[Image:T1MicStand.jpg|T1™ Microphone Stand]] ...o engine microphone stand bracket: Mount your ToneMatch™ audio engine to microphone stands securely with this convenient, custom bracket. Fast, easy setup. Fea
    2 KB (365 words) - 02:31, 13 January 2008
  • DI
    ...necting a piece of equipment with an electronic audio output to a standard microphone or line level input. It performs both level and impedance matching to minim ...impedance suitable for feeding down a long multicore to a mixing desk’s microphone input. A low impedance enables long cable runs, with very little quality lo
    4 KB (608 words) - 15:46, 23 January 2013
  • Gain Before Feedback
    ...sure level that can be attained before the sound from a speaker enters the microphone and is amplified a second time, creating a loop that only builds on itself: ...of how loud a sound reinforcement system can be turned up before any open microphone(s) will feed back. The point at which feedback occurs is effected by numero
    991 bytes (142 words) - 00:29, 28 June 2018
  • L1® Model II / FAQ
    ...itional guitar amplifier. These guitarists can use a tube amplifier with a microphone in front of the amplifier. Exceptional results have been obtained with the ...II system<nowiki>’</nowiki>s analog input. However, in this instance, a microphone cable must be used in conjunction with a direct box or a transformer to ada
    42 KB (6,832 words) - 05:25, 26 March 2017
  • TC-Helicon Harmony Singer
    ...ypass]]). If you are using a {{Compact}} channel 1, you cannot bypass the microphone Preset.
    1 KB (227 words) - 00:17, 23 December 2014
  • Microphone Popping
    ;Question: How do I remove the popping sound when I say "P"s and "B"s into my microphone. Shure SM58 ...at you have excessive popping for breath blasts, you should try moving the microphone closer, farther away, or placing at the corner of your mouth so it is not i
    1 KB (202 words) - 16:43, 4 July 2018
  • Trim Controls Volume Controls Master Volume
    * Microphone :Sing directly into the microphone using close microphone technique (lips just brushing the windscreen). Sing as loudly as you will s
    3 KB (508 words) - 06:27, 22 December 2018
  • Gain Staging
    {{T1 Gain Microphone}} {{Get Plugged In Microphone}}
    7 KB (1,267 words) - 00:54, 30 November 2016
  • Setup 5 Minutes
    * Microphone (s) * 1 XLR for Microphone
    3 KB (524 words) - 00:28, 23 December 2008
  • Instruments / Drums
    ...o microphones will get equally but out-of-phase so it cancels when the two microphone signals are summed together. In essence it creates a "blind spot" for the m You will need to swap the wires on 2 and 3 on one of the ends that goes to a microphone.
    6 KB (927 words) - 15:30, 22 December 2008
  • Terminology & Concepts
    == Microphone Directionality ==
    2 KB (312 words) - 16:08, 18 June 2016
  • Mixer
    This is the same kind of cable you would use to connect a microphone. The XLR inputs for Channels 1 and 2 are intended for microphone level inputs. <br>
    4 KB (558 words) - 06:14, 3 February 2015
  • PS1 Powerstand / Daisy Chain
    * Run your microphone into the first {{l1 nl}} PS1 Powerstand (let's say - Channel 1). * Choose the best preset for your microphone.
    3 KB (488 words) - 10:45, 26 May 2011
  • T1 ToneMatch® Audio Engine / KickGate
    ...vel of a kick drum channel while eliminating the risk of feedback from the microphone. # Connect the appropriate type of microphone.
    4 KB (718 words) - 04:48, 26 March 2017
  • L1® and Feedback
    - There are far fewer feedback loops because a microphone is connected to only one Cylindrical Radiator® speaker, not many as in the ...drical Radiator speaker (little level change with distance) you can move a microphone around with much less fear of triggering feedback.
    2 KB (406 words) - 18:13, 26 March 2017
  • Muddy Sound
    === Open Microphone on the Kick Drum ===
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  • T1 ToneMatch® Audio Engine / Digital Delay for Second L1®
    * &nbsp;&nbsp;1&nbsp; Microphone * &nbsp;&nbsp;2 Microphone / Instrument or Mixer
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  • Gig Report / House Concert Fundraiser
    ...e I got there. All I did was suggest some different Presets to try for the microphone on his acoustic Guitar. Then I got as far as telling him about the Scenes, ...a Scene. Just an aside, he runs his Guitar with a pickup and then likes a microphone on stage with all the low end cut out, and the gain relatively low so that
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  • Zoom H4 and T1® Usage
    ...ll hear what is plugged into the input of each channel, whether it’s a microphone, iPod, guitar, etc. * Microphone / instrument -> T1 -> T1 AUX out -> Zoom H4 Recorder (L or R input)
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  • L1® Model 1S FAQ
    ...y into the L1 Model 1S system's analog input. However, in this instance, a microphone cable must be used in conjunction with a direct box or a transformer to ada <li>ToneMatch audio engine microphone stand bracket (PC 042535)</li>
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  • TC-Helicon Harmony G-XT to Compact
    Connecting the TC-Helicon Harmony G-XT microphone output to the L1® Compact Channel 1. ...one Preset]]. As a result you ''may'' experience a greater tendency toward microphone feedback when using the '''Tone''' feature. You can overcome this by turni
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  • TC-Helicon Harmony G to Compact
    Connecting the TC-Helicon Harmony G microphone output to the L1® Compact Channel 1. ...one Preset]]. As a result you ''may'' experience a greater tendency toward microphone feedback when using the '''Tone''' feature. You can overcome this by turnin
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  • T1 ToneMatch® Audio Engine / Gain Staging
    * Microphone :Sing directly into the microphone using close microphone technique (lips just brushing the windscreen). Sing as loudly as you will s
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  • Bose S1 Pro Compared to Bose L1® Compact
    <li>Vocal Microphone</li> <li>Vocal Microphone</li>
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  • T4S/T8S ToneMatch® Mixer
    * Microphone :Sing directly into the microphone using close microphone technique (lips just brushing the windscreen). Sing as loudly as you will s
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  • Mixer to Share Presets on S1 Pro
    * Pool all microphone inputs to one side of the mixer (e.g. LEFT). ...(LEFT output the mixer) to S1 Pro channel 1 with ToneMatch switch set to Microphone.
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  • Dynamic Microphones
    ...of quality or gain-before-feedback, it can have an impact on how loud the microphone sounds through the {{S1 Pro}}. <th width="200">Microphone</th>
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  • Sennheiser e 965
    {{Microphone Information [[Category:Microphone]]
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  • Live or PreRecorded / Stereo and *-Mono
    ...ments, one for stereo pre-recorded material and one for live vocals from a microphone. We were mostly listening for any vocal interference problems that might co <br> 2.) Compared live microphone vocals on 4+8 vs. 2+4 vs. 1+2
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  • Wiki Team
    ...al:Categories|categories]]. For example if you are creating a page about a microphone technique you would add this. <nowiki>[[Category:Microphone]]</nowiki>
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  • Sketches / Principles
    ...t to the Bose System on say, Channel 1 and set the preset for the model of microphone being used. You could do this again for Channel 2 and then a third sub-mix ...YxpjeQ!193.entry Bluegrass] situations (several acoustic players sharing a microphone or two) requires a different approach.
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  • Presets - Finding What Works
    ...Electric Guitar. You can adapt these ideas to work with your instrument or microphone. I would run a relatively clean sound with no effects (no reverb, chorus or If you are using a vocal microphone skip to [[Presets_-_Finding_What_Works#Gain|Gain]]
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  • Message Board / Questions That Get Answers
    <br />Provide details like the make/model of the microphone, how it is being used (vocal or instrument) and the general environment (fo microphone).
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  • Making a Living with the L1®
    ...audience. In large concerts, amplifying electric guitar tone by placing a microphone pickup in the "right" place is good for the audience but the artist never h ...naked as can be in front of an audience. If you talk to them through your microphone and mumble, they'll tell you. Make a lot of bad notes or play out of tune
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  • Can I Use It as a PA
    ...edback-producing sound field due to all the lobes. Depending on where your microphone is, you might have a lot of feedback at some frequencies and none at others ...n and individual localization everywhere. Interestingly, the idea to use a microphone and pickup, both on the same instrument (guitar), might be good. They will
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  • Gain Staging/General Principles
    # Choice: microphone or input trim? #* Preferred: Raise the level of the microphone. Move it closer to the source and if possible, make the source louder.
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  • International Bluegrass Musicians Association
    Because the bands were new to this setup (as were we), we placed a third microphone on center as a visual reference, but we didn’t actually connect it to any
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  • T1 ToneMatch® Audio Engine / FAQ
    Q: How many microphone inputs? : A: Five. This includes the microphone inputs being used as line level inputs. The last two share a signal chain (
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  • T1 ToneMatch® Audio Engine / Videos
    * [[T1 ToneMatch® Audio Engine / Gain Staging a Microphone|Gain Staging a Microphone]]
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  • ToneMatch®
    ...then keeping good tone comes from the need to use an instrument pickup or microphone, and a loudspeaker. ...obably better by trying to work with a good sound engineer, or try another microphone or pickup.
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  • ToneMatch Mixer / zEQ
    [[Image:T1zEQ.png|right|T1 zEQ settings for vocal microphone]] __NOEDITSECTION__ ...lping to identify the instrument they are using (or in the case of a vocal microphone, that they're a vocalist). With this information, it's possible to design c
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  • T1 ToneMatch® Audio Engine Tips
    ...7521050644/m/8191015394?r=8711084805#8711084805 All cables strapped to the microphone stand] - ST ...cc/eve/forums/a/tpc/f/7521050644/m/3821030784?r=5641090784#5641090784 T1® Microphone Bracket - thoughts, ideas, alternatives] - Many contributors
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  • Stage Layouts / Soloist with a Guest
    ...have an occasional guest. This model of the L1&trade; has two combination microphone/line inputs with Presets so how do you add more inputs for the guest. Here This is about as simple as it gets. You are running your vocal microphone into Channel 1 and your Guitar with a pickup to Channel 2. You are using ap
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  • Stage Layouts / ST Duo
    ...a/ga/ul/6291080154/inlineimg/Y/1ts.gif Vocal Neumann KMS105. Preset: Vocal Microphone KMS 105 ...rums/a/ga/ul/6291080154/inlineimg/Y/1ts.gif Vocal AKG C1000s Preset: Vocal Microphone Hi Gain "Normal"
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  • Is It Too Expensive?
    Now you look at the Bose System and the Remote unit on the microphone stand. There's four controls (three tone and a level) for each channel. The For this musician, the System provides two flexible inputs that can handle a microphone or instrument (Channels 1 and 2). There are also two routing options for ef
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  • L1® System FAQ
    ...r stand or into a ToneMatch® audio engine. When pickups aren't present, a microphone may be used. An {{L1}} Model I power stand is equipped with 24V phantom pow <b>With a traditional guitar amplifier.</b> Place a microphone in front of a traditional tube amplifier and connect the mic cable to an in
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  • Sample Profile
    # Microphone # Microphone
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  • Wiki Create Profile
    # Microphone # Microphone
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  • Share the Wealth Contest 2008 Qualifying Entries
    EV RE-2 Wireless Microphone Review</a></td> Shure 55SH Vocal &amp; Speech Microphone</a></td>
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  • Pickups
    ...cally the purest approach to amplifying acoustic instruments. With a good microphone, you can pick up the sum of all the sound from the instrument, albeit at a
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  • T1 ToneMatch® Audio Engine / Daisy Chain
    1 - microphone 1 - microphone
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  • Feedback / T1 ToneMatch® Audio Engine / Comp Gate
    Use the CompGate - Noise Gate to effectively mute the microphone when there is not a strong vocal. ...push the vocal mike to the max. Also, I don't have to stand in between the microphone and the Bose to avoid that ensuing ring. The band was awestruck by my the i
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  • T1 ToneMatch® Audio Engine / Single Input to Two Channels
    * Vocal microphone going to Channel 1 and then Channel 3. Blue: Microphone into Channel 1.
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  • Sony C48 Microphone
    The Sony C 48 is a large diaphragm, multi-pattern condenser microphone designed for vocal and general instrument recording and sound reinforcement Microphone Connector: XLR-3-12C type
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  • Mixer / Alto / L-12
    This mixer has a button to attenuate the output to match microphone level inputs like those found on the {{Classic}} and {{Model I}}. ...should be fine. This is the same kind of cable you would use to connect a microphone.
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  • Mixer to Share Presets on the Compact
    * Pool all microphone inputs to one side of the mixer (e.g. LEFT). ...output the mixer) to Compact Channel 1 (built-in Preset is Handheld Vocal Microphone)
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  • Clifford A Henricksen
    ...stic technologies and is in the process of bringing a new, advanced ribbon microphone to market, for use in recording and broadcasting. He also remains active as ...ng filters by ear, often in collaboration with major instrument makers and microphone manufacturers. Creator of a large volume of support copy, used in advertis
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  • Shure 55 Microphone Presets
    .../americas/products/microphones/classic/55sh-series-ii-iconic-unidyne-vocal-microphone Shure 55SH] {{:Shure 55SH Series II Vocal & Speech Microphone}}
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  • TC-Helicon VoiceLive Play GTX to T1®
    I like the VoiceLive Play GTX Tone Style feature, but I prefer the T1® microphone Preset. This is an either/or situation. That is, you don't want to run both On the T1® Bypass the microphone Preset(assuming you are connected to Channel 1 it looks like this.)
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  • T1® No Sound
    #Try connecting a microphone to Channel 1. #If you are using a condenser microphone make sure that you have phantom power turned on.
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  • F1 Model 812 Flexible Array Loudspeaker
    ...NPUT switch sets the input sensitivity. The MIC setting does not apply any microphone specific EQ. In this way, it is different from the {{Compact}} Channel 1 in ; Can I connect a microphone directly into the F1 Model 812?
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  • TC-Helicon Play Acoustic to T1®
    I like the TC-Helicon Tone Style feature, but I prefer the T1® microphone Preset. This is an either/or situation. That is, you don't want to run both On the T1® Bypass the microphone Preset(assuming you are connected to Channel 1 it looks like this.)
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  • T1 ToneMatch® Audio Engine to F1 System
    Use an ordinary microphone cable to connect the first F1 Model 812 to the second one. Use an ordinary microphone cable to connect the first F1 Model 812 to the second one.
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  • Microphone Polar Pattern
    ...microphones with supercardioid or hypercardioid polar patterns for best [[Microphone Feedback|gain-before-feedback]] with the Bose L1 systems. {{Microphone Polar Pattern}}
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  • Do I Need to Upgrade from the L1 Compact to the L1 Pro8?
    * Phantom power<br>My preferred microphone is a Neumann KMS 105 (condenser microphone that requires phantom power). I have some dynamic microphones that work wel
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  • Do I Need to Upgrade from the L1 Model II to the L1 Pro32?
    I had grown used to having the {{T1}} mounted on my microphone stand in front of me. I had everything organized around playing like that, ...ry and set up. I can use the L1 Mix app using a small tablet mounted on my microphone stand. I can work with the built-in reverb and ToneMatch Presets. For more
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  • Sennheiser MD 435
    {{Microphone Information [[Category:Microphone]]
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  • Neumann KMS 105
    {{Microphone Information [[Category:Microphone]]
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  • Kemper Profiler to L1 Pro
    * All XLR inputs are balanced, microphone level (not a good match for the Kemper XLR outputs) The XLR jacks on the L1 Pro are microphone-level signal sources, '''not''' line-level outputs.
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  • Sennheiser XSW for S1 Pro
    ;Q How can I run wireless instruments and microphone to the S1 Pro like the S1 Pro+ ;Microphone
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  • Should I get an L1 Pro8 or L1 Pro16
    ** For every doubling of the number of loudspeakers connected to a microphone, you lower your gain before feedback by up to -3 dB ** If you split the microphones, so each microphone is heard through only one loudspeaker, you increase your gain before feedba
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  • L1® Unofficial Users' Guide
    *[[Feedback / Microphone|Feedback]] Everyone wants to know about this
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  • Steve's Tips and Tricks
    ...k. Put the {{PS1}} down, hook up the remote, B1, Power, instrument cables, microphone cables, etc. as appropriate, then place the Cylindrical Radiator® into the
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  • Presets/Model I and Classic
    ...esets have been updated to Version 2.0, used a steady sound source (e.g. a microphone) and switch from Preset 80 to 81, 82, 83... These were not used in [[Preset
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  • Mixer Outline Template
    ...should be fine. This is the same kind of cable you would use to connect a microphone.
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  • Pad
    ...1% resistors, but common-ordinary 5% carbon film resistors will work. For microphone pad applications, 1/4 watt or less is fine.
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  • Mixer / Behringer / UB1222FX-Pro
    ...should be fine. This is the same kind of cable you would use to connect a microphone.
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  • Effects/TC-Helicon/VoiceLive
    The VoiceLive Manual says "MIC IN SELECT Button - This selects the microphone for the Vocal input. When not pressed, VoiceLive defaults to the Line input
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  • Acoustic Guitar
    ...erformance. Most people will agree that pickups cannot compete with a good microphone for serious recording. At the same time, many people would like to use pick
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  • Article Requests
    See [[Feedback/Microphone]] [[User:ST|ST]] 01:19, 30 August 2006 (GMT-7)
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  • Electric Bass
    ...so used to support other sources (such as the bassist<nowiki>’</nowiki>s microphone, for example), then the purchase of the system for use as a bass amp is a l
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  • PorchBoard Floor Bass
    ...nating the common problems associated with the resonant surfaces used with microphone and piezo pickups and by eliminating the wide range frequencies that are us
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  • Musical Instruments
    ** [[Reducing Bleedthrough from Guitar to Vocal Microphone]]
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  • Mixer / Allan & Heath / MixWizard WZ3
    The {{PS1}} XLR inputs are designed for microphone level inputs so the +4 dBu output from this mixer is too high for optimal o
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  • Microphone/Testing
    [[Category:Microphone]]
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  • Mixer / Mackie / 1202-VLZ
    ...e the Model I / Classic Channel 1/2 XLR Inputs are designed to accept a '''Microphone level input'''.
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  • XLR Cables - Technical Discussion
    ...n fluctuate (vary) -- even within a single piece of equipment ... but with microphone-level signals, that variation can show up as 'noise'. Therefore, circuit d
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  • L1® Model II Documentation
    In other words, it will be hard to find an instrument or microphone that you can't connect directly
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  • Microphone Gain / Video
    ...t=390" title="Microphone Gain - L1® Model I and Classic" class="thickbox">Microphone Gain - L1® Model I and Classic</a></html><noinclude>[[Category:Classic]][[
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  • Line Noise
    ...ire for all microphones and input cables. Also, use low-impedance balanced microphone cables, which are less susceptible to interference than high-impedance type
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  • Mixer / Mackie / 1402-VLZ3
    ...should be fine. This is the same kind of cable you would use to connect a microphone.
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  • L1® PackLite® A1 Amplifier / FAQ
    |ToneMatch™ audio engine microphone stand bracket
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  • Presets / ToneMatch® / Downloads
    ...! These presets were developed in collaboration with select instrument and microphone manufacturers. The result is a group of presets that preserve the instrumen
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  • T1 ToneMatch® Audio Engine / Switching Between Instruments
    I usually run my vocal microphone to Channel 1 and the Guitar to Channel 2.
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  • Practise Practice Rehearsal Simulation
    ** same microphone, stand,
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  • Presets 2.0
    ...7a/Preset2 combination, so I started here as a reference. Of course, every microphone has its own character. These include how the mic responds to proximity, how
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  • Festival Sound
    * Open stage / open microphone events.
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  • Stage Layouts / Duo with Model II and Model I
    * System 2: We have changed the orientation of the vocal microphone so it is not pointed at the {{L1 CR}} behind it.
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  • Connections / DJ VJ Computer to Model I
    I have left Channel 1 open for a microphone if needed.
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  • Connections / Drums for Model I
    ...xer to Channels 3 or 4. This would leave you with Channel open for a Vocal microphone.
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  • Review/Microphone/Various
    #REDIRECT [[Review / Microphone / Various]]
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  • Wet Weather Tips
    ...the top to cover the rest of the pole, etc. I use another one for my small microphone stand that holds the T1.
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  • T1 ToneMatch® Audio Engine / Microphone Setup Example
    This is a very quick look at how to set up your {{T1}} for a specific microphone. In this case for an Audix OM6.
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  • T1 Microphone Setup Example
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Setup Example]]
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  • South Atlantic States L1® Conference 2008
    * Baby Blue Eyes - Shure SH55 Series II microphone
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  • No Longer Available:Custom Slip Covers
    ...for the quality here. Cell phone pictures taken just before we set up the microphone stands and turned down the house lights.
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  • Digitech Vocalist Live 2 - Alternative Method to Connect to a T1®
    ...nger guitarist who, like many, is very particular about both my guitar and microphone tone, and I have worked very hard over a long time to achieve my tone, incl
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  • Review Template
    ...turer Model TypeOfProduct Review'''<br>for example:<br>'''EV RE-2 Wireless Microphone Review'''
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  • Microphone Review - Various
    #REDIRECT [[Review / Microphone / Various]]
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  • Dehlia Low: Setting up a 5 Piece Acoustic Band
    ...pick-ups, or DI's of any sort. Three of us work around one large diaphragm microphone in the middle. We have another condenser right under that, mainly for the m
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  • Composite Acoustics 7M-CE Grand Auditorium Guitar Review
    ...through an {{Classic}} with a standard R1 and 2 B1's with a Sennheiser 945 microphone and using a Digitech Vocalist Live 4 for harmonies. I play in venues rangin
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  • L1® for Studio Monitoring
    ...tail.aspx?ProductId=43 Presonus Firewire Project] ''''mixer'''' for my six microphone inputs. Those signals ran though the Firewire cable into a laptop recordin
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  • Hammered Dulcimer
    ...[[http://toonz.ca/bose/wiki/index.php?title=Fiddle fiddle with an attached microphone]], we applied the same set of gear to that as well.
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  • L1® Timeline
    ** [http://shadowtoonz.spaces.live.com/blog/cns!5FBC981056CCCFC1!159.entry Microphone Comparison]
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  • Shure 55
    #REDIRECT [[Shure 55SH Series II Vocal & Speech Microphone]]
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  • Shure 55 Series II Microphone
    #REDIRECT [[Shure 55SH Series II Vocal & Speech Microphone]]
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  • 5th Anniversary of L1® Launch
    ...he system behind the band so they could hear it. The Dead used a canceling microphone system too, to reduce feedback in large-audience shows. Ken and I knew it w
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  • Jam Session
    ...gine that you are pointing at things and doing interesting things with the microphone as you say...
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  • Earliest Activities
    ...he system behind the band so they could hear it. The Dead used a canceling microphone system too, to reduce feedback in large-audience shows. Ken and I knew it w
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  • Ken's Main Page (temporary)
    * [[Microphone Feedback]]
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  • Microphone Tips
    #REDIRECT [[Feedback / Microphone]]
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  • Microphone Directionality
    {{Microphone Polar Pattern}}
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  • Acronyms
    ...necting a piece of equipment with an electronic audio output to a standard microphone or line level input. For more details see: [[DI]]
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  • T1 ToneMatch® Audio Engine / Insert for External Effects
    # From your main input (for example, a microphone into Channel 1) take the Preamp Out to your external effects unit.
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  • ToneMatch Mixer without L1
    {{ToneMatch}} presets optimize the sound of a microphone or instrument when used with an {{L1}} system. So this might lead you to co
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  • T1 ToneMatch® Audio Engine / zEQ / Using
    [[Image:T1zEQas ToneControls.jpg|T1 zEQ settings for vocal microphone]]
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  • Model I and Model II Comparison / Stage Monitoring Experience
    ...of the L1™).<br></li></ul><br><br>Gear setup: <ul type="SQUARE"><br><li> Microphone to T1® <br></li><li> T1 ToneMatch® connection to Model II<br></li><li> T1
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  • L1 Advertisements
    [[Image:Feedback fig 1.jpg|800px|Microphone Feedback]]
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  • Compact Daisy Chain
    ...two or more {{Compact}} systems, you will want to run each sound source (microphone or instrument) to just one {{Compact}} system, typically the closest one. S
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  • Mixer / Mackie / 802-VLZ3
    ...should be fine. This is the same kind of cable you would use to connect a microphone.
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  • T1 ToneMatch® Audio Engine Microphone Stand Bracket
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Stand Bracket]]
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  • T1 ToneMatch® Audio Engine to Compact
    ...annel 1 volume all the way down (fully counterclockwise) unless you have a microphone attached to it.
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  • Boss RC-30 Loop Station
    * I ran my input (in this case a microphone) into Model I (or Classic) Power Stand Channel 1
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  • Microphone into T1® Channel 4/5
    {{:T1 ToneMatch® Audio Engine / Microphone into Channel 4}}
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  • Bose Engineer Ken Jacob Helps Artists Communicate with Audiences
    ...way to think about it. Imagine that you were a musician and had selected a microphone (or instrument pickup) and loudspeaker that you knew were capable of delive
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  • T1 ToneMatch® Audio Engine / Connections to Compact
    ...t}} Channel 1 is not recommended because that channel has a built-in vocal microphone {{ToneMatch}} Preset.
    1 KB (186 words) - 11:48, 30 August 2018
  • Recording USB Dry
    If your source (microphone or instrument) is connected to T1 Channel 1
    856 bytes (146 words) - 14:45, 7 February 2014
  • Compact to Model II Daisy Chain
    ...have two or more {{L1}} systems, you will want to run each sound source (microphone or instrument) to just one {{L1}} system, typically the closest one. Someti
    1 KB (234 words) - 10:30, 12 May 2014
  • Compact to Model 1S Daisy Chain
    ...have two or more {{L1}} systems, you will want to run each sound source (microphone or instrument) to just one {{L1}} system, typically the closest one. Someti
    1 KB (235 words) - 10:29, 12 May 2014
  • Kemper Profiler
    ...pieces of information about provider of the Rig, amplifier, amp settings, microphone, instrument, purpose of the Rig.... It can be edited when you store a RIG (
    24 KB (3,721 words) - 12:54, 8 August 2023
  • Microphone Review
    #REDIRECT [[Review / Microphone / Various]]
    43 bytes (4 words) - 14:19, 15 June 2015
  • T1 ToneMatch® Audio Engine / Stereo Output to Two F1 Systems
    ...und of the T1® Presets and/or zEQ and/or ParaEQ and/or prefer to run your microphone through the T1®. If you won't be using these features of the {{T1}} it is
    7 KB (1,179 words) - 05:03, 26 March 2017
  • T1® Microphone Stand Bracket Tips
    {{T1® Microphone Stand Bracket Tips}}
    38 bytes (5 words) - 11:05, 29 March 2017
  • ToneMatch Mixer ToneMatch Presets, zEQ, ParaEQ
    When setting up a new source (e.g. new microphone)
    3 KB (446 words) - 00:54, 4 July 2023
  • T1 ToneMatch® Audio Engine / Gain Staging a Microphone
    Here's a quick video to help you to set the input trim for a microphone on the {{T1}}. This is called Gain Staging. ...se join [https://www.bosepro.community/g/portable/topic/how-do-i-set-up-my-microphone-with-the-t1-tonematch-audio-engine the conversation in the Bose Pro Portabl
    662 bytes (105 words) - 10:44, 28 August 2018
  • Microphone into T1® Channel 4/5
    #REDIRECT [[Microphone into T1® Channel 4/5]]
    46 bytes (5 words) - 03:23, 26 March 2017
  • T1 ToneMatch® Audio Engine / Gain Staging a Microphone
    #REDIRECT [[T1 ToneMatch® Audio Engine / Gain Staging a Microphone]]
    69 bytes (9 words) - 04:47, 26 March 2017
  • T1 ToneMatch® Audio Engine / Microphone into Channel 4
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone into Channel 4]]
    69 bytes (8 words) - 04:49, 26 March 2017
  • T1 ToneMatch® Audio Engine / Microphone Setup Example
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Setup Example]]
    68 bytes (8 words) - 04:49, 26 March 2017
  • T1 ToneMatch® Audio Engine / Microphone Stand Bracket
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Stand Bracket]]
    68 bytes (8 words) - 04:49, 26 March 2017
  • Securing the T1® to the Microphone Stand Bracket
    #REDIRECT [[Securing the T1® to the Microphone Stand Bracket]]
    63 bytes (9 words) - 05:11, 26 March 2017
  • T1® Microphone Stand Bracket Tips
    #REDIRECT [[T1® Microphone Stand Bracket Tips]]
    48 bytes (6 words) - 11:05, 29 March 2017
  • T1 ToneMatch® Audio Engine Microphone Stand Bracket
    #REDIRECT [[T1 ToneMatch® Audio Engine / Microphone Stand Bracket]]
    68 bytes (8 words) - 11:38, 29 March 2017
  • Beyerdynamic M88 N(c)
    [[Category:Microphone]]
    599 bytes (68 words) - 12:22, 1 February 2018
  • S1 Pro to L1 Model I
    ...r and use an {{Model I}} as the Front of House system you can connect your microphone and instrument to the {{S1}} and connect the {{S1}} to the {{Model I}}
    1 KB (228 words) - 22:20, 16 November 2019
  • S1 Pro to L1 Model II
    ...and use an {{Model II}} as the Front of House system you can connect your microphone and instrument to the {{S1}} and connect the {{S1}} to the {{Model II}}
    1 KB (213 words) - 22:23, 16 November 2019
  • Boss VE-8 to S1 Pro
    # You will connect the microphone and guitar directly to the Boss VE-8 Acoustic Singer.
    2 KB (248 words) - 22:21, 16 November 2019
  • T1 with Phantom Power to Tyros 5 Microphone Input
    #REDIRECT [[ToneMatch Mixer Phantom Power to Tyros 5 Microphone Input]]
    71 bytes (9 words) - 13:53, 23 April 2019
  • L1 Compact to S1 Pro
    ...have two or more {{L1}} systems, you will want to run each sound source (microphone or instrument) to just one {{L1}} system, typically the closest one. Someti
    2 KB (298 words) - 15:39, 13 June 2020
  • Amazon Echo to S1 Pro
    ...ed with an Amazon Echo device to use Alexa. The {{S1 Pro}} does not have a microphone so the Amazon Echo device must be able to hear your commands to respond.
    2 KB (377 words) - 13:14, 12 December 2019
  • Bose L1 Pro8 Compared to L1 Compact
    <li>Fixed: Microphone</li>
    7 KB (1,045 words) - 15:04, 12 June 2021
  • In Ear Monitors for an L1 User
    ...the available channels are occupied by the ubiquitous wireless guitar and microphone systems. I may be wrong, but I predict there will problems when all those p
    10 KB (1,649 words) - 11:55, 21 November 2023
  • Wireless System Interference
    ...ing on the receiver first and checking what it sees in the absence of your microphone signal. If the receiver sees an RF signal being generated by an outside sou
    6 KB (1,141 words) - 12:48, 8 April 2021
  • Should I get an L1 Pro16 or L1 Pro32
    ...levels (not blast people close to the stage), and lower the likelihood of microphone feedback.
    15 KB (2,619 words) - 15:00, 31 October 2023
  • Vocal Microphone Review
    {{:Review / Microphone / Various}}
    34 bytes (3 words) - 22:44, 30 July 2021
  • L1 Pro to S1 Pro
    #* The S1 Pro XLR inputs are MICROPHONE LEVEL, and the L1 Pro LINE LEVEL output is too hot for the XLR inputs. See
    1 KB (252 words) - 01:41, 27 August 2022
  • Microphone Comparison
    #REDIRECT [[Review / Microphone / Various]]
    43 bytes (4 words) - 20:20, 7 November 2021
  • Microphone Polar Patterns
    #REDIRECT [[Microphone Polar Pattern]]
    38 bytes (4 words) - 18:26, 10 September 2022
  • Line 6 Helix to L1 Pro
    The XLR jacks on the L1 Pro are microphone-level signal sources, '''not''' line-level outputs.
    3 KB (516 words) - 01:51, 5 January 2023
  • L1 System for Volunteer Organization
    Connect the microphone(s) and instruments to the ToneMatch mixer
    2 KB (300 words) - 16:59, 18 April 2023
  • HeadRush Prime to L1 Pro
    ...e line-level and too hot for the L1 Pro XLR inputs (which are designed for microphone-level signal sources.
    917 bytes (138 words) - 03:00, 2 November 2023
  • Presets 2.0/Cliff Notes
    ...7a/Preset2 combination, so I started here as a reference. Of course, every microphone has its own character. These include how the mic responds to proximity, how
    10 KB (1,572 words) - 16:16, 21 January 2024
  • Mixer to L1 Pro
    ;Note: The XLR jacks on the L1 Pro are microphone-level signal sources, not line-level outputs found on most mixers.
    4 KB (677 words) - 00:26, 29 February 2024
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